| | American Classics - Hanson: Orchestral Works Vol 1 CD Hanson, Howard / Schermerhorn, Kenneth CDS
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American Classics - Hanson: Orchestral Works Vol 1 Music | List Price | $8.97 (You save $2.38) | | Label | Naxos | | Orig Year | 7/18/2000 | | All Time Sales Rank |  5348  | | CD Universe Part number | 1043813 | | Catalog number | 8559072 | | Discs | 1 | | Release Date | Jul 18, 2000 | | Recording Time | 1 11 |
American Classics - Hanson: Orchestral Works Vol 1 Classical Review American Classics - Hanson: Orchestral Works Vol 1 Songs Purchase American Classics - Hanson: Orchestral Works Vol 1 To buy, Click on price to add to cart | Penderecki: Orchestral Works Vol 3 / Antoni Wit, Polish Rso CD (2000)
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Track Listing of songs: School For Scandal Overture: the School For Scandal Overture, Op. 5; Symphony No. 1: Allegro Ma Non Troppo; Symphony No. 1: Allegro Molto; Symphony No. 1: Andante Tranquillo; First Essay For Orchestra: First Essay For Orchestra, Op. 12; Symphony No. 2: Allegro Ma Non Troppo; Symphony No. 2: Andante, Un Poco Mosso; Symphony No. 2: Presto, Senza Battuto;
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Rosa Torres-Pardo,Piano Eliot Fisk,Guitar,Magdalena M
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On paper it seems as if such titanic and distinctive musical personalities as Thelonious Monk and John Coltrane might not mix very well, but this stellar set, recorded live at Carnegie Hall in 1957, plays almost like a blissful extended duet between the two (with support from a sensitive yet hard-swinging bassist and drummer). The opener, "Monk's Mood," for example, features the composer/pianist's typically brilliant, idiosyncratic playing, while Coltrane floats over the top in the most lyrical of modes. Monk, in particular, is a master of tension-and-release tunefulness, creating rhythmic and harmonic intricacies that seem to spur Coltrane's saxophone exploration to new heights.
The quartet shines on ballads ("Sweet and Lovely"), but the leaders display their best chemistry on the Monk's thorny, uptempo bop numbers. "Evidence" and "Epistrophy," for instance," have Monk adding rhythmic, dissonant punctuation to Coltrane's torrential stream of ideas, creating a thrilling push-pull balance. A superb date, and a must for fans of both artists, AT CARNEGIE HALL captures two of jazz's most important figures working in perfect symbiosis.
Recording information: Carnegie Hall, New York, NY (11/29/1957).
Personnel: Thelonious Monk (piano); John Coltrane (tenor saxophone); Ahmed Abdul-Malik (bass instrument); Shadow Wilson (drums).
Liner Note Authors: Larry Appelbaum; Robin D.G. Kelley; Ira Gitler; Lewis Porter; Amiri Baraka; Stanley Crouch; Ashley Kahn.
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Kent Leslie is a freelance hornist residing in Indianapolis. A charter member of the Indianapolis Chamber Orchestra, he is also principal hornist of the Anderson and Lafayette Symphony Orchestras, hornist with Keynote Brass, and performs often with the Indianapolis Symphony and Louisville Orchestra. As a soloist and chamber musician, Kent has focused primarily on music by living composers and has premiered works by James Beckel, Mark Schultz, Jody Nagel, Michelle McQuaid Dewhirst, Frank Glover, and Becky Archibald.
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