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Bach / Blaze / Hida / Nonoshita / Suzuki / Turk - Bach Cantatas Vol 13 / Suzuki, Bach Collegium Japan CD Cover Art
Large Front

Bach Cantatas Vol 13 / Suzuki, Bach Collegium Japan CD

 Bach / Blaze / Hida / Nonoshita / Suzuki / Turk CDS

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 Our Price: $16.09  CD

Category Classical, Chamber Music/Recitals, Baroque Period, Cantata
Bach Cantatas Vol 13 / Suzuki, Bach Collegium Japan Music


Detailed Bach Cantatas Vol 13 / Suzuki, Bach Collegium Japan Music Information



List Price $19.97 (You save $3.88)
Label BIS
All Time Sales Rank   15822  
CD Universe Part number 1046158
Catalog number 1041
Discs 1
Release Date Nov 21, 2000
Mono/Stereo Stereo
Recording Time 1 11
Bach Cantatas Vol 13 / Suzuki, Bach Collegium Japan Review


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Bach Cantatas Vol 13 / Suzuki, Bach Collegium Japan Songs


Bach Cantatas Vol 13 / Suzuki, Bach Collegium Japan Songs Detailed Work Information



1. Sehet, welch eine Liebe, BWV 64
   Common Name  Sehet Welch Eine Liebe
   Catalog No.  BWV 64
   Composer  Johann Sebastian Bach (1685 - 1750)
   Conductor  Masaaki Suzuki
   Performer  Yukari Nonoshita (Soprano)
Robin Blaze (Countertenor)
Peter Kooij (Bass)
   Genre  Baroque Period / Cantata
   Date Written  1723
   Ensemble  Concerto Palatino Brass Ensemble
   Period  Baroque
   Language  German
   Country  Leipzig, Germany
   Recording  Studio
2. Es ist nichts Gesundes an meinem Leibe, BWV 25
   Catalog No.  BWV 25
   Composer  Johann Sebastian Bach (1685 - 1750)
   Conductor  Masaaki Suzuki
   Performer  Yukari Nonoshita (Soprano)
Gerd Turk (Tenor)
Peter Kooij (Bass)
   Genre  Baroque Period / Cantata
   Date Written  1723
   Ensemble  Concerto Palatino Brass Ensemble
   Period  Baroque
   Language  German
   Country  Leipzig, Germany
   Recording  Studio
3. Lobe den Herrn, meine Seele, BWV 69a
   Common Name  Lobe Den Herrn Meine Seele
   Catalog No.  BWV 69A
   Composer  Johann Sebastian Bach (1685 - 1750)
   Conductor  Masaaki Suzuki
   Performer  Yoshie Hida (Soprano)
Kirsten Sollek-Avella (Alto)
Makoto Sakurada (Tenor)
Peter Kooij (Bass)
   Genre  Baroque Period / Cantata
   Date Written  1723
   Ensemble  Bach Collegium Japan
   Period  Baroque
   Language  German
   Country  Leipzig, Germany
   Recording  Studio
4. Du sollst Gott, deinen Herren Lieben, BWV 77
   Catalog No.  BWV 77
   Composer  Johann Sebastian Bach (1685 - 1750)
   Conductor  Masaaki Suzuki
   Performer  Yoshie Hida (Soprano)
Kirsten Sollek-Avella (Alto)
Makoto Sakurada (Tenor)
Peter Kooij (Bass)
   Genre  Baroque Period / Cantata
   Date Written  1723
   Ensemble  Bach Collegium Japan
   Period  Baroque
   Language  German
   Country  Leipzig, Germany
   Recording  Studio
5. Nun ist das Heil und die Kraft, BWV 50 [fragment]
   Catalog No.  BWV 50
   Composer  Johann Sebastian Bach (1685 - 1750)
   Conductor  Masaaki Suzuki
   Genre  Baroque Period / Cantata
   Date Written  ?1723
   Ensemble  Bach Collegium Japan
   Period  Baroque
   Language  German
   Country  ?Leipzig, Germany
   Recording  Studio

Bach Cantatas Vol 13 / Suzuki, Bach Collegium Japan Music


Elements featured on Bach Cantatas Vol 13 / Suzuki, Bach Collegium Japan CD



Composers on Bach Cantatas Vol 13 / Suzuki, Bach Collegium Japan CD : Johann Sebastian Bach

