| | Joplin: Treemonisha / Original Cast Recording Soundtrack CD
Joplin: Treemonisha / Original Cast Recording Soundtrack Music Joplin: Treemonisha / Original Cast Recording Soundtrack Review
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Purchase Music From Joplin: Treemonisha / Original Cast Recording To buy, Click on price to add to cart | Pirate Radio Motion Picture Soundtrack CDs (2009) Original Soundtrack
Joplin: Treemonisha / Original Cast Recording Soundtrack
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Joplin: Treemonisha / Original Cast Recording Soundtrack
$10.09 A soundtrack to a movie so appalling that it is infinitely wiser to let the record stand on its own merits. While Prince cavorted in purple kitchen foil and rode his Harley in high heels, the real star of the film, the music, was doing all the talking. A knit of funk and rock, a heavily stylized ...
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Joplin: Treemonisha / Original Cast Recording Soundtrack
$15.05 Virtually every aspect of the Twilight saga was taken to a grander scale with New Moon, the second film in the series of screen adaptations of Stephenie Meyers' books. This reflected not just the success of the first movie, but the wider scope of New Moon's story, which encompassed werewolves and Italian vampire royalty along with girl-falls-in-love-with-vampire, vampire-breaks-girl's-heart drama. The film's score, which is composed and conducted by Alexandre Desplat and performed by the London Symphony Orchestra, is certainly bigger, but not always better, than Carter Burwell's music for Twilight. Desplat takes a more traditional approach, favoring soft string passages highlighted by flute, piano and occasional brass for his cues, which are lush ...
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Joplin: Treemonisha / Original Cast Recording Soundtrack
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Joplin: Treemonisha / Original Cast Recording Soundtrack
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John Barry's fifth Oscar-winning score is a profoundly moving body of music, generally (though not entirely) elegiac in tone, very much like the movie for which it was written. It's also a bit of a mixed bag, occasionally falling back on material that will be familiar to fans of the James Bond movies that Barry scored during the early/mid-'60s. The main title theme uses some of those devices -- dense, heavy string passages adjacent to trumpet calls -- but it is hardly representative of the full score. The real heart of Dances With Wolves is the pensive, tragic "John Dunbar Theme," which is far closer in spirit to Barry's music for Somewhere in Time or They Might Be Giants, films (and scores) far removed from the Bond movies. It seems as though, when Barry is asked to write music for characters that are complex and troubled (of which Bond is neither), he delivers the goods in the guise of musical material that reflects those elements. Some elements familiar from the Bond films can be found scattered throughout this soundtrack, particularly the violin-driven "stings" that open "The Death of Timmons" and the horn calls that herald its closing; the string parts underneath the hyperactive percussion of "Pawnee Attack" might've been lifted right out of From Russia With Love and "Stands With ...
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Joplin: Treemonisha / Original Cast Recording Soundtrack
$27.15 This is a hybrid Super Audio CD playable on both regular and Super Audio CD players.
Original Soundtrack/Various Artists/Jeff Wayne: Jeff Wayne (piano, harpsichord); David Essex, Julie Covington, Phil Lynott, Richard Burton, Jo Partridge (vocals); George Fenton (tar); Chris Spedding, Justin Hayward, Chris Thompson, Gary Osborne, Herbie Flowers, Roy Jones, Ray Cooper , Paul Hart, Barry Morgan, Billy Lawrie, Paul Vigrass.
Released 40 years after Orson Welles' infamous radio version of the H.G. Wells tale, Jeff Wayne's musical version of War of the Worlds straddles old-style radio drama and contemporary orchestrated narratives by Rick Wakeman and David Bedford. And while it lacks the sophisticated arrangements of, say, Journey to the Centre of the Earth, it does boast an impressively odd cast -- this may be the only time that a member of Thin Lizzy worked with Richard Burton, and the presence of Julie Covington and the Moody Blues' Justin Hayward in very attractive singing roles attest to its pop/rock aspirations. It's Burton's sonorous tones that sustain ...
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