| | Aria CD Gilmore, Gail CDS
 (1 Customer Review)
Aria Music | List Price | $18.97 (You save $3.48) | | Label | Signum UK | | Orig Year | 12/1/1999 | | All Time Sales Rank |  55526  | | CD Universe Part number | 1064520 | | Discs | 1 | | Release Date | Nov 30, 1999 | | Recording Time | 1 18 |
Aria Songs | 1. Fosca, opera: Quale orribile peccato (5:19) | | Common Name | Fosca Opera | | Composer | Carlos Gomes (1836 - 1896) | | Conductor | Nikos Athinaos | | Performer | Gail Gilmore (Voice) | | Genre | Opera / Romantic Period | | Date Written | 1873 | | Period | Romantic | | Venue | Konzerthalle C.Ph.E. Bach, Frankfurt, Od | | Notes | Konzerthalle C.Ph.E. Bach, Frankfurt, Oder (03/29/1999-04/01/1999) | | 2. Macbeth, opera: Veni! t'affretta (7:37) | | Common Name | Macbeth Opera | | Composer | Giuseppe Verdi (1813 - 1901) | | Conductor | Nikos Athinaos | | Performer | Gail Gilmore (Voice) | | Genre | Opera / Romantic Period | | Date Written | 1847 | | Period | Romantic | | Venue | Konzerthalle C.Ph.E. Bach, Frankfurt, Od | | Notes | Konzerthalle C.Ph.E. Bach, Frankfurt, Oder (03/29/1999-04/01/1999)
Composition written: 1847.
Composition revised: Scotland. | | 3. Don Carlo, opera: O don fatale (5:23) | | Common Name | O Don Fatale, Don Carlo Opera | | Composer | Giuseppe Verdi (1813 - 1901) | | Conductor | Nikos Athinaos | | Performer | Gail Gilmore (Voice) | | Genre | Opera / Romantic Period | | Date Written | 1884 | | Period | Romantic | | Venue | Konzerthalle C.Ph.E. Bach, Frankfurt, Od | | Notes | Konzerthalle C.Ph.E. Bach, Frankfurt, Oder (03/29/1999-04/01/1999)
Composition written: 1884.
Composition revised: Spain. | | 4. Don Carlo, opera: Canzone del velo (4:13) | | Common Name | Don Carlo Opera | | Composer | Giuseppe Verdi (1813 - 1901) | | Conductor | Nikos Athinaos | | Performer | Gail Gilmore (Voice) | | Genre | Opera / Romantic Period | | Date Written | 1884 | | Period | Romantic | | Venue | Konzerthalle C.Ph.E. Bach, Frankfurt, Od | | Notes | Konzerthalle C.Ph.E. Bach, Frankfurt, Oder (03/29/1999-04/01/1999)
Composition written: 1884.
Composition revised: Spain. | | 5. Tosca, opera: Vissi d'arte (3:22) | | Common Name | Tosca Opera | | Composer | Giacomo Puccini (1858 - 1924) | | Conductor | Nikos Athinaos | | Performer | Gail Gilmore (Voice) | | Genre | Opera / Romantic Period | | Date Written | 1900 | | Period | Romantic | | Country | Italy | | Venue | Konzerthalle C.Ph.E. Bach, Frankfurt, Od | | Notes | Konzerthalle C.Ph.E. Bach, Frankfurt, Oder (03/29/1999-04/01/1999) | | 6. Andrea Chénier, opera: La mamma morta (5:22) | | Common Name | Andrea Chenier Opera | | Composer | Umberto Giordano (1867 - 1948) | | Conductor | Nikos Athinaos | | Performer | Gail Gilmore (Voice) | | Genre | Opera / Romantic Period | | Date Written | 1896 | | Period | Romantic | | Venue | Konzerthalle C.Ph.E. Bach, Frankfurt, Od | | Notes | Konzerthalle C.Ph.E. Bach, Frankfurt, Oder (03/29/1999-04/01/1999)
Composition written: 1896.
