| | Saint-Saëns: Carnival Of The Animals, Etc / Lenárd, Et Al CD Dukas / Lenard / Ravel / Saint-Saens CDS
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Our Price: $7.25  CDFor Sale Usually ships in 1-2 days
Our Price: $9.99
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Saint-Saëns: Carnival Of The Animals, Etc / Lenárd, Et Al Music | List Price | $9.98 (You save $2.73) | | Label | Naxos | | Orig Year | 8/15/2000 | | All Time Sales Rank |  44398  | | CD Universe Part number | 1043594 | | Catalog number | 8554463 | | Discs | 1 | | Release Date | Aug 15, 2000 | | Recording Time | 1 8 |
Saint-Saëns: Carnival Of The Animals, Etc / Lenárd, Et Al Review
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Saint-Saëns: Carnival Of The Animals, Etc / Lenárd, Et Al Songs Saint-Saëns: Carnival Of The Animals, Etc / Lenárd, Et Al Music Composers on Saint-Saëns: Carnival Of The Animals, Etc / Lenárd, Et Al CD : Paul Dukas [Composer], Maurice Ravel, Camille Saint-Saens Conductors on Saint-Saëns: Carnival Of The Animals, Etc / Lenárd, Et Al CD : Kenneth Jean Genres on Saint-Saëns: Carnival Of The Animals, Etc / Lenárd, Et Al CD : Ballet, Fantasy, Romantic Period, Suite, Tone Poem Purchase Saint-Saëns: Carnival Of The Animals, Etc / Lenárd, Et Al To buy, Click on price to add to cart | Handel's Messiah: A Soulful Celebration CD (1992)
Saint-Saëns: Carnival Of The Animals, Etc / Lenárd, Et Al
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Live Recording
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Personnel: Jamecia Bennett (vocals, soprano); Core Cotton, Carrie Harrington (vocals, alto); Terrence Frierson, Patricia Lacy, Kimberly Brown (vocals, tenor, tenor saxophone); James F. Wright (vocals, baritone); David B. Young, Michael L. Bowens (vocals, bass voice); Mervyn Warren (vocals, piano, keyboards, drums, programming, drum programming, background vocals); Richard Smallwood (vocals, keyboards, programming); Donna McElroy, Howard Hewett, Angela Wright, Patti Austin, Take 6, Vicki Hampton, Chris Willis, Kim Fleming, Bob Bailey (vocals, background vocals); Commissioned, Daryl Coley, Jackie Ruffin, Dianne Reeves, Janice Chandler, Melvin Warren, Dennis Sawyers, Caroline Evans, Carolene Evans, David Young, Pat Lacu, Michael Weeks, David Young, Darlene Simmons, Al Jarreau, Michelle Weeks, The Richard Smallwood Singers, Stevie Wonder, Tevin Campbell, The Boys Choir of Harlem, The Clark Sisters , Tramaine Hawkins (vocals); Mike-E (rap vocals, guitar); Leaders of the New School (rap vocals); Jayne Bell, Jayn Bell Porter, Angela Henderson, Cherly Reeves, Sandra Harris, Dorothy Brown, Manecia Bennett, Renee McCall, Elizabeth J. Turner, Wanda Lewis, ...
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Since Chris Young appeared on the "Nashville Star" television program in 2006, he's been on a roll. After signing with RCA he had a hit with "Drinkin' Me Lonely," his first single from his self-titled debut recording. Likewise, the two singles that have preceded the release of THE MAN I WANT TO BE in 2009 haven't done too badly either, getting plenty of play on radio. While Chris Young's sound is firmly in the contemporary country camp, it's also a lot more hardcore honkytonk than it is the refried '70s rock clichés that plague the genre. Part of that is due to his big booming baritone voice that rings as clear as a bell in this mix. (Think George Strait-meets-Josh Turner.) The other part of his appeal is the use of a relatively small group of musicians, giving the disc a more organic sound than a lot of what's out there. Young also has a lot of respect for tradition: "Rose in Paradise" is drenched in fiddles, mandolins, and acoustic guitars. It's a country-styled blues and features no less than Willie Nelson as a duet partner. The final track on the set is a moving cover of Tony Joe White's "Rainy Night in Georgia." Its beauty lies in its arrangement; his reading of this classic ballad is utterly tender and believable, accentuanted by a sparse, stripped-down production. And rather than stick with his trademark baritone, he stretches ...
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GLADIATOR was nominated for the 2001 Grammy Award for Best Score Soundtrack Album for a Motion Picture, Television or Other Visual Media.
The combination of the prolific Hans Zimmer and Lisa Gerrard is an ingenious one. He's set lush musical backgrounds to everything from comedies (I'LL DO ANYTHING), to period pieces (DRIVING MISS DAISY), to blockbuster war flicks (THE THIN RED LINE); she's one of the duo comprising Dead Can Dance, perhaps the most singular popularizers of ancient music of the '80s and '90s.
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