| | Nashville Pussy Let Them Eat Pussy CD Nashville Pussy Discography of CDs
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The first run of this reissue includes a limited edition bonus CD containing 2 tracks from an early 7".
Nashville Pussy: Blaine Cartwright (vocals, guitar); Ruyter Suys (guitar); Corey Parks (bass); Jeremy Thompson (drums).
Recorded at Egg Studio, Seattle, Washington in October 1997.
"Fried Chicken And Coffee" was nominated for the 1999 Grammy Award for Best Metal Performance.
Nashville Pussy: Blaine Cartwright (vocals, guitar); Ruyter Suys (guitar); Corey Parks (bass); Jeremy Thompson (drums).
Recorded at Egg Studio, Seattle, Washington in October 1997.
"Fried Chicken And Coffee" was nominated for the 1999 Grammy Award for Best Metal Performance.
Every few years, a new psychobilly act comes around and grabs certain portions of the underground by the neck. With their hard, gutsy records, Vegas charm, and greaser style, the Rev. Horton Heat dominated the alternative era of the early '90s. As everyone knows, the alternative era loosened society's taboos, forcing new bands to go even further then their predecessors. That's where Nashville Pussy comes in. Nastier than the Rev. Horton Heat in every sense, from their sex-drenched lyrics to their fire-breathing live shows, Nashville Pussy became a minor media sensation in early 1998, partially because there hadn't been a new psychobilly band in five years and partially because rock journalists just get off on writing the word "pussy." Nashville Pussy was smart enough to exploit the segment of the indie rock audience that's sexually frustrated and perpetually horny -- the kind of guy who doesn't want to buy a copy of High Society, but is more than willing to put his hard-earned money down on a record entitled Let Them Eat Pussy that sports a cover photo of two trashy chicks shoving two guys' heads into their crotches. So, give them credit for finding their market and exploiting it, but also give them credit for delivering an album that actually works. Granted, if you're not into the whole kitsch circus of psychobilly, this ain't your bag, but Let Them Eat Pussy rocks with a fury and a vengeance unseen -- well, since the Rev.'s albums for Sub Pop. The Pussy is heavier and noisier than any other psychobilly band, but the sexually integrated lineup gives them a sexual tension unseen in the genre since the Cramps. And, in many ways, Nashville Pussy is more fun than the Cramps, since they just don't give a damn about the past and tear on ahead. Never mind that the songcraft is nonexistent and there's little finesse to the playing -- Let Them Eat Pussy is all about sleaze, and it's the sleaziest record in years. Arguably the sleaziest record of the '90s, as a matter of fact. ~ Stephen Thomas Erlewine
In what has to be the coup of 1999, Nashville Pussy scored a Grammy nomination for "Fried Chicken And Coffee." The quartet has taken raunch 'n' roll to new heights (or lows), and in doing so is certain to offend nearly everybody watching the telecast. LET THEM EAT PUSSY, the album that spawned the single, hits the listener like a hammer to the head. The pace is fast and furious, cramming 12 songs into just under 30 minutes, with the band not even pausing to catch their breath between songs. Vocalist Blaine spits out sex, drugs and rock & roll lyrics with a growl and a sneer. Guitarist Ruyter attacks her three chords with equal abandon and the rhythm section of bassist Corey and drummer Jeremy propel the whole thing forward with little concern for what stands in their path. Our suggestion is to hop on the train before it runs you down and enjoy the ride.Magnet (3-4/98, p.71) - "...the release of this blistering full-length debut will surely usher them into the ranks of rawk royalty. Self-described as `Motorhead with tits,' Nashville Pussy has got it all goin' on..."
Magnet (3-4/98, p.71) - "...the release of this blistering full-length debut will surely usher them into the ranks of rawk royalty. Self-described as "Motorhead with tits", Nashville Pussy has got it all goin' on..."
