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Recorded live at Foothill College, Los Altos Hills, California on January 17 & 18, 1994. Includes liner notes by Jeff Nuss. Black Market Jazz Orchestra: Colin Wenhardt (soprano & alto saxophone), Nik Phelps (alto saxophone), Tod Dicklow, ... Full DescriptionDave Riekenberg (tenor saxophone), Jim Dukey (baritone saxophone), Marvin McFadden, Louis Fasman, Brian Boothe, Steve Campos, Brad Catania (trumpet), Kevin Porter, John Gove, Dave Martell, Mark Anderson, Chip Tingle (trombone), John Rosenberg (piano), Brian Pardo (guitar), John Shifflett (bass), Jeff Nuss (drums).
Additional personnel: Lee Durley (vocals).
JazzTimes (12/94, p.145) - "...Regardless of which decade(s) you perceive this album to represent, the net result is warm and swinging..." Hide Description Black Market Jazz Orchestra Art Attack Songs Purchase Art Attack CD To buy, Click on price to add to cart | Sonny Rollins Road Shows Vol. 1 CD (2008) Digipak
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After Lester Young and before John Coltrane, perhaps the most influential popular tenor saxophonist remains Sonny Rollins. (He's even played with the Rolling Stones.) With a rich, piercing tone and a gift for brilliant, exhilarating improvisations, Rollins has thrilled generations of jazz fans. ROAD SHOWS, on Rollins's own label, Doxy (distributed by Emarcy), collects live recordings from 1980 through 2007. Backed by a crew of mostly younger players (younger than Rollins, at least), ROAD finds the saxophonist roaring in superb form, ranging ...
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BUENA VISTA SOCIAL CLUB won the 1998 Grammy Award for Best Tropical Latin Performance.
That Ry Cooder, you've got to keep an eye on him every minute, or he jumps into another cross-cultural collaboration. In the wake of his landmark recordings TALKING TIMBUKTU with Ali Farka Toure and A MEETING BY THE RIVER with V.M. Bhatt comes BUENA VISTA SOCIAL CLUB, essentially a supergroup of traditional Cuban musicians with the addition of international agitator Cooder. Somehow, Cooder always finds just the right space to slide his sinuous slide guitar into, so that it works in almost any context. Here, amidst the multi-layered percussion, piano and Cuban guitar rhythms, Cooder's slide simultaneously finds a home and eggs the ensemble on. The natural beauty of the Cuban tonal and rhythmic palette is the real star of BUENA VISTA SOCIAL CLUB, evoking both a sense of mystery and a feeling of intense emotional satisfaction.
Additional personnel includes: Juan de Marcos Gonzalez (conductor, guiro, background vocals); Julio Alberto Fernandez (vocals, maracas); Manuel "Puntillita" Licea (vocals, congas); Omara Portuondo (vocals); Benito Suarez Magana (guitar); ...
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This is a hybrid Super Audio CD playable ...
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Among the most controversial recordings in the history of jazz, BITCHES BREW was Miles Davis' shot across the bow of jazz insularity, a bold statement about jazz's ability to draw upon elements of popular culture, without mitigating its spirit of spontaneous invention. Much as Ornette Coleman's THE SHAPE OF JAZZ TO COME set a new standard for harmonic and melodic freedom a decade before, BITCHES BREW signaled a sea change in jazz.
Davis became a lightning rod for jazz's transformation, by mixing the best elements of '60s free jazz with dancing funk rhythms, electric rock textures, blues phrasing and his own breakthroughs in harmony and modality. Davis employed the Electric Flag's Harvey Brooks to double up with upright bassist Dave Holland on the Fender bass, and he is the modal heartbeat of every tune, freeing up the multiple drummers and keyboardists to weave a complex polytonal/polyrhythmic web of volatile chords and colliding rhythms.
Joe Zawinul's "Pharaoh's Dance" and Davis' "Bitches Brew" treat their multiple themes ...
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Experimenting in funk-punk-jazz-rap, guitarist David ...
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Track Listing of songs: Strangers in the Night - Glen Washington; Our Hearts - Glen Washington; Smile - Morgan ...
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