| | Helmet Betty CD Helmet Discography of CDs
(5 Customer Reviews)
Guitar thugs Helmet muscled their way into a hefty record-industry bidding war in the early 1990s, boasting an impressive use of negative space within dense guitar structures. Largely due to frontman Page Hamilton's stop/start guitar riffs, Helmet was easily recognizable in a sea of competitors.
The group's second major-label album, BETTY, growls and grinds through 14 songs simmering with post-adolescent angst. Tracks like "Biscuits for Smut" and "Overrated" couldn't be better fit for the jaded mid-1990s. Mixing nihilism with a fascination for pop-culture commodity, Hamilton drops words like "cellulite" with "karmic wealth" to create an insightful foray into an over-stimulated culture. A more dynamic outing than the quartet's previous releases, BETTY revealed Helmet as a fascinatingly restless band.
Recorded at Soundtrack, Power Station, and Sound on Sound, New York.
Audio Mixer: Andy Wallace.
Recording information: Power Sation; Power Station; River Sound; Riversound; Sound on Sound; SoundTrack.
Helmet: Page Hamilton (vocals, guitar); Rob Echeverria (guitar); Henry Bogdan (bass); John Stanier (drums).
Engineers: Anton Pukshansky, Martin Bisi, John Siket.
Rolling Stone (10/6/94, p.91) - 4 Stars - Excellent - "...Learning from its mistakes, the band has broadened its scope on BETTY, expressing emotional depth and musical wit along with brute strength..." Spin (8/94, p.85) - Satisfactory - "...This is heavy metal without the theater, headbanging music for people without hair..." Alternative Press (9/94, p.74) - "...BETTY, is filled with the crunch based power we've come to expect...a little chancey, yet undeniably Helmet..." Musician (7/94, p.89) - "...BETTY blows the lid off the sucker, using hip-hop, hints of jazz, reams of speaker-altering noise and, unexpectedly, humor. Helmet have de-metallized metal..." NME (Magazine) (6/25/94, p.41) - 6 - Good - "...not only does BETTY betray a surprising sleight of hand in its shuffling of familiar components but it also has the sense to lob the odd ringer into the gig..." Betty Music Review Average Rating: (4.4 out of 5 stars)   Slowest and sickest album of the world This slow songs make you so crazy,
that you must sing with them and
break some motherf--ing stuff
rescue the wals and eat more monstermash !!!!!!!!!!1 Submitted by Suckhead (ingolstadt,bavaria,germany) Was This Review Helpful? Yes No
thee best helmet i take a lot of heat from my friends for this but it is in my opinion that betty is helmet's best release. although I have strong feelings for aftertaste, betty is the most musically sound. it has clever grooves that although complex to copy, are quite simple when you think about them. at times it sounds like the snare drum on the drumkit is a jamacian mallet or something. it really is quite awesome. Submitted by Brock (Danville, CA) Was This Review Helpful? Yes No
5 stars this is helmet at their best, in my opinion. Submitted by jerome (houston, tx) Was This Review Helpful? Yes No
best helmet the person who wrote the previous review is a moron, betty is produced just as good as meantime if not better and the songs are as good. Classic Helmet Submitted by bob (wallingford, ct usa) Was This Review Helpful? Yes No
Somewhat of a letdown I loved _Meantime_, but _Betty_ sounds way too rushed. The production is a letdown as is the music. Good for diehard fans, but a letdown to those who first saw them in their initial club days. Submitted by Matt (New Jersey) Was This Review Helpful? Yes No
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Purchase Betty CD To buy, Click on price to add to cart | Slayer World Painted Blood CD (2009)
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| | Anvil This Is Thirteen CD (2009) Bonus Track
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$12.45 While Anvil never really got the chance to make a bid for mainstream success, and it's too late now -- they've got an affectionate documentary about themselves, the success of which has gotten them a deal to release this album, but the industry just doesn't make stars anymore, certainly not in metal. The best Anvil can hope for is that they'll be able to go out (or carry on for a few more years, if they choose to do so) with some self-respect. Luckily, THIS IS THIRTEEN ...
| | Tool 10,000 Days CD (2006)
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$11.75 To its legion of fans, everything the band Tool does is an event, but the elaborate plan behind their sporadic release schedule--roughly five years, on average, between albums--is due primarily to the time and effort the band packs into each successive effort. To title their fourth album 10,000 DAYS, then, isn't as much an exaggeration as it would seem. Tool are America's most consummate mainstream perfectionists, revitalizing progressive rock ...
