| | Cult Electric CD Cult Discography of CDs
 (3 Customer Reviews)
Recorded in New York, New York. Includes liner notes by Pat Gilbert.
ELECTRIC was the Cult's mainstream breakthrough album in the United States, where the UK band's previous records, DREAMTIME and LOVE, had been embraced by college radio. After unsatisfying sessions with LOVE producer Steve Brown, the Cult hooked up with superstar hip-hop producer (and unapologetic 1970s-boogie fan) Rick Rubin to re-record the tracks, and his changes make the album. Adding a drum sound as loud as his previous work with the Beastie Boys and Run-DMC and beefing up Billy Duffy's lead guitar riffs into full-on Led Zeppelin territory, Rubin completed the Cult's makeover from psych-tinged goths into '70s-inspired hard-rockers (with a heavy Doors influence as well). The revved-up singles "Love Removal Machine" and "Lil' Devil" best exemplify ELECTRIC, which is arguably the band's best album.
ELECTRIC was the Cult's mainstream breakthrough album in the United States, where the UK band's previous records, DREAMTIME and LOVE, had been embraced by college radio. After unsatisfying sessions with LOVE producer Steve Brown, the Cult hooked up with superstar hip-hop producer (and unapologetic 1970s-boogie fan) Rick Rubin to re-record the tracks, and his changes make the album. Adding a drum sound as loud as his previous work with the Beastie Boys and Run-DMC and beefing up Billy Duffy's lead guitar riffs into full-on Led Zeppelin territory, Rubin completed the Cult's makeover from psych-tinged goths into the '70s-inspired hard-rockers (with a heavy Doors influence, as well). The revved-up singles "Love Removal Machine" and "Lil' Devil" best exemplify ELECTRIC, which is arguably the band's best album.
Reissue digitally remastered from the original masters with expanded artwork which includes new photos & liner notes. Beggars Banquet.
All tracks have been digitally remastered.
The Cult: Ian Astbury (vocals, tambourine); Bill Duffy (guitar); Jamie Stewart (bass); Les Warner (drums).
Personnel: Ian Astbury (vocals, trombone, tambourine); Billy Duffy (guitar); Jamie Stewart (bass guitar); Les Warner (drums).
Audio Mixer: Andy Wallace.
Liner Note Author: Pat Gilbert.
Recording information: Electric Lady Sound Studios.
Photographers: Peter Anderson ; Rob Brimson; Tony Mottram.
The Cult: Ian Astbury (vocals, percussion); Bill Duffy (guitar); Jamie Stewart (bass); Les Warner (drums).
Engineers: Bruce Buchalter, Andy Wallace.
Electric Music Review Average Rating: (4.7 out of 5 stars)   Fantastic Cult!!
Great CD......KO'd me as soon as I slipped it into my player!!!
Don't go rockin' the town without this CD!!
Submitted by dragstripfreaky (Sydney,NSW,Australia)
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 Sitting on a mountain, staring at the sun...
Dudes, if you're into heavy metal and hard rock, you've gotta get this album.
I've always been of the mind that this album, "Electric" by The Cult, has got to be one of the best all-around rock albums of the 80's.
While none of the tracks top "She Sells Sanctuary," this album, taken as a whole, is excellent rock fare.
"Aphrodesiac Jacket" is like nothing before or since, baybee.
Submitted by redskinStu (Alberta, Canada)
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Superiority stands the test of time
At least this album ruled with a simple guitar riff (simple) :(
Submitted by skank992002 (Edmonton, Alberta, CANADA)
Was This Review Helpful? Yes No | Have you heard this album? |  |
Purchase Electric CD To buy, Click on price to add to cart | Cult Love CD (1985) Remastered
Electric album
 $10.15  
Principally recorded at Jacob's Studio, Farham, England in July & August 1985. Includes liner notes by Pat Gilbert.
The Cult's 1984 debut, DREAMTIME, proved to be an intriguing, if sometimes muddled, combination of early U2 and the Doors, topped off with Ian Astbury's ongoing lyrical fascination with Native American mythology. The immediate follow-up, LOVE, was a notable improvement. Ditching the most overt Doors references in favor of moody neo-psychedelia that sounds like a harder-rocking version of Echo & the Bunnymen, LOVE includes "She Sells Sanctuary" and "Rain." These driving singles introduced the UK band to the American college-radio market and laid the foundation for the group's mainstream commercial breakthrough later in the decade. The rest of the album is nearly up to the level of the singles, with Astbury's less-mannered ...
| | Cult Sonic Temple CD (1989) Remastered
Electric CD music
$12.95
More varied than its predecessor, Electric, Sonic Temple finds the Cult trying several different metal styles, from crunchy Electric-era '70s grooves and the fuzzy, noisy psychedelia of Love, to mellow ballads and commercial '80s hard rock. Not all of the experiments work, as some of the songs lean toward ponderousness, but enough of them do to send Sonic Temple into the Billboard Top Ten, due to the exposure provided by the hit single "Fire Woman." ~ Steve Huey
Digitally remastered reissue ...
