| | Bill Connors Assembler CD Bill Connors Discography of CDs
 (3 Customer Reviews)
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Our Price: $10.49  CDFor Sale Usually ships in 1-2 days
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Recorded at R.P.M. Studios, New York, New York in June 1987. Includes liner notes by Bill Milkowski.
Reissue producer: Jerry Gordon.
Personnel: Bill Connors (electric guitar); Tom Kennedy (electric bass); Kim Plainfield (drums).
Producer: Bill Connors.
Bill Connors Assembler Songs Assembler Music Review Average Rating: (4.3 out of 5 stars)   Excellent Fusion Release.
"Riveting", "Visceral". Excellent, creative, versatile, diverse stuff from ex Return to Forever guitarist Bill Connors. Kinda like a Grittier Allan Holdsworth might be a good way to describe Connors. Classic Fusion Album by a largely overlooked and highly underrated guitarist.
Submitted by jmreisch (Long Island, NY, USA) 
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 UNDERRATED
I'VE HAD THIS ALBUM FOR A LONG TIME,A GUITAR CLASSIC ,IN THE AND BILL CONNORS HAS BEEN ONE OF MY FAVOURITE GUITAR PLAYER -ALONG WITH ALAN HOLDSWORTH AND SCOTT HENDERSON- EVER SINCE I HAVE SEEN HIM WITH RETURN TO FOREVER IN THE EARLY SEVENTIES.I WAS BLOWN AWAY BY HIS SOUND AND HIS PLAYING.HOWEVER WHAT MOTIVATED ME TO SEND THIS REWIEW IS THE FACT THAT KIM PLAINFIELD MUST BE THE MOST UNDERRATED DRUMMER ON THE PLANET,HE IS A MASTER.SO BUY THIS ALBUM AND ANYTHING ELSE BILL CONNORS HAS BEEN ASSOCIATED WITH,YOU' LL HAVE THE VERY BEST.
Submitted by DOMINIQUE POUCHOL (VICHY,FRANCE)
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Maybe the best of the bunch?
As other reviewers have stated, you really can't go wrong with any Bill Connors album. It's kind of a mystery to me as to why he is so underrecorded (something John Scofield might want to look into). In any event, Assembler, IMO, is a bit tighter than the other recordings--I'm purposefully avioding saying this is head and sholders above the others, because they are really all good power trio (mostly trio, anyway) discs.
Sure seems to me that the new Tone Center disc will be a no risk investment. Nice to have something to look forward to in these jazzless times we live in (okay, there is SOME good new recording worth our time and money, but it's no accident that the reissue movement is in full effect). Hey Bill, please, don't do a 20 years between recordings thing--maybe YOU could learn a little something from Sco regarding prolifics!
Submitted by Fred - Herpfauna (Elkins Park, PA)
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Purchase Assembler CD To buy, Click on price to add to cart | Bill Connors Step It CD (1985)
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Since it was impossible to top the in-concert exuberance of their debut, KICK OUT THE JAMS, the MC5 re-emerged with a more refined sound for their sophomore effort, 1970's BACK IN THE U.S.A., their first studio record. The music is comparable to other Detroit proto-punk rockers of the same era (the Stooges, Alice Cooper, etc.). As with the aforementioned peers, raw garage rock serves as the main ingredient for most of BACK IN THE U.S.A. Producer Jon Landau may have lessened the volatility of the MC5 as compared to JAMS, but the band was equipped with ...
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I was born just outside of Philadelphia and moved around the country quite a bit growing-up. Not an army brat--I just had the kind of parents that were always looking to further their careers so that we all could have a better life. Growing-up as a latch-key kid, I learned early-on how to be creative with my time. My best friend and I would sometimes act-out and do things like pick flowers from neighbors' backyards and then go door-to-door, selling them back to those neighbors as freshly cut arrangements. I think it was during this time that I began to see the fun in breaking all the rules once in a while.High school brought the typical problems of puberty. I mostly avoided social situations (outside of my 3 closest friends) and delved into the world of theatre. I'd found my calling, and I spent nearly every waking moment of my high school years taking acting, singing and dance classes...as well as working part-time jobs to pay for them! I ended-up being chosen as a scholarship dancer at Clark Dance Center in NYC, having to lie about my age to be old enough to qualify. A life in entertainment was definitely ahead of me. After college, I toiled away in the corporate world and lived paycheck to paycheck. Paying-off college loans and not knowing how I would ever find a way to pursue my singing career became my two big concerns, and for years I struggled. Until, by chance, I began go-go dancing at clubs in NYC. My talents as a professional dancer helped land me my first booking, and for the rest of my time on Wall Street, I lived a double life: Brooks-Brothers-suit-wearing corporate trainer by day, dancing in clubs and bars at night. Not only was it fun, but it allowed me the extra money to go into the recording studio and start producing my music.From there, I've been able to transition into a freelance consultant as well as pursue my career full-time as a recording artist. In late 2003, OMC Records signed me to a contract, and I have been writing and fine-tuning my sound for the past year. In June of 2004, I took stock of where I was in life and realized that since the major record labels, who I'd dreamed of being signed-to, were only looking for Britney/Justin clones, I would have to ultimately make my own career without them. Not having to worry about what corporate-America thought of me anymore gave me the freedom to (pardon the overused phrase) "step outside the box" and find ways to make a name for myself and begin getting press for me and my music.Having the connections from the clubs, I began to work as an adult film model and have already achieved my goal of getting press---I was nominated as "Best Newcomer" of the Year for the GAYVN Awards and Grabby Awards (the adult industry's awards ceremonies).In the spring of '05, my debut EP, "Dirty Little Secret," was released and has ...
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