| | 25 All-Time Greatest Summer Songs CD (4 Customer Reviews)
Digitally remastered by Dan Hersch (DigiPrep, Hollywood, California).
Kinks,Chad & Jeremy,5th Dimens Ion,Lovin'Spoonful,Dick Dale +
Includes liner notes by Bill Pitzonka.
Compilation producers: Cary E. Mansfield, Bill Pitzonka.
25 All-Time Greatest Summer Songs Music 25 All-Time Greatest Summer Songs Songs 25 All-Time Greatest Summer Songs Music Review Average Rating: (5 out of 5 stars)  GREAT
HAVEN`T HEARD THESE SONGS SINCE I WAS A YOUNG KID. THANKS FOR MAKING IT AVAILABLE. AND THANKS FOR SOME GREAT , LONG LOST, MEMORIES.
JIM MCKEEVER
Submitted by GYMMYMCK (ALLENTOWN,PA.) 
Was This Review Helpful? Yes No Best Summer Sounds of the 60's & 70's
This is a very good "Songs of Summer" CD. The selection runs the timeframe from early rock & roll to The 70's. All are original as you remember them on the radio tracks and the selections truly bring one back to those lazy summer days. This is an excellent selection for those who like 1958 - early 1970 sounds of summer.
Submitted by rwadalav (Massapequa, NY, USA)
Was This Review Helpful? Yes No Great in the Shower too!
Cute CD that makes me happy.
This is a must for all Annette Funicello collectors. The songs are very cute. Great for kids. It's great for the shower too, that is, when I get around to taking one! Wooo Hoooo! I really need to grow up. Me bad!
Submitted by Waxcase (Broken Ho, New Jersey)
Was This Review Helpful? Yes No OLDIES RULE !
Great compilations of hits of the 50's and 60's. Especially love "Summertime, Summertime" by the Jamies. Takes me back to the warm and wonderful days of summer that have faded away with my carefree childhood.
Submitted by Whitney (Meriden, Ct., USA)
Was This Review Helpful? Yes No | Have you heard this album? |  |
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"I first met Eliot Grasso in Achill Island, Co. Mayo in the west of Ireland in August 1999 at the island's annual summer school, Scoil Acla. After hearing him play the pipes for just a short while I was immediately aware that I was in the presence of a master musician, despite the fact that he was still in his mid-teens. Although he had only been playing the pipes for a few years at that stage, his technique and tone had developed to astonishing levels of excellence and richness and his repertoire was seemingly endless. This, combined with his intuitive sense of melodic and technical variation, makes him one of the most creative and dynamic musicians in the contemporary world of Irish traditional music." "One of the most striking facets of Eliot's music is that he displays an intimate knowledge and understanding of every tune he plays. Careful examination of his playing reveals an emphasis on melodic fluidity which he largely achieves by viewing tunes as harmonic structures. This, in turn, enables him to develop original and attractive melodic variations which are among the most distinctive hallmarks of his piping. Another prodigious aspect of his playing is that he has succeeded in taking tunes not normally associated with the pipes and making them accessible to pipers in a manner which both compliments the pieces themselves and the idiosyncrasies of the instrument. He revels in playing tunes in keys such as G and D minor and A major, keys where many pipers fear to tread, despite the fact that many nineteenth-century chanters were designed to facilitate playing in these keys. To his great credit, Eliot has spent many hours absorbing the finer points of the music of a range of virtuoso performers, both pipers and non-pipers, and this experience in itself has given his music a very solid and authentic basis. His appreciation and performance of the standard piping repertoire leaves nothing to be desired and, furthermore, he has composed many fine tunes himself which show great understanding of both the pipes and traditional music itself." "I feel that this debut album from Eliot does him great justice and I have no doubt that it is only to be the first of many recordings in what is sure to be an illustrious musical odyssey." - Robbie Hannan Uilleann piper and Seattle resident, Eliot Grasso, is currently pursuing a Masters Degree in Irish Ethnomusicology at the University of Limerick. Eliot began playing Irish music on the flute at age seven, tin whistle at age nine, and in 1995, at age 11, he began uilleann piping, studying piping technique with former Na Piobairi Uilleann ...
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