| | Schubert: Late Quartets, Quintet / Emerson Quartet, Et Al CD Emerson String Quartet / Rostropovich / Schubert CDS
3 Cds Schubert: Late Quartets, Quintet / Emerson Quartet, Et Al Music | List Price | $33.98 (You save $12.23) | | Label | Deutsche Grammophon | | All Time Sales Rank |  10774  | | CD Universe Part number | 1057877 | | Catalog number | 459151 | | Discs | 3 | | Release Date | Feb 09, 1999 | | Mono/Stereo | Stereo | | Recording Time | 3 0 | | Re-Release | Yes |
Schubert: Late Quartets, Quintet / Emerson Quartet, Et Al Review
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Schubert: Late Quartets, Quintet / Emerson Quartet, Et Al Songs | 1. Quartet for Strings no 12 in C minor, D 703/Op. posth "Quartettsatz" (11:23) | | Common Name | Quartettsatz Quartet, Quartet For Strings | | Catalog No. | D 703 | | Composer | Franz Schubert (1797 - 1828) | | Performer | Eugene Drucker (Violin)
Philip Setzer (Violin)
Lawrence Dutton (Viola)
David Finckel (Cello) | | Genre | Quartet / Romantic Period | | Date Written | 1820 | | Ensemble | Emerson String Quartet | | Period | Romantic | | Country | Vienna, Austria | | Recording | Studio | | Venue | American Academy of Arts & Letters, NYC | | Recording Date | 12/1996 | | 2. Quartet for Strings no 13 in A minor, D 804/Op. 29 no 1 "Rosamunde" (32:35) | | Common Name | Rosamunde Quartet, Quartet For Strings | | Catalog No. | D 804 | | Composer | Franz Schubert (1797 - 1828) | | Performer | Eugene Drucker (Violin)
Lawrence Dutton (Viola)
David Finckel (Cello)
Philip Setzer (Violin) | | Genre | Quartet / Romantic Period | | Date Written | 1824 | | Ensemble | Emerson String Quartet | | Period | Romantic | | Country | Vienna, Austria | | Recording | Studio | | Venue | American Academy of Arts & Letters, NYC | | Recording Date | 11/1996 | | 3. Quartet for Strings no 14 in D minor, D 810 "Death and the Maiden" (37:32) | | Common Name | Death And The Maiden Quartet, Quartet For Strings | | Catalog No. | D 810 | | Composer | Franz Schubert (1797 - 1828) | | Performer | Philip Setzer (Violin)
Lawrence Dutton (Viola)
David Finckel (Cello)
Eugene Drucker (Violin) | | Genre | Quartet / Romantic Period | | Date Written | 1824 | | Ensemble | Emerson String Quartet | | Period | Romantic | | Country | Vienna, Austria | | Recording | Studio | | Venue | Troy Savings Bank Music Hall, Troy, NY | | Recording Date | 05/1987 | | 4. Quartet for Strings no 15 in G major, D 887/Op. 161 (44:49) | | Common Name | Quartet For Strings | | Catalog No. | D 887 | | Composer | Franz Schubert (1797 - 1828) | | Performer | Philip Setzer (Violin)
Lawrence Dutton (Viola)
David Finckel (Cello)
Eugene Drucker (Violin) | | Genre | Quartet / Romantic Period | | Date Written | 1826 | | Ensemble | Emerson String Quartet | | Period | Romantic | | Country | Vienna, Austria | | Recording | Studio | | Venue | American Academy of Arts & Letters, NYC | | Recording Date | 12/1988 | | 5. Quintet for Strings in C major, Op. 163/D 956 (53:29) | | Common Name | Quintet For Strings | | Catalog No. | D 956 | | Composer | Franz Schubert (1797 - 1828) | | Performer | Philip Setzer (Violin)
Eugene Drucker (Violin)
Lawrence Dutton (Viola)
David Finckel (Cello)
Mstislav Rostropovich (Cello) | | Genre | Quintet / Romantic Period | | Date Written | 1828 | | Ensemble | Emerson String Quartet | | Period | Romantic | | Country | Vienna, Austria | | Recording | Live | | Venue | Trinity Church, Speyer, Germany | | Recording Date | 12/1990 |
Schubert: Late Quartets, Quintet / Emerson Quartet, Et Al Music Composers on Schubert: Late Quartets, Quintet / Emerson Quartet, Et Al CD : Franz Schubert Ensembles on Schubert: Late Quartets, Quintet / Emerson Quartet, Et Al CD : Emerson String Quartet Genres on Schubert: Late Quartets, Quintet / Emerson Quartet, Et Al CD : Quartet, Quintet, Romantic Period Performers on Schubert: Late Quartets, Quintet / Emerson Quartet, Et Al CD : Eugene Drucker, Lawrence Dutton, David Finckel, Mstislav Rostropovich, Philip Setzer Purchase Schubert: Late Quartets, Quintet / Emerson Quartet, Et Al To buy, Click on price to add to cart | T Albinoni Cimarosa's Oboe Concerto And Concerti By Albinoni, Et Al CD (1995)