Conductors on Bach Cantatas Vol 13 / Suzuki, Bach Collegium Japan CD : Masaaki Suzuki

Ensembles on Bach Cantatas Vol 13 / Suzuki, Bach Collegium Japan CD : Bach Collegium Japan, Concerto Palatino Brass Ensemble

Genres on Bach Cantatas Vol 13 / Suzuki, Bach Collegium Japan CD : Baroque Period, Cantata

Performers on Bach Cantatas Vol 13 / Suzuki, Bach Collegium Japan CD : Robin Blaze, Yoshie Hida, Peter Kooij, Yukari Nonoshita, Makoto Sakurada, Kirsten Sollek-Avella, Gerd Turk

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Chopin, Rachmaninov, Scriabin, Piano WorksJDT3007Shoshana Rudiakov, pianist Piano Works $17.95 Money-Back Guarantee/Other Ordering Options Chopin Sonata No 3 in B Minor Op 58 Allegro Maestoso Scherzo, Molto vivace 58 Largo Finale Preso non tantoRachmaninov Variations on a Theme by Corelli, Op. 42, Theme Variations One through 20 CodaScriabin Three Etudes Opus 42, No. 3 Opus 8, No. 11 Opus 8, No. 12If you like the piano music of Chopin, Rachmaninov, and Scriabin, you will love this CD. Getting all three of these great composers on one CD is like getting three CDs in one. Chopin, Racmnaninov and Scriabin wrote some of the greatest and most popular music ever written for the piano. Chopin's Sonata in B minor, the last of the three he wrote, was composed in 1844. Its flow of musical ideas is closely related to the romantic rhapsodies of Schumann and Liszt. Thematic ideas flow into place one after the other, in a performance by Eroica artist Shoshana Rudiakov that is both musically fascinating and technically demanding. Working within this free form, Chopin has created a work of classical proportions. The principal theme is nicely and successfully balanced by the nocturne-like second movement, and the development follows an almost Beethovinian course to the climax, which is one of Chopin's rare forays into contrapuntal regions. Contrary to the "rules," he omits the short first subject in the reprise. The nimble and fleet Scherzo is similarly balanced by a noncturne-like trio. This fast-slow arrangement is reversed in the final two movements. The third movement-Largo-is an extended and deeply felt nocturne; and the concluding movement, a lively perpetuum mobile rondo.The Variations on a Theme by Corelli (1932) are the only large scale compositions written by Rachmaninov for piano during his 26 years in the United States. The main theme, from Corelli's twelfth violin sonata, was taken by him from "La Follia," a traditional dance-tune which inspired many composers. The work consists of twenty variations. Because of their brilliant technical development and multiplicity of charming moods, they are considered a masterpiece. Variations 11 and 12, often omitted in performance, are included on this recording. Alexander Scriabin was a fellow student of Rachmaninov's at the Moscow Conservatory; where both men studied with Arensky, Scriabin, who won a Gold Medal for piano in 1891, was on his way to a promising career as a concert pianist, but decided, instead, to concentrate almost entirely on the performance of his own works. Contemporaries described him as an elegant pianist with a smooth technique and delicate touch. The Etudes, Opus 8 Nos. 11 and 12, were written in 1894. Like many of Scriabin's early works, they are heavily influenced by Chopin. At the same time, his emerging personal style is perceptible in a subtly developed sense of harmony and sentiment. The Etude, Opus 42, No. 5, written in 1903, exhibits the fully developed Scriabin language, full of estatical outbursts and impressionist sounds. Scriabin's harmonies, with their altered seventh and ninth chords, were a direct precursor of the atonal system.SHOSHANA RUDIAKOV, THE ARTIST"A pianist of a special quality" was the first critical response to gifted young pianist Shoshana Rudiakov on the occasion of her debut in Israel. Born in Riga, Larvia, she completed her formal studies at the famous Moscow Tchaikovsky Conservatory with Professor Jacov Flier and Bella Davidovitch. She concertized extensively in Russia before emigrating to Israel. There she was engaged as soloist with the Israel Philharmonic, Jerusalem Symphony, Haifa Symphony and the Israel Sinfonietta as well as for public and broadcast recitals throughout ...
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