Composition revised: Italy. | | 7. Oberon, overture to the opera (8:56) | | Composer | Carl Maria von Weber (1786 - 1826) | | Conductor | Nikos Athinaos | | Genre | Romantic Period | | Date Written | 1825-1826 | | Period | Romantic | | Country | Germany | | Venue | Konzerthalle C.Ph.E. Bach, Frankfurt, Od | | Notes | Konzerthalle C.Ph.E. Bach, Frankfurt, Oder (03/29/1999-04/01/1999) | | 8. Oberon, opera, J. 306: Ozean, du Ungeheuer (8:42) | | Common Name | Ozean Du Ungeheuer, Oberon Opera | | Catalog No. | J 306 | | Composer | Carl Maria von Weber (1786 - 1826) | | Conductor | Nikos Athinaos | | Performer | Gail Gilmore (Voice) | | Genre | Opera / Romantic Period | | Date Written | 1825-1826 | | Period | Romantic | | Country | Germany | | Venue | Konzerthalle C.Ph.E. Bach, Frankfurt, Od | | Notes | Konzerthalle C.Ph.E. Bach, Frankfurt, Oder (03/29/1999-04/01/1999) | | 9. Rienzi, der Letzte der Tribunen, opera, WWV 49: Gerechter Gott (9:06) | | Common Name | Gerechter Gott, Rienzi Der Letzte Der Tribunen Opera | | Catalog No. | WWV 49 | | Composer | Richard Wagner (Classical) (1813 - 1883) | | Conductor | Nikos Athinaos | | Performer | Gail Gilmore (Voice) | | Genre | Opera / Romantic Period | | Date Written | 1838-1840 | | Period | Romantic | | Country | Germany | | Venue | Konzerthalle C.Ph.E. Bach, Frankfurt, Od | | Notes | Konzerthalle C.Ph.E. Bach, Frankfurt, Oder (03/29/1999-04/01/1999) | | 10. Samson et Dalila, opera in 3 acts, Op. 47: Printemps qui commence (5:39) | | Common Name | Printemps Qui Commence, Samson Et Dalila Opera In 3 Acts | | Composer | Camille Saint-Saëns (1835 - 1921) | | Conductor | Nikos Athinaos | | Performer | Gail Gilmore (Voice) | | Genre | Opera / Romantic Period | | Date Written | 1859-1877 | | Period | Romantic | | Country | France | | Venue | Konzerthalle C.Ph.E. Bach, Frankfurt, Od | | Notes | Konzerthalle C.Ph.E. Bach, Frankfurt, Oder (03/29/1999-04/01/1999) | | 11. Samson et Dalila, opera in 3 acts, Op. 47: Amour! viens aider ma faiblesse (4:15) | | Common Name | Amour Viens Aider Ma Faiblesse, Samson Et Dalila Opera In 3 Acts | | Composer | Camille Saint-Saëns (1835 - 1921) | | Conductor | Nikos Athinaos | | Performer | Gail Gilmore (Voice) | | Genre | Opera / Romantic Period | | Date Written | 1859-1877 | | Period | Romantic | | Country | France | | Venue | Konzerthalle C.Ph.E. Bach, Frankfurt, Od | | Notes | Konzerthalle C.Ph.E. Bach, Frankfurt, Oder (03/29/1999-04/01/1999) | | 12. Samson et Dalila, opera in 3 acts, Op. 47: Mon cour s'ouvre à ta voix (6:06) | | Common Name | Mon Cour S'ouvre A Ta Voix, Samson Et Dalila Opera In 3 Acts | | Composer | Camille Saint-Saëns (1835 - 1921) | | Conductor | Nikos Athinaos | | Performer | Gail Gilmore (Voice) | | Genre | Opera / Romantic Period | | Date Written | 1859-1877 | | Period | Romantic | | Country | France | | Venue | Konzerthalle C.Ph.E. Bach, Frankfurt, Od | | Notes | Konzerthalle C.Ph.E. Bach, Frankfurt, Oder (03/29/1999-04/01/1999) | | 13. Cavalleria rusticana, opera (melodramma) in 1 act: Intermezzo sinfonico (3:45) | | Common Name | Cavalleria Rusticana Opera Melodramma In 1 Act | | Composer | Pietro Mascagni (1863 - 1945) | | Conductor | Nikos Athinaos | | Genre | Opera | | Country | Italy | | Venue | Konzerthalle C.Ph.E. Bach, Frankfurt, Od | | Notes | Konzerthalle C.Ph.E. Bach, Frankfurt, Oder (03/29/1999-04/01/1999) |
Purchase Aria To buy, Click on price to add to cart | Cecilia Bartoli Sacrificium CDs (2009) With Book; Deluxe Edition
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Some singers have continued to sound great when they entered their seventies -- the amazing Jimmy Scott immediately comes to mind. And others kept singing after they should have retired; Frank Sinatra and Peggy Lee, for example, made the mistake of continuing to record even though their voices had deteriorated considerably (which is why their late-period work should be avoided unless you're a completist or a hardcore collector). Born in 1920, Eileen Farrell was 74 when she recorded Love Is Letting Go for the independent DRG label -- and at that age, she was past her prime but didn't sound bad either. If you compared Farrell at 74 to Sinatra at 74, you would have to say that Farrell had aged more gracefully as a singer (which isn't to imply that Farrell was ever in a class with Sinatra -- only that she had kept more of her voice when she became old). Arranged, conducted, and co-produced by Robert Farnon, Love Is Letting Go is a pleasant, if unremarkable, example of traditional pre-rock pop. Farrell was never an improvising jazz singer, although Farnon's orchestral arrangements are jazz-influenced on familiar standards that include "Just in Time," "I've Never Been in Love Before," and "Time After Time" (the Jule Styne/Sammy Cahn favorite, not the Cyndi Lauper hit that received a pop-jazz/NAC makeover from Miles Davis in 1985). And because "Love Is Letting Go" is jazz-tinged pop rather than serious vocal jazz, it must be judged by pop standards -- Farrell was always closer to Mabel Mercer than Ella Fitzgerald, Sarah Vaughan, or Chris Connor. Is Love Is Letting Go Farrell's finest hour? No, but her die-hard fans will probably want a copy anyway. ~ Alex Henderson
Recorded at Criteria Recording Studios, North Miami, Florida from January 16-18, 1995. Includes liner notes by Rex Reed.
Personnel: Eileen Farrell (vocals); Loonis McGlohon (piano).
Liner Note Author: Rex Reed.
Recording information: C. T. S., Wembley, England (11/22/1994-01/08/1995); Criteria Recording Studios, Miami, FL (11/22/1994-01/08/1995); CTS Studios, London, England (11/22/1994-01/08/1995).
Illustrator: Robert W. Richards.
Arranger: Robert Farnon.
Personnel includes: Eileen Farrell (vocals); Loonis McGlohon (piano).
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