| | Ossatura Dentro CD Ossatura Discography of CDs
Ossatura is an Italian improvisation group working with electronics and noisemakers featuring the brothers Elio and Maurizio Martusciello. For this recording, they are joined by former Henry Cow member Tim Hodgkinson on flat guitar and wind instruments. Ossatura's music is characterized by sequences of sound blocks where detailed and quiet textural work alternate with rhythmic acceleration and dense sound blocks. On "Tempo... Usura," for example, the piece opens with quiet samples and accordion drones, succeeded by a driving rhythmic pattern punctuated by gong sounds. The patterns are occasionally taken up by other sound makers and other instruments, as on "Bioplast" where a similar pattern occurs first in a high buzzing register, and later amid dark rumblings. "Dentro" was recorded by Bob Drake, sound engineer for several ReR projects, and the album combines not only the improvisation but significant amounts of studio post-processing. ~ Caleb Deupree
Feat.Tim Hodgkinson
Personnel includes: Alberto Grifi (vocals).
Ossatura Dentro Songs | 1. | Enorme Registratore |
| 2. | Juggled in Gravity |
| 3. | Oltreascolto |
| 4. | Tempo Come Fermo |
| 5. | Deserto Facciale |
| 6. | Tempo...Usura... |
| 7. | Description |
| 8. | Innesto |
| 9. | Bioplast |
| 10. | Tour of Known Total Memory |
|
Dentro Review
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Purchase Dentro CD To buy, Click on price to add to cart | Houston Person Mellow CD (2009)
Dentro
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Not all mellow, Houston Person's tribute to the softer side of jazz has its moments based on the laid-back timbre of his soul rather than a program consisting of only ballads. The tenor sax he wields certainly reflects the tradition established by Ben Webster in its soul-drenched tone, but is not as vocally pronounced or vibrato driven. The quite capable pianist John DiMartino is the one whose more enunciated notions are harnessed, while tasteful guitar by the underrated James Chirillo ring out in acceptance of Person's embraceable hues. A program of standards and two blues jams, Person rounds into shape this quintet of true professional to render themes that are harder to play slow than fast. The slower material includes the regretful, throaty ballad "Too Late Now," the totally restrained "To Each His Own," a poignant "Two Different Worlds," and the deep, mature take of "God Bless The Child". Ever ...
| | Diana Krall Quiet Nights CD (2009)
Dentro
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Diana Krall's first studio outing since she and husband Elvis Costello became the proud parents of twin boys, 2009's QUIET NIGHTS finds the jazz singer/pianist turning in a serene and pleasantly subdued set. Krall breezes through a few bossa nova standards, most notably "The Girl from Ipanema" (here gender-reversed to "The Boy...") and the title track (originally "Corcovado"), both penned by the legendary Antonio Carlos Jobim. QUIET NIGHTS isn't solely a Brazilian-themed outing, however, as Krall also spends plenty ...
| | Al Jarreau This Time CD (1980)
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Al Jarreau finally found success in the U.S. after 1975's We Got By. The later albums that followed ,like 1977's live Look to the Rainbow and 1978's All Fly Home found him attaining the all-important cult status and accolades from the jazz community. Those facts made his switch to pop/R&B on This Time even more surprising. For This Time, Jarreau is paired with producer Jay Graydon. Despite his jazz credentials, This Time does prove that this style is where Jarreau truly prospers. The jittery "Never Give It Up" and the melodic and pensive "Gimme What You Got" have a crisp and refined L.A. sound, ...
| | Jeff Hamilton Symbiosis CD (2009)
Dentro
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Jeff Hamilton's recordings have always been focused as straight-ahead and mainstream as your typical superhighway, with occasional time for rest stops, gassing up, and sleepovers. While always a good listen, Hamilton and his non-stop rotation of up-and-coming pianists and bassists never really pushed the envelope, staying the course set by his mentor, the late, great bassist Ray Brown, and other California-based coolsters. With Symbiosis, though, there's a change in the weather with the addition of extraordinary young talent in pianist Tamir Hendelman and bassist Christoph Luty. This is not at all to say that Hamilton's music had no fire, guts, or glory, but the difference in internal energy heard on this recording is noticeable. Hamilton is also playing brushes for the most part, instead of sticks, and he proves the finest exponent of that style of jazz performance ...
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Since he made his recording debut as a teenager, Geoff Keezer has consistently demonstrated a willingness to reshape familiar songs and explore a wide repertoire of music outside of standard fare. This live engagement at the Dakota, with bassist Matt Clohesy and drummer Terreon Gully (known for his work with Stefon Harris), is full of surprises. "Stompin' at the Savoy" may be a favorite of swing musicians, ...
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