| | R E M Reckoning CD R E M Discography of CDs
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The murmuring continued with this, R.E.M.'s second album, recorded in only two weeks, and yet critical acclaim and a growing fanbase had not made the music any less elusive. From the cover depiction of a winding river/snake, the jangly music within was similarly ambiguous, drenched in alternately murky, then dazzlingly clear, images. The water theme predominates throughout side one's five-song suite, with talk of harbours, oceans and water towers, crowned by the sublime lament of "So. Central Rain." Later, the melancholic eulogy of "Camera" sits comfortably beside the cod-country of "(Don't Go Back To) Rockville" and the brisk but disillusioned tour around "Little America." An astonishingly assured and uncommercial half-sibling to MURMUR: file under water.
Recorded at Reflection Sound, Charlotte, North Carolina.
Personnel: Bill Berry (vocals, drums, percussion); Michael Stipe, Mike Mills (vocals); Peter Buck (guitar).
Audio Mixer: Mitch Easter.
Recording information: Reflection Sound Studios, Charlotte, NC.
Photographers: Ed Colver; Mike Cameron.
Unknown Contributor Role: Howard Finster.
R.E.M.: Michael Stipe (vocals); Mike Mills (vocals, bass); Bill Berry (vocals, drums); Peter Buck (guitar).
Rolling Stone (p.77) - 4 stars out of 5 -- "[T]he powerful RECKONING established the band as bona fide leaders of the new American indie-rock underground." Spin (p.91) - "[T]he songs betrayed a folk-country influence -- the Byrds, in particular -- resulting in an album refreshingly out of fashion for 1984." Spin (12/03, p.122) - "...RECKONING gets over on straight-up songcraft..." CMJ (1/6/03, p.14) - Included in CMJ's list of "Top 25 College Radio Albums of All Time" CMJ (1/5/04, p.14) - Ranked #1 in CMJ's "Top 20 Most-Played Albums of 1984". Q (Magazine) (p.118) - 4 stars out of 5 -- "[T]he jangle and crunch of Buck's Rickenbacker brooked no confusion; here were the seeds of every baroque experiment with mandolins and balalaikas that lay ahead..." Blender (Magazine) (p.106) - 4 stars out of 5 -- "RECKONING aims for the gut with roundhouse drumming, sunburst guitars, Podunk country ballads...and just enough poetic vagueness..." Pitchfork (Website) - "[I]t is host to a kind of determined minimalism, each song building via subtle variations in performance and instrumentation." Record Collector (magazine) (p.90) - 4 stars out of 5 -- "RECKONING remains a highpoint in REM's first chapter of existence. 'Central Rain' sounds like a lost soul classic..." Reckoning Music Review Average Rating: (4.3 out of 5 stars)   The alt rock classic that influenced so many R.E.M. influenced many bands to come with this one, long before their more commercial later albums. That's because the subtle, smart lyrics intertwined within bright and shiny guitar riffs that recall the Who and the Byrds altered the alt rock scene forever. This is the first REM tape I ever listened to, and it's the kind you get on the 3d or 4th listen and go, wow. Almost all the songs are really catchy, all of them are as pretty as can be, and the layers of guitar and vocals will dazzle your brain once you listen enough. Rockville, (Don't Go Back To) should've been a #1 hit song, and by the time you get into this classic CD you'll be asking yourself why the later stuff was so commercially successful and this awesome CD only had a cult following. Submitted by Andrew M. (Santa Rosa, CA) Was This Review Helpful? Yes No
Plant it and let it grow After listened a few times to a tape of Reckoning that a friend made, I thought the record had some good songs but was not great. Then one morning while driving to work I found myself singing along to almost every song on the tape. Buy this one and let South Central Rain, Pretty Persuasion, Rockville, Harborcoat, Second Guessing, Letter Never Sent and all the rest just grow on you. Submitted by Riff (St. Louis, MO, USA) Was This Review Helpful? Yes No
Don't overlook this one If you are the least bit intrigued by this amazing band, don't ignore their early albums; they are the ones that established an incredible, tenacious loyalty among their serious fans. "Reckoning" is as good as anything they've done, and quite superior to most of their later works. Just like "Murmur," this one has nothing but excellent tracks - not one dud among the bunch. Take your time, let them sink in. If you can't make out all of Michael Stipe's lyrics, don't worry about it - his voice works as an instrument in itself. Submitted by a reviewer (Evansville, IN, USA) Was This Review Helpful? Yes No
Second album from Athens' finest Their early sound always provides a contrast when you're used to hearing their later works. It's a shame you don't get to hear any of these songs on the radio, like their big hits, but then they weren't even on the radio when this album was made! (Apart form college radio, of course!)
The classic 'Harborcoat' is one of their best ever songs. But elsewhere on this album there lies an even bigger gem. 'Don't go back to Rockville' has the band in full country twang and shows the versatility of the group, which we are now really beginning to see with their new album 'Reveal'.
A great choice for any REM fan who thinks he or she needs a slight change from listening to 'Out of Time' or 'Automatic for the people' over and over again.
