| | Bach Cantatas Vol 13 / Suzuki, Bach Collegium Japan CD Bach / Blaze / Hida / Nonoshita / Suzuki / Turk CDS
Bach Cantatas Vol 13 / Suzuki, Bach Collegium Japan Music | List Price | $19.97 (You save $3.88) | | Label | BIS | | All Time Sales Rank |  16588  | | CD Universe Part number | 1046158 | | Catalog number | 1041 | | Discs | 1 | | Release Date | Nov 21, 2000 | | Mono/Stereo | Stereo | | Recording Time | 1 11 |
Bach Cantatas Vol 13 / Suzuki, Bach Collegium Japan Review
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Bach Cantatas Vol 13 / Suzuki, Bach Collegium Japan Songs | 1. Sehet, welch eine Liebe, BWV 64 | | Common Name | Sehet Welch Eine Liebe | | Catalog No. | BWV 64 | | Composer | Johann Sebastian Bach (1685 - 1750) | | Conductor | Masaaki Suzuki | | Performer | Yukari Nonoshita (Soprano)
Robin Blaze (Countertenor)
Peter Kooij (Bass) | | Genre | Baroque Period / Cantata | | Date Written | 1723 | | Ensemble | Concerto Palatino Brass Ensemble | | Period | Baroque | | Language | German | | Country | Leipzig, Germany | | Recording | Studio | | 2. Es ist nichts Gesundes an meinem Leibe, BWV 25 | | Catalog No. | BWV 25 | | Composer | Johann Sebastian Bach (1685 - 1750) | | Conductor | Masaaki Suzuki | | Performer | Yukari Nonoshita (Soprano)
Gerd Turk (Tenor)
Peter Kooij (Bass) | | Genre | Baroque Period / Cantata | | Date Written | 1723 | | Ensemble | Bach Collegium Japan | | Period | Baroque | | Language | German | | Country | Leipzig, Germany | | Recording | Studio | | 3. Lobe den Herrn, meine Seele, BWV 69a | | Common Name | Lobe Den Herrn Meine Seele | | Catalog No. | BWV 69A | | Composer | Johann Sebastian Bach (1685 - 1750) | | Conductor | Masaaki Suzuki | | Performer | Yoshie Hida (Soprano)
Kirsten Sollek-Avella (Alto)
Makoto Sakurada (Tenor)
Peter Kooij (Bass) | | Genre | Baroque Period / Cantata | | Date Written | 1723 | | Ensemble | Bach Collegium Japan | | Period | Baroque | | Language | German | | Country | Leipzig, Germany | | Recording | Studio | | 4. Du sollst Gott, deinen Herren Lieben, BWV 77 | | Catalog No. | BWV 77 | | Composer | Johann Sebastian Bach (1685 - 1750) | | Conductor | Masaaki Suzuki | | Performer | Yoshie Hida (Soprano)
Kirsten Sollek-Avella (Alto)
Makoto Sakurada (Tenor)
Peter Kooij (Bass) | | Genre | Baroque Period / Cantata | | Date Written | 1723 | | Ensemble | Bach Collegium Japan | | Period | Baroque | | Language | German | | Country | Leipzig, Germany | | Recording | Studio | | 5. Nun ist das Heil und die Kraft, BWV 50 [fragment] | | Common Name | Nun Ist Das Heil Und Die Kraft | | Catalog No. | BWV 50 | | Composer | Johann Sebastian Bach (1685 - 1750) | | Conductor | Masaaki Suzuki | | Genre | Baroque Period / Cantata | | Date Written | ?1723 | | Ensemble | Bach Collegium Japan | | Period | Baroque | | Language | German | | Country | ?Leipzig, Germany | | Recording | Studio |
Bach Cantatas Vol 13 / Suzuki, Bach Collegium Japan Music Composers on Bach Cantatas Vol 13 / Suzuki, Bach Collegium Japan CD : Johann Sebastian Bach Conductors on Bach Cantatas Vol 13 / Suzuki, Bach Collegium Japan CD : Masaaki Suzuki Ensembles on Bach Cantatas Vol 13 / Suzuki, Bach Collegium Japan CD : Bach Collegium Japan, Concerto Palatino Brass Ensemble Genres on Bach Cantatas Vol 13 / Suzuki, Bach Collegium Japan CD : Baroque Period, Cantata Performers on Bach Cantatas Vol 13 / Suzuki, Bach Collegium Japan CD : Robin Blaze, Yoshie Hida, Peter Kooij, Yukari Nonoshita, Makoto Sakurada, Kirsten Sollek-Avella, Gerd Turk Purchase Bach Cantatas Vol 13 / Suzuki, Bach Collegium Japan To buy, Click on price to add to cart | Bach: Cantatas Vol 4 / Suzuki, Bach Collegium Japan CD (1997)
Bach Cantatas Vol 13 / Suzuki, Bach Collegium Japan
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$16.19
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Bach Cantatas Vol 13 / Suzuki, Bach Collegium Japan
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These live recordings include applause and other noise from the audience.
