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Thin Lizzy - Bad Reputation CD Cover Art CD music music CDs songs album

Thin Lizzy Bad Reputation CD

 Thin Lizzy Discography of CDs
4.8 stars (8 Customer Reviews)

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Irish rock outfit Thin Lizzy gained worldwide status with its summer anthem, "The Boys Are Back in Town," a Springsteen pastiche of summer nights, male bonding, and the occasional fist fight or two. Although the band never released another single that equaled its impact, Thin Lizzy was enjoying both a commercial as well as creative peak during the mid- to late '70s. BAD REPUTATION is arguably the band's last "great" album. The radio-ready single, "Dancing in the Moonlight" is nearly as winning as the aforementioned "Boys" and the pumping title track is a classic Thin Lizzy mixture of twin guitars, bravado, and a dash of menace. Although singer Phil Lynott had a habit of crossing over into overblown machismo, more often than not the soulful tear in his voice along with the band's signature twin melodic guitar lines elevated the material beyond mere lunkhead chest pounding.

Thin Lizzy: Phil Lynott (vocals, bass); Brian Robertson, Scott Gorham (guitar); Brian Downey (drums).

Bad Reputation Music


Detailed Bad Reputation Music Information



List Price $9.95 (You save $3.46)
Category Rock Albums, Heavy Metal CDs, Rock/Pop, Hard Rock
Label Mercury
Orig Year 1977
All Time Sales Rank   3607  
CD Universe Part number 1056816
Catalog number 842434
Discs 1
Release Date Jun 22, 1990
Studio/Live Studio
Mono/Stereo Stereo
Personnel Brian Downey - drums
Phil Lynott - vocals, bass
Scott Gorham - guitar
Brian Robertson
Thin Lizzy Bad Reputation Songs


Thin Lizzy Bad Reputation Album Track Listing



Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample1.Soldier of Fortune  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample2.Bad Reputation  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample3.Opium Trail  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio Media4.South Bound
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample5.Dancing in the Moonlight (It's Caught Me in It's Spotlight)  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample6.Killer Without a Cause  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample7.Downtown Sundown  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample8.That Woman's Gonna Break Your Heart  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample9.Dear Lord  $0.99

Bad Reputation Music


Bad Reputation Other Versions



Thin Lizzy
Bad Reputation  (1977) Germany; Remastered
CD$11.29
Thin Lizzy
Bad Reputation  Import
CD$27.59
Bad Reputation Music Review


Customer Bad Reputation Reviews 




Average Rating: (4.8 out of 5 stars) 5 stars

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5 stars The best band ever
This album is a rock masterpiece where phil,brian,scott,and brian fire on all cylinders."Soldier of fortune" is a war rock classic,then you have the title track in which brian downey is pounding the drums away,then you have "opium trail" when the guitar rhythm during the verses is legendary.Plus rest of the tracks which makes this album legendary.Best guitar solos and vocals from the greatest band ever.I mean ever!
Submitted by Nick (Australia)
Was This Review Helpful? Yes No  1 of 1 found this helpful.

4 stars Bad Reputation
If you are a lizzy fan you'll like this album,good 70's Rock&Roll,with the classic band line up.
Submitted by a reviewer (Lakeland, Fl. USA) Verified Buyer
Was This Review Helpful? Yes No

5 stars No Filler !!!
Despite the claims of an past review here ( S. J. ) ' Bad Reputation ' most certainly does NOT contain filler. There are- as in MOST classic Lizzy albums- outstanding tracks, and ' secondary ' tracks. Both ' Jailbreak ' and ' Johnny the Fox ' have outstanding tracks, and secondary tracks. Is ' Romeo and the Lonely Girl ' as GREAT as ' Warrior ? ' Answer: No. Is ' Boogie Woogie Dance ' as GREAT as ' Borderline ? ' Answer: No. Lynott and his mates have ALWAYS written ' sensitive ' and ' folksy ' songs alongside ripping rockers- going back to the ' Fighting ' album. There is nothing new about that. Thin Lizzy- in their prime- were a hard rock band who ALSO crafted slower- paced, highly melodic, insightful, ' acoustic ' numbers with a soulful, folksy element to them, as in ' Downtown Sundown ' ( in my opinion- a minor ' pop ' masterpiece. ) ' Dear Lord ' is one of Lynott's more dramatic, personal songs, and is an excellent track- altho admittedly ' secondary ' to ' Southbound ' or ' Opium Trail '. This is an unforgettable and truly amazing listen from beginning to end.
Submitted by potato (Vancouver, Canada)
Was This Review Helpful? Yes No

