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Winiaypa Sabes CD

 Winiaypa Discography of CDs

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 Our Price: $14.19  CD
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contemporary Latin American folk group combines real quenas, zamponas, congas, mandolins & other Indian acoustic instruments w. electric bass & a touch of synthesizers to create a rich sound that keeps the original ethnic feeling
Sabes Music


Detailed Sabes Music Information



List Price $14.99 (You save $0.80)
Category World Albums, Latin CDs, Spanish, International
Label Ans
All Time Sales Rank   412535  
CD Universe Part number 1058269
Discs 1
Release Date Dec 25, 1999
Winiaypa Sabes Songs


Winiaypa Sabes Album Track Listing



1.Peguche
2.Vinieron De Lejos
3.Maldy
4.Nunca Te Olvidare
5.El Tiempo Pasa
6.Pequena Flor
7.Sumaj Sumaj
8.No Lo Olvidaras
9.Amigo Hermano
10.Nostalgias De Mi Pueblo
11.Wayayay
12.Sabes
Sabes Review


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The sides are Columbia and Rhumboogie. Track Listing of songs: Leap Frogs Blues / Reffer Head Woman / Don't Worry About A Thing / Broken Down Man / Let Me Love You, Baby / Get Too Much Insurance / Mellow Pot Blues / Jersey Cow Boogie / I Want To Woogie Woogie / D Saxophonist Joseph Buster Bennett was born in Pensacola, FL, in 1914. After gaining some professional experience in Texas he settled into Chicago's thriving music scene during the late '30s, blowing soprano, alto, and tenor saxophone as a session man for the Vocalion, Columbia, OKeh, Decca, and Bluebird labels. His first recorded appearance was on Monkey Joe Coleman's "Taxes on My Pole" (1938) and he can be heard speaking on Washboard Sam's "Block and Tackle" (1939). Bennett also blew his horns behind Ramona Hicks, Big Bill Broonzy, Jimmie Gordon, Jimmie McLain, Merline Johnson, and Minnie Mathes. From February 1945 to December 1947 Buster Bennett made a series of rough-and-tumble blues recordings for Columbia, singing his own funky lyrics in a gutsy voice and squeezing meaty solos out of his sax. Bennett's discography is peppered with interesting names among players of uncertain identity. Wild Bill Davis shows up periodically at the piano and bassist Israel Crosby is present on all but the first seven tracks. Bennett employed a trumpeter much of the time in addition to a second saxophonist, most often Andrew "Goon" Gardner on alto. This is gritty, sometimes slightly nasty South Side Chicago blues, bristling with references to everyday life. One topic that arises from time to time is the use (and overuse) of marijuana. "Reefer Head Woman" makes only passing reference to the weed as one item in a litany of excesses associated with a troublesome female. "Mellow Pot Blues" might be the first recorded song using the word "pot" to describe the stuff. The term has been ...
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In Person Saturday Night At The Blackhawk, Complete, Vol. 2
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Much of the greatest live jazz has been recorded in homey dens of iniquity such as San Francsico's own Blackhawk, and from the opening blast of Monk's classic "Well You Needn't," through the dynamic overdrive of "Oleo," it's clear that the band and this Saturday night crowd are locked into the kind of positive, self-generating vibe that encourages vivid, risky improvisations. Prior to the departure of the classic Kelly-Chambers-Cobb rhythm section (the KIND OF BLUE team) in 1963, Miles was in the midst of his so-called show tune period, which consisted of jazz classics and pop tunes taken at brisk, swinging tempos, suffused in the same funky hard bop bluesiness of Mingus, Cannonball and Blakey's Messengers. The harmonic sophistication of his collaborations with Gil Evans notwithstanding, the more modern advances of Coltrane, Coleman and Taylor would have to wait for the arrival of the Hancock-Carter-Williams rhythm axis. SATURDAY NIGHT AT THE BLACKHAWK features some of this band's most engaging repertoire (plus some solos edited out of the original release). After the coy, teasing lyricism of "Fran Dance," the ...
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Making good on the "dude" part of his name, the good-natured rapper Devin the Dude eases through a fun and relaxed set of songs on TO THA X-TREME. ...
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