Anyone wishing to understand the André Rieu phenomenon would do well to begin with LIVE IN DUBLIN. The charismatic violinist and conductor is always at his best leading the forces of the Johann Strauss Orchestra before an enthusiastic audience. The secret of his success? A frothy mix of lighter-than-air musical confections culled from a varied repertoire of waltzes and polkas, old favorites as well as newer compositions, and adaptations of familiar themes and well-known pop tunes, all delivered with energy, style, and a healthy dose of showmanship. The program includes elegant accounts of "Dark Eyes," "The Merry Widow Waltz," and, of course, "The Blue Danube Waltz," as well as rousing renditions of "Thunder and Lightning," "Song of the ...
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Chopin, Rachmaninov, Scriabin, Piano WorksJDT3007Shoshana Rudiakov, pianist Piano Works $17.95 Money-Back Guarantee/Other Ordering Options Chopin Sonata No 3 in B Minor Op 58 Allegro Maestoso Scherzo, Molto vivace 58 Largo Finale Preso non tantoRachmaninov Variations on a Theme by Corelli, Op. 42, Theme Variations One through 20 CodaScriabin Three Etudes Opus 42, No. 3 Opus 8, No. 11 Opus 8, No. 12If you like the piano music of Chopin, Rachmaninov, and Scriabin, you will love this CD. Getting all three of these great composers on one CD is like getting three CDs in one. Chopin, Racmnaninov and Scriabin wrote some of the greatest and most popular music ever written for the piano. Chopin's Sonata in B minor, the last of the three he wrote, was composed in 1844. Its flow of musical ideas is closely related to the romantic rhapsodies of Schumann and Liszt. Thematic ideas flow into place one after the other, in a performance by Eroica artist Shoshana Rudiakov that is both musically fascinating and technically demanding. Working within this free form, Chopin has created a work of classical proportions. The principal theme is nicely and successfully balanced by the nocturne-like second movement, and the development follows an almost Beethovinian course to the climax, which is one of Chopin's rare forays into contrapuntal regions. Contrary to the "rules," he omits the short first subject in the reprise. The nimble and fleet Scherzo is similarly balanced by a noncturne-like trio. This fast-slow arrangement is reversed in the final two movements. The third movement-Largo-is an extended and deeply felt nocturne; and the concluding movement, a lively perpetuum mobile rondo.The Variations on a Theme by Corelli (1932) are the only large scale compositions written by Rachmaninov for piano during his 26 years in the United States. The main theme, from Corelli's twelfth violin sonata, was taken by him from "La Follia," a traditional dance-tune which inspired many composers. The work consists of twenty variations. Because of their brilliant technical development and multiplicity of charming moods, they are considered a masterpiece. Variations 11 and 12, often omitted in performance, are included on this recording. Alexander Scriabin was a fellow student of Rachmaninov's at the Moscow Conservatory; where both men studied with Arensky, Scriabin, who won a Gold Medal for piano in 1891, was on his way to a promising career as a concert pianist, but decided, instead, to concentrate almost entirely on the performance of his own works. Contemporaries described him as an elegant pianist with a smooth technique and delicate touch. The Etudes, Opus 8 Nos. 11 and 12, were written in 1894. Like many of Scriabin's early works, they are heavily influenced by Chopin. At the same time, his emerging personal style is perceptible in a subtly developed sense of harmony and sentiment. The Etude, Opus 42, No. 5, written in 1903, exhibits the fully developed Scriabin language, full of estatical outbursts and impressionist sounds. Scriabin's harmonies, with their altered seventh and ninth chords, were a direct precursor of the atonal system.SHOSHANA RUDIAKOV, THE ARTIST"A pianist of a special quality" was the first critical response to gifted young pianist Shoshana Rudiakov on the occasion of her debut in Israel. Born in Riga, Larvia, she completed her formal studies ...
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