| | Savoy Brown Hellbound Train CD Savoy Brown Discography of CDs
 (8 Customer Reviews)
Rolling Stone (4/27/72, p.50) - "...the group has come up with half a dozen abundantly pleasant rock tunes....it's hardly original but it still comes off pretty well...". Hellbound Train Music | List Price | $9.92 (You save $3.53) | | Category | Rock Albums, Blues CDs, Rock/Pop, British Blues | | Label | Polydor | | Orig Year | 1972 | | All Time Sales Rank |  3109  | | CD Universe Part number | 1056884 | | Catalog number | 844019 | | Discs | 1 | | Release Date | Oct 08, 1991 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Neil Slaven | | Engineer | Roy Thomas Baker | | Recording Time | 31 minutes |
Savoy Brown Hellbound Train Songs Hellbound Train Music Review Average Rating: (3.6 out of 5 stars)   List All Reviews Disappointed
I graduated high school in the early 70 and had fond memories of bands like canned heat and Spooky Tooth, and Seagal-Schwall Blues, and the like. But when I listened to this I was disappointed. I was expecting full-tilt boogie and heard ... elevator music
Submitted by rkferguson (Virginia, USA) 
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 Oldy but a goody!
I haven't heard this album since I was 17. Got an odea to order it through CD Universe just to see if they could get it, I was supprised to see not only could they get it, it was in stock! I've received it already, and it's great to be bringing back the memories.
Thanks again,
Will.
Submitted by welding (Rockport Ma.)
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 Great Brit 70's R'n'R
That's the kind of CD you listen to in your car, that makes you wanna roll the top and windows down and cruise 'till the road stops at the bottom the Earth!
Submitted by Nick K. (France)
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 The LP was great, but this CD sounds like crap
Hellbound Train was one of savoy Brown's great ones, had the LP for years and loved it. But this CD release sounds awful, bassy, muddy, lacks clarity; this is not the way I remember the album.
Submitted by Peter (san Jose, CA)
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 Pure R & B
I originally purchased this on an 8 Track in 1972. It's a good solid R & B album that needs to be played in it's entirety to be fully appreciated. I love the ending of the title cut. I saw them play this back in the day. The title tune was the highlight of the concert.
Submitted by Slim Zim (Hayward, CA)
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Purchase Hellbound Train CD To buy, Click on price to add to cart | Savoy Brown Blue Matter CD (1990)
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While the title track is the album's best-known song, SABBATH BLOODY SABBATH proved to be another in a long line of 100% filler-free records from Ozzy and co. Highlights included the creepy "Who Are You?," plus the Tony Iommi riff-mongers "A National Acrobat," "Killing Yourself to Live," and "Sabra Cadabra," a song that Metallica would cover on its 1998 release GARAGE INC. You'll also find one of Sabbath's most haunting yet serene instrumentals, "Fluff," as well as the melodic album-closing rocker, "Spiral Architect." SABBATH BLOODY SABBATH is quintessential heavy metal.
1974's SABBATH BLOODY SABBATH ...
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Kind of BlueCuttin' Grass Ain't Afraid to Give Appalachian Bluegrass a Tint of BaltimorePickin' And Grinnin': Cuttin' Grass updates bluegrass' country roots for the 21st century.Cuttin' Grass Musician page Baltimore City PaperBluegrass guitarist Jeff Hinson realizes he's a sore thumb in the mid-Atlantic music landscape. Singing and picking with his local ensemble, Cuttin' Grass, he knows that bluegrass isn't native to Baltimore, but he can't deny his roots. "I'm a hillbilly," he says. "But you can't make any money just living as a hillbilly. So I'm a hillbilly locked in the city."Hinson has figured out how to market his hillbillyness, though. Onstage with Cuttin' Grass, he performs as "Jeff-ro." And he and band mate Tim Mitchell appeared as hillbillies in a local TV ad for Scott Donahoo's Foreign Motors car dealership. Just don't assume Cuttin' Grass is the musical equivalent of Jeff Foxworthy comedy, a blue-collar shtick built around an air of authenticity. The quartet's recently released and self-produced debut, Out Standing in Their Field, reveals a bluegrass band that acknowledges its Appalachian roots while defining the form for itself. It's a sound the group has shaped out of prolific performances and outlined through its original songs, the result of taking bluegrass seriously but not trapping its sound in time.Bluegrass' presence in Baltimore is a bit peculiar, but not inconsistent. Baltimore became home to West Virginia transplants looking for a safer career than coal mining circa World War II, and the city's shipyards and steel mills enticed folk with promises of plentiful industrial employment. And with their migration came their culture. Remnants of this wave are found in Ellicott City's live-music venue Friendly Inn and Catonsville's Appalachian Bluegrass music shop.Cuttin' Grass essentially came out of Appalachian Bluegrass, where Hinson sells musical instruments and banjoist Mitchell gave lessons in three-finger (known as "Scruggs style," after banjo legend Carl Scruggs) banjo picking. But at first the band was all talk. "[Mitchell] and I spent a couple years running around going to bars and talking about forming a band," Hinson says.The band started to gel when it landed mandolin player Charles Roe two years back. Roe had started as a guitar instructor at Appalachian Bluegrass and developed an interest in the mandolin. Shortly after Roe's recruitment, Hinson met bassist Billy Monroe at the Friendly Inn. ("While another group was playing, Billy was sitting there just charting out the bluegrass they were playing," Hinson says.) Hinson asked Monroe to sit in with them, and with that Cuttin' Grass was born.And since the members of Cuttin' Grass come to bluegrass from all different angles, the group has developed a unique formula for both redefining standards and writing original tunes, one that honors the folksy tradition of singing about the world around them. Rather than belting out the Stanley Brothers' "I'll Meet You in Church Sunday Morning," as so many contemporary bluegrass bands do, Cuttin' Grass covers ZZ Top's "Sharp Dressed Man." Cuttin' Grass prefers to play secular traditionals like "Big Bug in My Beer" over sacred standards such as the Carter Family's "Keep on the Firing Line."Secular songs are simply more representative of the world in which the band members live. "We have country roots," Hinson says, but when it comes to the bluegrass of 50 and 75 years ago, he notes, "We didn't live then. A song's got to remind me of something for ...
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Hellbound Train songs
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