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All songs written by Sean Kelly except "Amazing Grace" (traditional).
Sean Kelly, lead singer and primary song writer for The Samples, delivers a collection of introspective songs inspired during the band's hiatus in the summer of 1994. Kelly has penned some of his most poignant lyrics, guaranteed to strike a chord with both young and old Samples fans. Solo performances at last year's HORDE Festival and announcements at recent Samples shows have already generated a buzz on this release.
Recorded at Red Door Studios, Boulder, Colorado.
Personnel: Sean Kelly (vocals, guitar); Betsy Shaw (vocals); Mike Stand (French horn); Cassy O. (piano); Tom Roberson (drums); Mike Rafone (bells).
Audio Mixers: Sean Kelly; Steve Koppe.
Recording information: Red Door Studios, Boulder, CO.
Arranger: Sean Kelly.
Personnel: Sean Kelly (guitar, vocals); Betsy Shaw (vocals); Mike Stand (French horn); Cassy O (piano); Amp Lafire (bass); Tom Robertson (drums); Mike Rafone (bells).
Sean Kelly Light House Rocket Songs Light House Rocket Review
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Purchase Light House Rocket CD To buy, Click on price to add to cart | Michael Jackson Thriller CD (1982) Bonus Tracks; Remastered; Special Edition
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Adiitional personnel includes: Veit Renn (conductor, guitar); Tony Battaglia (guitar); Brian Snapp (saxophone); Don Rogozinski, Rex Wertz, Scott Bliege (horns); Gary Carolla (keyboards, drums); Peter Ries (keyboards, programming); Troy Antunes, Joey Argero (bass); Rob Dorsey, Frank Delour, Lou Appell (drums, percussion); Billy Ashbaugh (drums); Voices Of Praise (background vocals).
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| | Elvis Presley ELV1S: 30 # 1 Hits CD (2002) Remastered
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Includes liner notes Peter Guralnick and Ernst Mikael Jorgensen.
Commemorating the 25th anniversary of Elvis Presley's death, 30 #1 HITS presents a career-spanning serving of the King's chart-toppers.
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Digitally remastered by Gary Hobish (1994, Fantasy Studios, Berkeley, California).
Digitally remastered by George Horn (Fantasy Studios, Berkeley, California).
Digitally remastered by George Horn (1995, Fantasy Studios, Berkeley, California).
Guided, perhaps, by musical snobbery or roots-rock phobia, some people inexplicably don't like Creedence Clearwater Revival. As the kings of earnest country-inflected rock in an age when radical stances were de rigueur, CCR sported straight-ahead tunes, and may have seemed a bit unhip. But their music stands the test of time with a vengeance. ...
| | Subzone Paranoid Landscape CD (2000)
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"Cosmic industrial" might be the most appropriate sub-denomination for the debut album from Northern California's Subzone, masterminded by Andrew Mullen. It is as euphorically unsettling as it is dense and distorted. Paranoid Landscape is everything that its title implies: eddies of unknowable space, suspiciously dark valleys, hardscrabble expanses, and discordant skies that erupt in steely outbursts. It is covered in cragged edges and frequently leaves a metallic aftertaste in your mouth, yet the album also has an all-consuming, molten beauty. Subzone combines the most enticing attributes of industrial (the ominous lurch, waves of forbidding sound) and space rock (an alien kind of tunefulness, unearthly grandeur, a post-apocalyptic sense of time) into an amalgam that seems both spacy and corporeal at the same time, hovering somewhere between this and some other dimension but also gritty, burdened under its own great weight. Mullen's songs are epic canvases manipulated into bold, insistent sculptures, each with an incessant tinge of paranoia and foreboding. There are scant vocals on the album, and when they do appear, they are most often whispered or obscured by layers of noise, buzzes, and feedback, like muffled and gasping voices trapped under piles of wreckage or some kind of strange radio transmission accidentally overheard -- not unlike My Bloody Valentine, but harsher, designed less for beauty's sake and more for texture. The effect is both more menacing and more sublime than the music of industrial luminary Trent Reznor but, as with the music of Nine Inch Nails, gorgeous melodies emerge from the murkiness and sludge like intriguing hallucinations. It is like seeing the inebriated ...
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Saint Etienne's dreamy, pleasure-button-pushing combination of 1960s-era pop hooks and electronica-influenced beats is difficult to resist, and while the band's albums are consistently strong, this singles ...
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The departure of drummer Bill Berry in 1997 no doubt unsettled his former R.E.M.-mates, who found themselves straddling not only creative, but personal crossroads. Rather than giving up, the remaining members of R.E.M. reinvented themselves and released UP, a stunning, eloquent album of dark vulnerability and experimentalism. The emotional disquiet Stipe evokes is nearly shocking in its plainspoken lyricism. Songs like the agonized "Sad Professor" and the wary, hypnotic "Suspicion" seem almost too naked ...
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