Submitted by a reviewer (Dublin, Ireland) Was This Review Helpful? Yes No
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Purchase Reckoning CD To buy, Click on price to add to cart | R E M Murmur CD (1983)
Reckoning album
$7.19 R.E.M.'s full-length debut is a landmark album that set the standard for the next 10 years of indie rock. The Athens quartet combined Byrdsy, folk-rock guitar jangle with obscurantist lyrics and a post-punk compositional sensibility to create a vibrant new sound that would soon be imitated by every high-school poet with a Rickenbacker guitar. R.E.M. was also one of the first bands to make the long, hard journey from college radio (when it was still college radio) to mainstream ...
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| | R E M Lifes Rich Pageant CD (1986)
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$8.09 The songs on LIFE'S RICH PAGEANT are listed out of order on the packaging. Two songs on the record, "Underneath The Bunker" and a cover of the Clique's "Superman," aren't listed at all.
Coming after the dark and arty FABLES OF THE RECONSTRUCTION, 1986's LIFE'S RICH PAGEANT was R.E.M.'s first tentative step towards the rock & roll mainstream. At the time, Don Gehman's production sounded shockingly bright and commercial, but, in hindsight, the album is clearly a dry run for the impending commercial pinnacle of GREEN, OUT OF TIME, and AUTOMATIC ...
| | R E M Fables Of The Reconstruction CD (1985)
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$8.29 FABLES OF THE RECONSTRUCTION finds R.E.M.'s star rising fast. With major label world domination still comfortably off in the future, the band was still experimenting; their jangly frenetic sound was deepening by fathoms, and Michael Stipe's formless rants were solidifying (his diction was improving, too, which only served to clarify his prodigious poetic gift). The album featured some of the group's most solid pop songcraft to date, as well as some pretty heady meandering ("Feeling Gravity's Pull").
FABLES produced some important hits for the group at this crucial juncture of its career. Radio staples like "Driver 8" kept them popular with the increasingly important ...
| | R E M Document CD (1987)
Reckoning album
$8.85 R.E.M.'s final album for IRS Records, 1987's DOCUMENT was the Georgia quartet's commercial breakthrough. The initial single, the spookily obsessive "The One I Love," was an unexpected Top 10 hit, and its follow-up, the "Subterranean Homesick Blues"-style rant "It's the End of the World as We Know It (And I Feel Fine)," became one of R.E.M.'s most renowned songs. The first R.E.M. album produced by Scott Litt (soon to be a frequent collaborator) DOCUMENT skillfully blends the commercial gloss ...
| | VH1 Presents The Corrs: Live In Dublin CD (2002)
Reckoning CD music
$6.19 This audio document of The Corrs' Dublin homecoming concert has pretty much everything fans of Irish pop could wish for, including an appearance from Bono in his earthly incarnation, fresh from an audience with President George W. Bush. It's to the band's credit that the charismatic singer fails to steal the show, despite creditable efforts via an anthemized version of Ryan Adams' beautifully downtempo "When the Stars Go Blue," and a great, leering rendition of Lee Hazlewood and Nancy Sinatra's ...
| | Dion Lovers Who Wander/So Why Didn't You Do That The First Time? CD (1993)
Reckoning music CDs
$14.99 This is a slightly resequenced version of Dion's 1962 album (named after the hit single, of course), expanded with alternate takes and unreleased material recorded much earlier with the Belmonts, often in startling, clear-as-a-bell true stereo. The original album per se is patchy, like most rock albums of the period, but Dion's highly original jazz-inflected vocals are outstanding throughout, and there's an interesting cover of Fred Neil's "Candy Man," which gives a hint ...
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| | Four Way Stop CD (2003)
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| | Jeff Gardner Spirit Call CD (2007)
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$16.45 ABOUT SPIRIT CALLSPIRIT CALL, Jeff Gardner's first solo piano album, was recordedin Paris at Studio Acousti by the legendary sound engineer Alain Clouzeau.The material ranges from bossa to bebop, modal jazz, flamenco, modern classical, and other styles that Jeff has distilled in his original compositions. Two bonus tracks, recorded in concert at Maison de la Radio France in Paris, include a beautiful ballad, Joanne, by the late great Brazilian saxophonist-composer Victor Assis Brasil and a longer live version of the title track, with an intro verging on classical contemporary music. ABOUT JEFF GARDNERJeff Gardner was born in New York. After classical piano lessons with Ruth Schontal and Ivan Tcherepnin he studied jazz with Jaki Byard, Charles Banacos, and John Lewis, and harmony with Nadia Boulanger. He has performed with such musicians as Kenny Wheeler, Norma Winstone, Eddie Harris, Steve Lacy, Freddie Hubbard, Bob Sheppard, Paulo Moura, Dori Caymmi, and the piano quartet with Jaki Byard, Martial Solal, and Paul Bley. His recordings include "Continuum", with Eddie Gomez and Billy Hart, "Alchemy", with Gary Peacock, "Second Home", with Rick Margitza, "Sky Dance" (recorded in Rio de Janeiro) with Gilberto Gil, and "Noches Habaneras", recorded in Havana, Cuba, ...
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