| | John Denver Windsong CD John Denver Discography of CDs
 (4 Customer Reviews)
Windsong was released at the peak of John Denver's career, and rode to Number One on the strength of his previous success, and the epic "Calypso," which happened to provide the touchstone for the album. Essentially, Windsong is an album about communing with nature, and an overall thematic thrust is missing from many other Denver records. There may not be that many songs that match "Calypso," but many come close, helping elevate Windsong into Denver's front rank of albums. ~ Stephen Thomas Erlewine
Personnel: John Denver (vocals, guitar); John Sommers (vocals, guitar, banjo, mandolin); Mary Ann Duffy, Olivia Newton-John (vocals); Eric Weissberg (steel guitar, banjo); Byron Berline (mandolin, violin); Jesse Ehrlich (cello); Jimmie Fadden (harmonica); John Ellis (oboe); Hal Blaine (drums).
Arranger: Lee Holdridge.
Re-Issue
Windsong Music | List Price | $6.98 (You save $1.03) | | Category | Rock Albums, Pop CDs, Country, Rock/Pop, Singer/Songwriter, Contemporary Pop Vocals | | Label | BMG Special Products | | Orig Year | 1975 | | All Time Sales Rank |  2822  | | CD Universe Part number | 1071376 | | Catalog number | 144623 | | Discs | 1 | | Release Date | Aug 26, 1997 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Milton Okun | | Personnel | Hal Blaine - drums
Byron Berline - mandolin, violin
Olivia Newton-John - vocals
Eric Weissberg - steel guitar, banjo
John Denver - vocals, guitar
Jesse Ehrlich - cello
Jimmie Fadden - harmonica
John Sommers - vocals, guitar, banjo, mandolin
John Ellis - oboe
John Ellis - oboe
Mary Ann Duffy
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John Denver Windsong Songs Windsong Music Review Average Rating: (5 out of 5 stars)  His Best Early Work!
Like most artists, the most endearing
and sublime of his works are often the
least known. The exquisite poetry and
imagery of "Windsong" have made it my
personal favorite of all of his albums.
Any one who has not heard this one is
seriously missing out!
Submitted by a reviewer (San Francisco, CA USA) 
Was This Review Helpful? Yes No 1 of 1 found this helpful. Very, very well-crafted
Here, you can see all of the elements that made up John Denver's career: the intimate folk singer/songwriter; the lonely cowboy on the range; the slick, adult contemporary entertainer; the whimsical, child-like balladeer; and more. Each song on this album is very, very well-crafted, with the obvious standout "Calypso" being the strongest song on here. There are other strong songs here, but "Calypso" just takes the cake, and was the epitome of John's commercially artistic success. There is no way that I can imagine anybody else other than John doing these songs; there just is no other voice that could do what he did on "Calypso". This is a good album to start with, if you want to start buying John's albums, because this is a blend of everything he was and everything he became. Definitely a masterpiece on John's part.
Submitted by Galen Baumgartner (Anchorage, AK, USA)
Was This Review Helpful? Yes No 1 of 1 found this helpful. Classic!
This album contains some of the finest works he ever did. The songs sound as wonderful today as they did in the 1970's.
Submitted by a reviewer (Studio City (L.A.), CA)
Was This Review Helpful? Yes No Beautiful!!!
Can you capture the wind?? Can you tell about it if you did?? John Denver did and did it very, very well. Calypso is it's highlight!! Riding the horse on the ocean beach put the cherry on top of the album!!!
Submitted by Nimtz (Mesa, Arizona)
Was This Review Helpful? Yes No | Have you heard this album? |  |
Purchase Windsong CD To buy, Click on price to add to cart | John Denver Poems, Prayers And Promises CD (1971)
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As the 1970s progressed, John Denver slowly moved away from the melancholy folk-singer mode that characterized his early albums and towards ...
| | John Denver Rhymes & Reasons CD (1969) Bonus Tracks; Remastered
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Relative newcomer John Denver -- his work with the Chad Mitchell Trio notwithstanding -- released his debut in 1969 to a relatively empty room. It wasn't until Peter, Paul & Mary took the singer/songwriter's "Leaving, on a Jet Plane" to the top of the charts later in the year that he began his ascent from fresh-faced folkie to America's best-selling recording artist in 1974. While the producers did their best to position Denver away from the dwindling folk scene by incorporating lush orchestrations and murky backing vocals, there was absolutely no way that they could remove the artist's heartfelt delivery and gentle disposition. RCA tested the ...
