| | T Bubba Bechtol Unclogged CD T Bubba Bechtol Discography of CDs
T Bubba Bechtol Unclogged Songs | 1. | I Am Bubba |
| 2. | Bubba's Confused |
| 3. | Bubba in the Gym |
| 4. | Bubba Goes to the Doctor |
| 5. | Bubba's Views on: Being Southern |
| 6. | Bubba's Views on: Southern Food |
| 7. | Bubba's Views on: Current TV Shows |
| 8. | Bubba's Views on: Growing Up - Then and Now |
| 9. | Bubba's Views on: Where the Future Lies |
| 10. | Bubba's Views on: Religions and Cults |
| 11. | Bubba's Views on: College Football - Southern Style |
| 12. | I'm the South |
| 13. | One Liners: Bubba's Poem |
| 14. | One Liners: Kennedys |
| 15. | One Liners: Elvis and Michael |
| 16. | One Liners: Elvis |
| 17. | One Liners: Suicide |
| 18. | One Liners: Bubbettes |
| 19. | One Liners: Swaggart |
| 20. | One Liners: Honarary Kennedy |
| 21. | One Liners: Playboy |
| 22. | One Liners: The Drugstore |
| 23. | One Liners: Low-Cut Dress |
| 24. | One Liners: Mammy-O-Gram |
| 25. | One Liners: Gay People |
| 26. | One Liners: Where Is Yonder |
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Unclogged Music Review  Funniest Man in the country
very funny, clean and he should be a big star...
Mike
Submitted by moto (dallas, tx)
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Purchase Unclogged CD To buy, Click on price to add to cart | T Bubba Bechtol Bill Ain't No Bubba CD (1994)
Unclogged album
 $11.39 
| | T Bubba Bechtol I'm Confused CD (2001)
Unclogged CD music
$12.79 
| | Les Crane Desiderata CD (1971)
Unclogged music CDs
$11.79  
DESIDERATA features TV talk show host Les Crane reciting well-known poems backed by various session musicians.
Although a respected television and radio host throughout the late '50s and '60s, Les Crane will perhaps best be noted for this long player which garnered the voice-over talent a Grammy for "best spoken word recording" in 1971. "Desiderata," however was not penned by Crane and its' origins have been the subject of much erroneously perpetuated mythology. While space prohibits an unexpurgated account, the author of the text is Indiana native Max Ehrmann (1972-1945) who, in addition to being a poet, was also a barrister. In his surviving diary, Ehrmann prefaced his version with the words "I should like, if I could, to leave a humble gift -- a bit of chaste prose ...
| | Gene Tracy Talks Trash CD (1996)
Unclogged songs
$7.65
| | Martin Lawrence Live: Talkin' Shit CD (1993)
Unclogged album
$5.95
| | Bill Cosby Collection CDs (1997)
Unclogged CD music
$11.19
| | Very Best Of Badfinger CD (2000)
Unclogged music CDs
$10.39  
| | Herotica, Vol. 4 CD (1998)
Unclogged songs
$21.35
| | Blondie CD (1976) Bonus Tracks; Remastered
Unclogged album
$8.85
All tracks have been digitally remastered using 24-bit technology.
Recorded in 1976, Blondie's self-titled debut was part of the New York City/CBGB's crowd's initial salvo of punk/new wave, radically different from anything in the American mainstream at the time. While other CBGB scenemakers strove for either artiness (Television) or primitivism (Ramones), Blondie was always about pure pop, served with a healthy dose of irony. Its early-'60s rock & roll/girl-group roots were never so apparent as on this album--"In the Sun" sounds like a classic slice of sunny '60s West Coast pop, while "In the Flesh" reaches even further back for a '50s ballad feel.
The sly lyrics, Debbie Harry's knowing delivery, and especially Jimmy Destri's gloriously cheesy organ riffs make it apparent that revivalism was never Blondie's intention; the band simply used the past to hijack the punk present and lay claim to a new wave future. Over the next few years, countless groups would adopt the template laid down on the first couple of Blondie albums, with varying degrees of success, but, as this recording makes plain, Blondie did it first and best.
If new wave was about reconfiguring and recontextualizing simple pop/rock forms of the '50s and '60s in new, ironic, and aggressive ways, then Blondie, which took the girl group style of the early and mid-'60s and added a '70s archness, fit right in. True punksters may have deplored the group early on (they never had the hip cachet of Talking Heads or even the Ramones), but Blondie's secret weapon, which was deployed increasingly over their career, was a canny pop straddle -- they sent the music up and celebrated it at the same time. So, for instance, songs like "X Offender" (their first single) and "In the Flesh" (their first hit, in Australia) had the tough-girl-with-a-tender-heart tone of the Shangri-Las (the disc was produced by Richard Gottehrer, who had handled the Angels ["My Boyfriend's Back"] among others, and Brill Building songwriter Ellie Greenwich even sang backup on "In the Flesh"), while going one step too far into hard-edged decadence -- that is, if you chose to see that. (The tag line of "Look Good in Blue," for example, went, "I could give you some head and shoulders to lie on.") The whole point was that you could take Blondie either way, and lead singer Deborah Harry's vocals, which combined rock fervor with a kiss-off quality, reinforced that, as did the band's energetic, trashy sound. This album, released on independent label Private Sound, was not a major hit, but it provided a template for the future. [The 2001 CD reissue on Capitol, which spiffed up the sonics significantly ...
| | Valerio Longoria Prieta Consentida CD (1995)
Unclogged CD music
$9.89
| | Sound Asylym Sample CD (2004)
Unclogged music CDs
$15.15
| | Roi Intergalactic Rodeo CD (2000)
Unclogged songs
$10.15
| | Speech Impediments Time Lapse CD (2008) (Import) Bonus Track; Japan
Unclogged album
$38.29
| | Guns N' Roses Document CDs (2007)
Unclogged CD music
$11.49
| | Rise Of The Speedmen Arrows And Bridges CD (2007)
Unclogged music CDs
$8.69
myspace /riseofthespeedmenRise of the Speedmen is the brainchild of just one man, San Diego native Gene Padigos Jr.. An evocative investigation into electronic sound, ROTS seems to have opened a pandoras box of digital sound bites. Placed cleverly amidst alluring guitar melodies and tangible drum loops this experiment in sound becomes startlingly accessible.Padigos began playing piano at age 10, and soon found himself enrolled in a performing arts school where he received classical training in the cello and string bass. One day on his motorcycle, Padigos had an encounter with a drunk driver, or more aptly with the hood of his car. The ensuing insurance settlement led to padigos' first major musical purchase: a tascam 8 track. Thus began the Rise of the Speedmen. Playing each instrument himself, Padigos passed countless hours in his garage creating lo-fi compositions and developing his indie/post rock sound. His influences included My Bloody Valentine, the Smiths, David Bowie, and Guided by Voices. In 2000, Padigos relocated to Hawaii and quickly immersed himself in its budding electronic scene. Djing for underground clubs, the breadth of his musical domain widened to encompass new influences like Amon Tobin, NEU! and Kraftwerk. It was here that Padigos met his other half: a laptop. Falling deep in computer love, Padigos eagerly answered ...
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