| | Bach: Cantatas Vol 1 / Suzuki, Bach Collegium Japan CD Bach / Bach Collegium, Suzuki CDS
Bach: Cantatas Vol 1 / Suzuki, Bach Collegium Japan Music | List Price | $19.97 (You save $3.88) | | Label | BIS | | Orig Year | 12/12/1995 | | All Time Sales Rank |  5027  | | CD Universe Part number | 1045960 | | Catalog number | 751 | | Discs | 1 | | Release Date | Dec 12, 1995 | | Recording Time | 45 minutes |
Bach: Cantatas Vol 1 / Suzuki, Bach Collegium Japan Review
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Bach: Cantatas Vol 1 / Suzuki, Bach Collegium Japan Songs | 1. Cantata No. 4, "Christ lag in Todes Banden," BWV 4 (BCA 54) (15:34) | | Common Name | Christ Lag In Todes Banden, Cantata, Cantata 4 | | Catalog No. | BWV 4 | | Composer | Johann Sebastian Bach (1685 - 1750) | | Conductor | Masaaki Suzuki | | Performer | Koki Katano
Yumiko Kurisu
Akira Tachikawa
Peter Kooy | | Genre | Baroque Period / Cantata | | Date Written | by 1708 | | Period | Baroque | | Country | Germany | | Venue | Kobe Shoin Women's University, Kobe, Jap | | Notes | Kobe Shoin Women's University, Kobe, Japan (06/29/1995-07/02/1995) | | 2. Cantata No. 150, "Nach dir, Herr, verlanget mich," BWV 150 (BC B24) (14:01) | | Common Name | Nach Dir, Herr, Verlanget Mich, Cantata, Cantata 150 | | Catalog No. | BWV 150 | | Composer | Johann Sebastian Bach (1685 - 1750) | | Conductor | Masaaki Suzuki | | Performer | Koki Katano
Yumiko Kurisu
Akira Tachikawa
Peter Kooy | | Genre | Baroque Period / Cantata | | Date Written | 1706 | | Period | Baroque | | Venue | Kobe Shoin Women's University, Kobe, Jap | | Notes | Kobe Shoin Women's University, Kobe, Japan (06/29/1995-07/02/1995) | | 3. Cantata No. 196, "Der Herr denket an uns," BWV 196 (BC B11) (10:52) | | Common Name | Der Herr Denket An Uns, Cantata, Cantata 196 | | Catalog No. | BWV 196 | | Composer | Johann Sebastian Bach (1685 - 1750) | | Conductor | Masaaki Suzuki | | Performer | Koki Katano
Yumiko Kurisu
Akira Tachikawa
Peter Kooy | | Genre | Baroque Period / Cantata | | Date Written | 1707-1708 | | Period | Baroque | | Venue | Kobe Shoin Women's University, Kobe, Jap | | Notes | Kobe Shoin Women's University, Kobe, Japan (06/29/1995-07/02/1995) |
Purchase Bach: Cantatas Vol 1 / Suzuki, Bach Collegium Japan To buy, Click on price to add to cart | Aguirre, The Wrath Of God DVD (1973)
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Based on the journals of Brother Gaspar de Carvajal, AGUIRRE, THE WRATH OF GOD is director Werner Herzog's hallucinatory tale of Spanish colonialists searching for El Dorado, the legendary city of gold, in 16th-century Peru. When the travellers reach an impasse, a scouting party is assembled to search for any traces of the mythical empire. As they attempt to forge their way through the dense jungle, more and more of the party falls ill while their ruthless leader, Don Lope de Aguirre (Klaus Kinski), grows increasingly insane.
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A motion picture executive's assistant puts up with his abusive boss up to a point and then completely snaps in this ultra-dark comedy from first-time director (and former Hollywood assistant) George Huang.