CMJ (1/11/99, p.4) - "...the scorched-earth, landscape-flattening, ass-kickin' rock 'n' roll album of the year....this Southern punk-metal monster leaves all challengers to choke on its dust..." Nashville Pussy Let Them Eat Pussy Songs Let Them Eat Pussy Music Review Average Rating: (4.2 out of 5 stars)   This album AINT for Pussies!
It hits you in the head like a sledge hammer, it blows up in your face like a cock teased to much, it is Redneck, beer swiging testosterone pumping and demands the attention like a 16 year old boy demands snatch.
Without Nashville Pussy, the world is a dangerous place, with them, it gives you music to curb stomp to!
Submitted by daniel.polen (San Jose, CA)
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WOW!!!
Better than ACDC because of the punk edge. Don't think twice BUY IT.
Submitted by Brad (Nanaimo)
Was This Review Helpful? Yes No  Better Albums In The Future
Although I found it very hard to tear myself away from this CD at first, I now consider it the worst of Nashville Pussy's four albums. Not that it's bad, or anything, but the band has only begun to really take the form they'll have on their other three releases. Here, they sound more like Blaine's old band Nine Pound Hammer than anything else they've recorded since. Buzzsaw guitars, very short songs, completely atonal hollering vocals. Very punk, with tinges of hardcore as well. Music to snort meth off a hunting knife to, if you will. (History lesson: this style was pioneered by AntiSeen, as well as the aforementioned Nine Pound Hammer). Still and all, some good songs, for what they are, including "You're Going Down," "Go MF Go" (sorry, they won't let me use the word, even though you can read it right up there), "I'm The Man," "Johnny Hotrod," and of course "Fried Chicken and Coffee." And a crazed, hilariously butchered Smokey Robinson cover thrown in for good measure. Also of note, this was originally released in September of '98 on Mercury, and came with a six-song bonus EP called "Eat More Pussy," containing covers of songs by AC/DC, Rose Tattoo and others. Their contract was bought out by TVT, who re-released the album, sans bonus disc, unfortunately, in '99.
Submitted by Fizz (Delmarva)
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Its quite good
this is a band that looses its impact with its screwed up name. Although its really nice to listen to if your into country rock
Submitted by jamessegelov (Sydney, Australia)
Was This Review Helpful? Yes No Badass Southern Fried Punk Rock!
This band is what you would get if Lemmy, The Ramones, AC/DC, and Johnny Cash were put in a blender and then served to regulars on the Jerry Springer show. This is easily one of the best Rock N Roll records to come out in a long time and blows away all of these new "Rock N Roll Revival" bands that the mainstream music press is drooling over. This band keeps Rock N Roll the way it should be, loud and nasty.
Submitted by Gristle McThornbody (Elko, Nevada)
Was This Review Helpful? Yes No | Have you heard this album? |  |
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Dave Matthews Band: Dave Matthews, Boyd Tinsley, Stefan Lessard, Leroi Moore, Carter Beauford.
Additional personnel: Butch Taylor (keyboards); Tawatha Agee, Chinah Bess, Brenda White-King (background vocals).
Recorded at Continental Airlines Arena, East Rutherford, New Jersey on September 11, 1999.
Recording information: Continental Airlines Arena, Eas (09/11/1999).
With the release of the double-disc Listener Supported in 1999, the Dave Matthews Band now had four live albums to their credit (including their self-released debut Remember Two Things and Matthews' solo set Live at Luther College). Bootleggers had discovered that certain bands had voracious audiences who would listen to anything by the group. Once Dave Matthews discovered he had one of those bands and that he had scores of unofficial discs on the market, he decided to release official live albums on a regular basis. Unlike audience tapes and bootlegged shows -- which, in an ideal world, capture a band loose and unaware -- the concert on Listener Supported was recorded for a PBS television show, In the Spotlight, and at times they seem a bit off. When the band nails the groove live, however, they can be more engaging than they are on record. ~ Stephen Thomas Erlewine
Time was, live albums were rarities in a group's catalog. Sure, during the '70s almost every band released a live set, but usually they didn't release more than one. Twenty years later, there were legions of bands that commonly released live albums, none more prominent than the Dave Matthews Band. With the release of the ...
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