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| | Flatt & Scruggs 1964-1969 CDs (1992) (Import) Box Set; Germany
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6 CDs and book - catching them at the peak of their commercial success (late 1960's), this collection shows how they were taking bluegrass in new & original directions. includes "The Story Of Bonnie & Clyde", "Beverly Hillbillies", singles that have neve
The final five years of the team of Flatt & Scruggs is documented on the six-CD Bear Family set 1964-1969, Plus. Their final six recordings together are on a Lester Flatt box set on the same label (Flatt on Victor Plus More, Bear Family 15975). Though the pair never referred to themselves as bluegrass musicians -- because of its association with their mentor, Bill Monroe -- they had a difficult time telling the ever-increasing flood of international fans just what it was they did. Certainly it was folk music, but not the folk music of the folk revival of the late '50s and early '60s, and it was country music, though not what Owen Bradley and Chet Atkins was pushing through Nashville at the time, and while a lot of the music was rooted in blues and gospel, it couldn't be called that either. Flatt & Scruggs were the progenitors of what later pioneers like Tony Trischka, Randy Scruggs, Béla Fleck, and others would call "newgrass" -- the pair wouldn't have liked that either. What this set documents is how the musical styles emerging in the 1960s were explored by Flatt & Scruggs, were turned inside out, were popularized, and put enough pressure on the duo, musically and professionally because of increased fame, to tear them apart. Here are the recordings of Waylon Jennings' "I'm a Man of Constant Sorrow" (before Ralph Stanley cut it), Bob Dylan's "It Ain't Me Babe," Tom Paxton's "The Last Thing on My Mind," Chuck Berry's "Memphis," "Foggy Mountain Breakdown" done for the film Bonnie & Clyde, traditional songs like "Sally Goodin," Mel Tillis and Danny Dill's "Detroit City," Tom T. Hall's "I'm Gonna Ride That Steamboat," John Sebastian's "Nashville Cats," Doc and Merle Watson's "Southbound," and ...
| | Stone Roses Garage Flower CD (1996) Import
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The widely collected bootleg of early sessions is finally released officially. Apparently, the Stone Roses are appalled and didn't sanction this, which accounts for the lack of notes about these recordings. If various old sources are correct, the tracks are from demos they set down in 1985, probably with late producer/legend Martin Hannett, who produced their debut single. Thus, this is three or four years before they recut these looks at "I Wanna Be Adored" and "This Is the One" for their stunning debut LP. For these two tracks alone (and the three songs re-recorded for their first two singles), Garage Flower is history of the most illuminating kind! The songs are the same, but this would be around the time they changed their name from "English Rose" and gave up being a mod band. Thus, the playing (and recording) is harsh, primitive post-punk, closer to Killing Joke and their earliest days as the Clash-inspired "the Patrol" than anything else! The attitude ...
| | Shirley Collins Power Of The True Love Knot CD (1968)
Windsong album
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While credited to Shirley Collins, this reissue of a 1967 album is really the work of Collins and her sister, Dolly Collins, who provides the fascinating instrumental settings courtesy of a modern reproduction of a 1643 miniature pipe organ, with its distinctive flutey sound. That sound, combined with Dolly Collins' arrangements and keyboard decorations, give these traditional songs the sound of early music: restrained and almost medieval. The expansive sleeve notes give a background to the songs (Collins had worked as a researcher, both in England and the U.S., where she helped Alan Lomax during his 1959 U.S. field recordings), which helps the listener understand a great deal more about "Over the Hills and Far Away," for example, a song that's been reinvented since the days of John Gay, and "The Beggar's Opera." But above all, it's Shirley Collins' voice that brings these pieces to life. Breathy and often artless, there's a sincerity and depth to it that's both warm and undeniable. She lives ...
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Windsong songs
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