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On this 2007 album, romance-obsessed trumpeter Chris Botti looks to Italy for inspiration. A set of swooning smooth-jazz tunes, ITALIA features a number of guest vocalists, including Andrea Bocelli (on the gentle title track) and Paula Cole (a spare, elegant version of "The Very Thought of You"), along with the late Dean Martin, whose unmistakable croon turns up on a lightly swinging rendition of "I've Grown Accustomed to Your Face." Botti shines the brightest, however, on instrumental pieces, most notably his warm, laid-back takes on two classic numbers by revered Italian composer Ennio Morricone, "Deborah's ...
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Anoushka Shankar may boast celebrity relatives (she's Ravi Shankar's daughter and Norah Jones's half sister), but her sitar mastery is all her own. On previous recordings, she followed in her father's footsteps by performing relatively traditional, raga-based music. RISE, however, ...
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Anton Bruckner (1824-1896) wrote eleven symphonies including Symphony #0 and the Symphony in f Minor. He revised them so many times that if instead of these revisions he had composed new symphonies, their number might exceed the number of symphonies writtenby Mozart! Bruckner's lack of self-confidence allowed him to be persuaded by colleagues and even pupils to revise his compositions. You may hear the desperation in his words: "They want me to write differently. Certainly, I can, but I must not. God chose me from thousands and gaveme this talent. It is up to Him how I compose. What a sin it would be if I would follow others?" Despite the fact, that his symphonies underwent multiple alterations, Bruckner always kept the original scores for "later times." Bruckner's devotion to God enabled him to keep composing. The recording embodied on this CD is not the usual one, because it is the original version of Bruckner's symphony. Bruckner's church music sat well with audiences, but his symphonies, for which he is best known today, were radical in scope and received with hostility. Local orchestras, including the Vienna Philharmonic, were reluctant to perform his symphonies, usually deemed by them as formless, too long, and unmarketable. Bruckner (as well as many other great composers including Rachmaninov) suffered from destructive attacks by musical critics. Today no-one remembers the names of these "musical judges"; and their sentences,if you can still find them, sound very funny and shallow after a hundred years. According to many historians Bruckner was "humble, straightforward, uncomplicated, unpretentious and unsophisticated." Unlike Wagner, Bruckner rarely showed interest in literature (except the Bible), drama or political philosophy. There is a famous anecdote: after a performance of Wagner's Ring, Bruckner asked: "Why did they burn Brunnhilde?" Bruckner established himself as a composer very late, though he was born in a family of musicians and from his youth studied music seriously. Wilhelm Furtwangler once said: "Schubert and Mozart had already completed their life's works when Bruckner wasstill writing counterpoint exercises." It is always fascinating to watch audiences who are astonished by the early development of talent. I wonder why people don't consider a strawberry more superb, perfect and advanced than an orange because it ripens earlier? It is good to remember that everything has its own time and purpose. If there is a gun - one day it will shoot. It is a historic fact that Bruckner adored Wagner as almost a musical god and considered him a hero and father-like figure. Bruckner's dedication of his Third Symphony (1873) witnesses this fact. Maybe, Bruckner admired Wagner so much because Wagner's music was so different from his own? Another great impact on Bruckner's music was made by the late Beethoven, especially by his Ninth Symphony. It became a model for all of Bruckner's symphonies. There is an opinion that Bruckner didn't write eleven symphonies; he just wrote the same symphony eleventimes. Bruckner was an extremely devout man. His music is meditative and his symphonies can be compared with cathedrals in their scale. A rare ...
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Schubert: Late Quartets, Quintet / Emerson Quartet, Et Al
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