| | AC It Just Gets Worse CD (1999)
Betty music CDs
$13.39 It's kind of surprising -- and perhaps disturbing -- that Anal Cunt, aka A.C., is still recording at the end of the '90s, since one might have thought they had exhausted their basic premise. 1998's Picnic of Love was a departure into smart-assed, falsetto-sung acoustic ballads, but It Just Gets Worse is a return to the standard A.C. sound. Half the fun of any A.C. release is reading the 40 or 50-odd song titles the group comes up with for their gonzo blasts of noise, since there's always at least some inspired lowbrow humor to be found. However, It Just Gets Worse is the first time they've seemed outright stupid. Granted, that doesn't mean it's never funny -- A.C. can crack some pretty creative stupid jokes -- but the subject matter of the jokes (AIDS, Nazis, rape, homosexuals, sperm banks, pedophilia, and infanticide) pushes a lot of buttons that are very easy to push. The humor is so obviously calculated to offend that it's a pointless waste of energy to get angry about it, and even if A.C. is funnier than most bands mining this territory, it still comes off as pretty predictable. So does the music -- A.C.'s signature grind hasn't changed all that much over the years, and if you've heard one album, you pretty much know what the others sound like. It seems at this point that they've taken the joke as far as it will go. ~ Steve Huey
After Ozzy Osbourne, GWAR, and Alice Cooper -- not to mention G.G. Allin, Cannibal Corpse, and W.A.S.P's Blackie Lawless -- it's hard to imagine any rocker being more over-the-top. Anal Cunt gives it a shot on It Just Gets Worse, a grindcore/hardcore punk CD consisting of 39 tracks (all of them short bursts of amelodic noise) that go out of their way to be as offensive, crude, profane, and vulgar as possible. When you see titles like "You're Pregnant, So I Kicked You in the Stomach," "I Lit Your Baby on Fire," and "Sweatshops Are Cool," you know that this album is about shock value for the sake of shock value. As gross and repulsive as AC's lyrics are, however, they come across as very tongue-in-cheek and shouldn't be taken seriously. Possibly, this CD could be viewed as a revolt against political correctness -- that is, assuming that it bears any serious socio-political analysis. By 1998 standards, It Just Gets Worse is hardly cutting-edge and doesn't pack nearly the punch that Alice Cooper's "I Love the Dead" did in 1974 or the Weasels' "Beat Her With a Rake" did in 1978. In fact, rockers who grew up listening to Cooper, Blackie Lawless, Slayer, or G.G. Allin -- and who probably admired Ice-T, the Geto Boys, N.W.A, and 2Pac Shakur as well -- are likely to hear It Just Gets Worse and think, "If your goal was to shock or offend me, I'm afraid you're about ten or 20 years too late." Regardless, the band sounds like it had a lot of fun trying. ~ Alex Henderson
This is the 1999 (Earache) album by one of the most obnoxious & offensive metal/ punk/ grindcore bands ever! They make Mentors and G.G. Allin look like choirboys! This is A.C.'s brutal revolt against political correctness. This CD has 39 songs, including 'Being Ignorant Is Awesome', 'Women: Nature's Punching Bag', 'Rancid Sucks (And The Clash Sucked, Too)', ...
| | Katatonia Brave Murder Day CD (1997)
Betty songs
$8.89 Contains the full length album BRAVE MURDER DAY plus the bonus EP, FOR THE FUNERALS TO COME.
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| | Lief Sorbye Across The Borders CD (1995)
Betty album
$12.09 For his solo venture, Sorbye takes a mellower turn that his hard-edged folk-rock with Tempest. No mad jigs or reels, and the songs and tunes, which paint a picture of his traveling as a busker -- which he did for a few years -- are mostly his own (although his favorites, the Incredible String Band, get a look in, with a tune each from Mike Heron and Robin Williamson), with "Fatima's Garden" a particular standout. What's quickly evident is that the instrumentals are more enjoyable, perhaps because his lyrics tend toward the glib, with personal revelation and depth of emotion held back to a minimum, although whether that does him any favors as a songsmith is debatable. But there's nothing fatuous about the Middle Eastern-flavored "Ya Amar," where his mandola and mandolin playing are a delight (although the flute seems to take it close to Jethro Tull terrirory), or the traditional "Krivo Sadovsko Horo," which offers more of the range of his talents. "Underhill," with its didgeridu samples, is ...
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