| | Cult Ceremony CD (1991) Remastered
Electric music CDs
$9.89 
The two-year gap between the release of Sonic Temple and 1991's Ceremony saw the Cult become victims of their own success. With Temple, the band had finally achieved the mass commercial acceptance that they had pined after for so long. Touring U.S. arenas (as headliners) and as Metallica's special guests, the Cult had officially "arrived." With Billy Duffy having assumed the musical direction of Sonic Temple, it was clear from the get-go that Ceremony would be Astbury's baby. Now reduced to a duo, Duffy and Astbury had their work cut out for them. The ensuing sessions that would make up the bulk of Ceremony would turn out to be a sonic triumph (the record sounds as if were recorded yesterday), and at the same time, a creative, blithering mess. Things start off promisingly with the record's title track, which is quickly followed by a classic Cult single, "Wild Hearted Son." Unfortunately, what follows the stomp and chant of "Earth Mofo" are eight of the most contrived, lyrically mundane songs that the Cult ever released. Although noble in his intentions, Asbury's ongoing fascination with the plight of the Native American Indian accounts for the majority of the lyrical content of Ceremony. Another promising ballad-turn-rocker, "If" quickly evaporates into nowhere land as ...
| | Cult CD (1994) Remastered
Electric songs
$9.89
In the three years since the last Cult album, their absence has been filled by grunge, the latest version of the big guitar sound. Thankfully, the Cult have returned to place their flambouyant stamp on guitar rock.
The newest album, simply titled THE CULT, returns them to the throne of power chordia, but this time around they aren't stuck in their '70s rut. THE CULT is proof the the '90s have ...
| | U F O Force It CD (1975) (Import) Remastered; United Kingdom
Electric album
$10.25
This remastered edition of UFO's 1975 album FORCE IT contains "Let It Roll," ...
| | Starz Violation CD (1977) Bonus Tracks; Remastered
Electric CD music
$10.45
Starz' sophomore album, Violation, was quite similar to its predecessor. Jack Douglas was still the band's producer, and Starz continued to favor the type of slick, commercial hard rock that would be called pop-metal in the '80s and early '90s. This 1977 LP didn't establish Starz as major players in the pop-metal field; the New Yorkers did have a small following, although not a huge one. Nonetheless, this is an enjoyable record. It doesn't contain any pop-metal masterpieces like Kiss' "Shout It out Loud" or Sweet's "Ballroom Blitz," but tracks like "Cherry Baby" and "Rock Six Times" are certainly decent. Most of the time, Starz vocalist Michael Lee Smith sings about the same things that Kiss and Sweet were singing about in the '70s; namely, all-night parties and wild young women in tight dresses. Starz's lyrics, as a rule, were meant to be fun, not profound, and while Violation didn't go down in history as one of pop-metal's all-time classics, it's worth hearing if you're a fan of the style. ~ Alex Henderson
Starz's sophomore album, Violation, was quite similar to its predecessor. Jack Douglas was still the band's producer, and Starz continued to favor the type of slick, commercial hard rock that would be called pop-metal ...
| | Joe Pass Ira, George, And Joe CD (1981)
Electric music CDs
$8.89
| | Beny More Cuban Originals CD (1999)
Electric songs
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| | D Product Process Of One CD (2002)
Electric album
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Proper beats, proper ...
| | Goldrush Extended Play CD (2003)
Electric CD music
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Given this Oxford band's live and studio work backing up and collaborating with ex- Ride star Mark Gardener of late, one might expect something a little more uptempo and uplifting than this languid, soulful, rather nice five-song EP (only one cut of which is on last year's debut LP, Don't Bring Me Down). With the exception of the more dramatic opener, "What I Thought," and the last minute coda of the closing "Counting Song" (the shoegaze ...
| | Eurythmics Sweet Dreams (Are Made Of This) CD (1983) Japan
Electric music CDs
$7.59
1983's SWEET DREAMS (ARE MADE OF THIS) is actually Eurythmics' second album, but 1981's Krautrock-influenced IN THE GARDEN was never released in the US and made minimal waves in the rest of the world. Thanks to two striking videos and some canny self-promotion on the part of androgynous singer Annie Lennox, this was certainly not the case with this much-improved follow-up.
The hypnotic drone of the title track and the ticking, pressurized "Love Is A Stranger," were enormous radio and video hits around the world, but much of the album belies the synth-pop tag those songs earned. Dave Stewart plays bluesy slide throughout, and the respectful cover of Sam and Dave's "Wrap It Up" gives Lennox a chance to showcase her soulful growl which would, on subsequent albums, replace the chilly soprano featured here.
The Eurythmics' breakthrough ...
| | Donnas Gold Medal CD (2004)
Electric songs
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| | Most Wanted: Dream & Trance CD (2004)
Electric album
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| | Flower: Natural & Acoustic Girls CD (2005) Import
Electric CD music
$33.75
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