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Sydney (Philip Baker Hall), a mysterious professional gambler, befriends John (John C. Reilly), a young man in trouble, and teaches him the ways of making a living in the casinos of Reno. John gets involved with Clementine (Gwyneth Paltrow), a pretty waitress who doubles as a prostitute, and Jimmy (Samuel L. Jackson), a two-faced criminal. When trouble erupts, suddenly Sydney has to rescue his young friend, but a secret from his past threatens to destroy everything he has tried to build up.
Director Paul Thomas Anderson's highly acclaimed debut feature (based on the films of Jonathan Demme and John Cassavetes) is a tight, intricate film noir character study with a more disciplined plot than his later, more expansive films. The film also features excellent work from his four actors, particularly Hall as the experienced, world-weary Sydney, and fascinating details about the lowlife world the characters inhabit. HARD EIGHT originated as a short film, CIGARETTES AND COFFEE, that Anderson developed at the Sundance Film Institute.
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In this highly original comedy, an overworked family man (Michael Keaton) who doesn't have time to do everything he'd like finds a creative solution--he clones himself. Not just once, however--he winds up with four slightly different versions, counting the original. Of course, all is not as easy as it seems, and the clones quickly become a handful for the already stressed-out original.
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The title refers to the night when three men, Randy (Matt Dillon), his cousin Carl (Paul Reiser) and Detective Dehling (John Goodman), all meet Jewel Valentine (Liv Tyler) at a bar called McCool's. Actually, they don't so much meet her as fall under her spell when they first lay eyes on her. In her clinging red dress she looks like a cross between a beautiful damsel in distress and the Lady In Red looking for John Dillinger. The story begins with Randy, desperate to be rid of Jewel, hiring a sleazy hitman, played by Michael Douglas in an outré toupee. His story of how Jewel led him to ruin, filmed in a stylized flashback bathed in blue, is mirrored by Carl talking to his therapist--played with a delicious verve by Reba McEntire, and Detective Dehling talking with a priest; each telling their own stories of obsession with Jewel. Tyler is clearly beautiful, but it's the evil, scheming side of her character--delivered with voluptuous softness and irresistible badness--that makes the men's actions, however ridiculous they become, feel completely believable. Dillon, Goodman, and Reiser are all type cast in their familiar personas, but the story moves quickly, the dialogue doesn't have that forced sitcom feel, and a running gag involving a wooden Indian builds to an amusing pay-off.
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Blake Edwards's return to the male-in-meltdown territory he explored in 10 and THAT'S LIFE stars John Ritter as unemployed writer Zach, who is not only suffering from writer's block, but his drinking is out of control, as is his obsessive womanizing, and, not surprisingly, his wife wants to end their marriage. To add to his problems, his house has just burned down, and his agent is knocking at death's door. But since this is a Blake Edwards comedy, Zach has enough charm and relative affluence to continue his pursuits, which the director regards with a bemused deatchment. One of his girlfriends sets his piano on fire, and another gets him to wear a glow-in-the-dark condom, allowing him to engage in a condom duel with her jealous, similarly clad rock-star boyfriend. Eventually, Zach turns to fatherly bartender Barney (Vince Gardenia), who should have long ago cut off his bar tab, and psychiatrist Dr. Westford (choreographer Michael Kidd), and both tell him to stop destroying himself through drink. Ritter rings some surprisingly complex changes in the wildly farcical film, and, in the condom battle, participates in one of the funniest moments ever committed to celluloid while suggesting an interesting new subtext.
John Ritter, Michael Kidd, Vincent Gardenia - Director: Blake Edwards
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Track Listing of songs: Two Elegies; Molto Adagio, Sempre Rubato; Three Hungarian Folk Songs From the Csik District; L'Istesso Tempo; Poco Vivo; Nine Little Piano Pieces; Andante; Lento; Allegro Vivace; Minuetto; Air; March of the Animals; Tambourine; Preludio, Allegro Non Troppo; Improvisations; Molto Capriccioso; Lento, Rubato; Allegretto Scherzando; Allegro Molto; Allegro Moderato, Molto Capriccioso; Sostenuto, Rubato; Allegro; Out of Doors; Barcarolla; Musettes; Night's Music, The; Chase, The;
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