| | New Orleans Senior Prom CD (2 Customer Reviews)
collection of 19 1950's garage, rock 'n roll & R&B tracks as they only sounded in New Orleans, inc. Julian & Tasso, Scat Man Patin & The Ram Rods, Scotchtones, Chevies, Vince Anthony, Joe Carl, Chuck Como, Fats Fitzgerald, Danny Zella +
You can imagine the scene: A couple of record collectors are browsing the racks when one stumbles on a copy of New Orleans Senior Prom and says to the other "Wow, if they'd played music like this at my high-school prom, maybe I would have gone!" But let's face it: These are record collectors -- there's not a chance in Hell they're going to prom, even if the Beatles are the musical entertainment. The irony, of course, is that New Orleans Senior Prom is filled with vintage Crescent City R&B so obscure that only record collectors are going to seek it out in the first place: This is raw, wild stuff, perfectly emblematic of the New Orleans sound during its late 1950s and early 1960s heyday. Like much of Night Train's output, the fidelity isn't great, with some cuts sounding like they were mastered directly from vinyl, but the scarcity of material and its overall quality makes it worth picking up nevertheless. Highlights include the Scotchtones' "Sake Wa Dookie," Chuck Como's "Bells in My Heart" and Allen Colay's "Last Dance." ~ Jason Ankeny New Orleans Senior Prom Music New Orleans Senior Prom Songs New Orleans Senior Prom Music Review Purchase New Orleans Senior Prom CD To buy, Click on price to add to cart | Wylie & The Wild West Total Yodel! CD (1998)
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| | Belle & Sebastian Push Barman To Open Old Wounds CDs (2005) Deluxe Edition
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$12.95 Deluxe Double CD Package Incl Hardbound Book.
Belle & Sebastian: Stuart Murdoch (vocals, guitar); Stevie Jackson (guitar); Sarah Martin (violin); Isobel Campbell (cello); Chris Geddes (keyboards); Stuart David (bass guitar); Richard Coburn (drums); Mick Cooke, Gerry Campbell, David Campbell, Mark McWhirter, Brian Nugent, Michael Angus. Additional personnel: Monica Queen, Rozanne Suarez (vocals); Willie Gamble (pedal steel guitar); Dave Wilson (banjo); Murray Fergusson (violin); Mary Ward (viola); Lex Allan (clarinet); Judy Mitchell (oboe); Louise Bennie (saxophone); Tommy Hulcup (trumpet); Ronan Breslin, Jackie Murray (trombone); Stan Reilly (sousaphone); Gary Grochla (double bass); Jonny Quinn (congas); Laura Molloy (percussion); The Uptown Shuffers. Belle & Sebastian never felt tied down to the album as the ultimate expression of a band's worth. Put simply, they didn't feel the need to hold back their best songs for albums; the fourth song on a four-song EP was just as likely to be among their finest as any other. For proof check out Push Barman to Open New Wounds, a handy compilation of the group's EPs recorded between 1997 and 2001 for Jeepster and Matador. Beginning with "Dog on Wheels" all the way through, the band used its EPs as means of exploring new sounds and angles (check the groovy '60s spy song "Legal Man," the epic in length and scope "This Is Just a Modern Love Song," the bubbly sunshine pop of "I Love My Car," or the silly instrumental "Judy Is a Dick Slap") as well as an outlet for great songs that wouldn't fit on albums, like "Slow Graffiti," "A Century of Fakers," and "Lazy Line Painter Jane." Some of the tracks here would be pillars on a B&S greatest-hits compilation too; fantastic songs like "Dog on Wheels," "The State I ...
| | Split Enz Collection CD (2006) (Import) United Kingdom
New Orleans Senior Prom
$11.79 Digitally Remastered collection of recordings from the band's early 'progressive' years when Phil Judd and Tim Finn led the band. Features tracks from the albums Mental Notes (AKA Second Thoughts) and Dizrythmia including 'Lovey Dovey', 'Late Last Night', 'Another Great Divide, 'Titus' and My Mistake'. EMI Gold. 2006.
Liner Note Author: Justin Lewis. Following their 1975 debut, Mental Notes, Split Enz signed a worldwide distribution deal with Chrysalis Records for their next two LPs: 1976's Second Thoughts, which Chrysalis confusingly titled Mental Notes (even using a modified version of the Mental Notes cover art instead of the cover for Second Thoughts), and 1977's Dizrythmia. The band stayed with the Mushroom label in Australia and New Zealand, a relationship that would continue throughout their career. By their fourth album, 1979's Frenzy, the Enz were dropped from Chrysalis, leaving them only with Mushroom to distribute the record in Australia and New Zealand. At the time they redefined themselves as a new wave band with 1980's True Colours, A&M became their worldwide label for their next four albums, but not their final ...
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