4 stars Great But Not Complete
With the exceptions of 'Jailbreak' and 'Johnny The Fox', Lizzy never really made a completely brilliant studio album, from start to finish. Similar to 'Vagabonds', 'Fighting', 'Black Rose' and 'Thunder and Lightning', this contains many wonderful tracks but also some filler. As a genuine hard rock band, should Lizzy have been making songs like 'Downtown Sundown' and 'Dear Lord'? I don't think so. In spite of that, this is an excellent listen and Lynott's songwriting is as strong as ever on 'Soldier of fortune', the title track, 'Opium Trail', 'Southbound', and 'Dancing in the moonlight', a big hit single in Europe but, strangely, not in America. My favourite track is 'Killer without a cause', a fierce effort featuring some stellar guitar work from the returning Robbo.
Submitted by S J (Woking)
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5 stars I always come back to this album!
This is Lizzy at it's best! An album that has stood the test of time. I first bought it in 1977 when I was freshman at Clemson, my roommate was so impressed with this album that he almost stole it from me! Through the years this album has grown in stature. Lizzy was one of those bands that was way ahead of it's time. This LP proves it.
Submitted by donaldg7 (Atlanta, Ga)
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Johnny The Fox
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Hard rock quartet formed by Philip Lynott out of Dublin, Ireland. Thin Lizzy had numerous charting albums throughout the 70's & 80's. Black Rose was originally released in 1980. Featured guitarists are Gary Moore & Scott Gorham. 8 tracks. 2001 reissue. Additional personnel includes: Bluesy Hughie (harp); Jimmy Bain (bass). Recorded at Pathe Marconi Studios, Paris, France and Good Earth Studios, London, England. Producers include: Tony Visconti, Thin Lizzy, Phil Lynott. Black Rose: A Rock Legend would prove to be Thin Lizzy's last true classic album (and last produced by Tony Visconti). Guitarist Brian Robertson was replaced by Gary Moore prior ...
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Digitally remastered by Eddie Shreyer and Brian Slagel (Future Disc). It is widely agreed among Thin Lizzy fans (and by the band themselves) that their 1981 release, Renegade, was their worst. The raw, rocking Lizzy of the past (Jailbreak, Black Rose, etc.) is nowhere to be found here; in its place is a keyboard-heavy rock band with blatant pop leanings and a production too similar to British heavy metal bands of the early '80s. New guitarist Snowy White never truly fit into the band (both musically and visually), and it was never more apparent than on Renegade. As with its predecessor, Chinatown, heavy drug use plagued the sessions, again resulting in an uninspired, unfocused affair (especially evident in Phil Lynott's ...
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Digitally remastered by Eddie Shreyer & Brian Slagel (Future Disc). Thin Lizzy's final studio release, Thunder and Lightning, was their most consistent album since 1979's Black Rose. Guitarist John Sykes replaced Snowy White, and the new blood must have inspired Lynott and company to write some of their best compositions in years. Although a pop-metal production hinders the tracks, there's more of a harder edge present than on their last release, Renegade. While the title track served as the ensuing tour's raging opener, half-baked lyrics detailing a fistfight and an unwarranted synth-solo weakens what should have been a straight-ahead rocker. But such heavies as "This Is the One" and "Cold Sweat" suit the band much better. Lizzy takes a stab at dance-rock ...
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Recorded in 1968, along with LIVE WIRE/BLUES POWER and Thursday NIGHT IN SAN FRANCISCO, this Albert King concert album shines the spotlight on a blues legend playing at the height of his ...
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Full title - Redefine The Enemy - Rarities & B-Sides Compilation 1992-1999. Includes rare mixes & B-sides from one of the most influential electronic/rock artists. Packaged in an embossed silver tin & containing an 8 page booklet featuring rare photos. Limited. Digital Hardcore Recordings. 2002. Atari Teenage Riot: Alec Empire, Hanin Elias, Nic Endo, Carl Crack. Redefine the Enemy: Rarities and B-Sides Compilation 1992-1999 gathers Atari Teenage Riot's odds and ends, including live ...
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Scandinavian rock band, Kotipelto, released COLDNESS in 2004. With the manic "Seeds of Sorrow," which opens his second solo album, 2004's Coldness, with a flurry of notes and flailing of limbs, Finnish vocalist Timo Kotipelto and his self-named backup band make a good case for those who argue that power metal is nothing but pop music performed at hyper speed and in the highest registers imaginable. But, surprisingly, the rest of this album is relatively scarce on pop-thrashers ("Can You Hear the Sound" being the only other example) -- making way instead for a bevy of slower hard rockers like standouts "Reasons," "Snowbound," and "Coldness in My Mind." That's a good thing too, as the latter are far more suited to Kotipelto's voice -- a still-magnificent instrument capable of electrifying even the dullest of power metal exercises. One such showcase is the particularly inspired "Journey Back," but, conversely, the album's only power ballad, "Take Me Away," is strangely disappointing for failing to reach the necessary drama and emotion that would set it apart from its surroundings. Other than that, it's safe to say little has changed in Kotipelto's sonic direction since his departure from power metal heavyweights Stratovarius. The band that bears his name carries on in much the same, melodic metal tradition, without taking as many forays into classical music overkill or progressive rock (semiepic closer "Here We Are" is ...
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