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All of his humorous acumen would be for naught were it not for his winning knack with a melody. Even a song like "All Of Her Girlfriends Are Brain Dead," that leads off with "She looked like a girl with a lot on her mind/but that's where the ... Full Descriptionparallel ended" would be no more than a clever construct without Goldman's seemingly endless supply of frothy pop hooks. GIRLS N' COWS is a nonstop pop tour de force.
Californian Richard Goldman is a one-man pop army. Writing, singing and playing virtually everything on GIRLS N' COWS himself, he displays a rapier-like wit easily matched by his cunning pop sensibilities. Goldman's outrageous sense of humor permeates every track, no matter what the setting of the song. From the twisted country of "The Good Years" to the twisted folk of "Zsa Zsa" to the twisted pop of "Elevator Music," Goldman turns the ears and mind of the listener inside out several times during the course of a song.
Personnel: Richard Goldman (vocals, guitar, bass, drum programming, accordion, pennywhistle); Deborah Holland (vocals); James F. Dean (harmonica, whistling).
Hide Description Richard Goldman Girls N' Cows Songs | 1. | Hollywood Marriage |
| 2. | Prettiest Girl at the Funeral, The |
| 3. | Good Years, The |
| 4. | Devil Knows |
| 5. | Zsa Zsa |
| 6. | Airport Parking Lot |
| 7. | No Cows Allowed |
| 8. | Simple Days |
| 9. | On T.V. In 1968 |
| 10. | Elevator Music |
| 11. | All of Her Girlfriends Are Braindead |
| 12. | At the Door |
| 13. | Carnival Girl |
| 14. | Wings |
| 15. | If Only For a Moment |
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Purchase Girls N' Cows CD To buy, Click on price to add to cart | Taylor Swift Fearless CD (2008) Enhanced CD
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Based on her debut hit, a cute novelty love song called "Tim McGraw," some might have assumed that the then six-year-old Taylor Swift was a one-hit wonder. Funny thing, though: her first album not only hit number one on the country chart and Top Five on the pop chart, it spun off five more hit singles, all of which charted higher than "Tim McGraw" on both the country and pop charts, including the number-one country hits "Our Song" and "Should've Said No." All this makes the Pennsylvania teen the biggest thing to hit country since at least Carrie Underwood, and the remarkable thing is that unlike the vast majority of country stars, she writes and co-writes her own songs. Album number two, FEARLESS, is--in the best possible sense--more of the same. Even more polished and self-assured than TAYLOR SWIFT, and featuring an equally strong batch of self-penned songs including the singles "Love Story" and "Fearless," FEARLESS is the definitive example of contemporary country music in 2008.
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In the manner of Natalie Cole's UNFORGETTABLE, Elvis Presley's CHRISTMAS DUETS is a collection of Christmas songs that Elvis recorded throughout his career, remixed in 2008 to add new vocal parts by many of today's biggest female country stars, some of whom had not yet been born when Elvis died in 1977. Guest vocalists include Carrie Underwood, Martina McBride, Sara Evans, LeAnn Rimes, and Amy Grant. Other guests include Anne Murray and Olivia Newton-John, the only two vocalists here whose careers intersected with Elvis chronologically.
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Five albums into their career, Rascal Flatts are among the most popular bands in the solo artist-driven Nashville landscape, their high-energy modern bluegrass appealing to the same audience that enjoys Big N' Rich or Gretchen Wilson. The 13-track GREATEST HITS VOLUME 1 features seven number one country hits and fan favorites like their countrified cover of Tom Cochrane's 1980s rock hit, "Life Is A Highway." An early limited edition version adds a second disc featuring three traditional Christmas songs.
Arrangers: Mervyn Warren; Jonathan Yudkin; David Campbell.
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Though he's rarely given any indication that he was musically inclined, it turns out that Kevin Costner is part of that long string of actors who also dabble in music. In fact, the debut album by Kevin Costner and Modern West isn't the actor fronting a bunch of anonymous session musicians but the rebirth of a band that he and lead guitarist John Coinman had in Los Angeles in the 1980s. MODERN WEST is an unfussy album of old-fashioned country rock of the type that was so popular around Laurel Canyon in the late 1960s and early '70s. Echoes of the Eagles, Gram Parsons, Michael Nesmith, and others percolate through these 12 charming, unpretentious tracks.
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The title of this collection by the Jesus of 1970s soft pop makes no bones about its intentions. Fortunately, it delivers what it promises in spades. DEFINITIVE ALL-TIME GREATEST HITS chronicles the hit-packed career of John Denver without missing a trick. From his earliest, most folk-oriented material ("Leaving on a Jet Plane," a hit for Peter, Paul & Mary) to his more country-flavored compositions ("Take Me Home, Country Roads," the stomp-along "Thank God I'm a Country Boy"), we're given a full picture of Denver's abilities. Early-'80s duets with Placido Domingo ("Perhaps Love") and Emmylou Harris ("Wild Montana Skies") underscore both the far-reaching ripples Denver made in the music world and the full range of his own gifts. Such gentle, melodic ballads as "Annie's Song" and "Sunshine on My Shoulders" are the distilled essence of what made '70s AM radio tick, and will elicit instant nostalgia for the era when Denver's ...
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Girls N' Cows Review
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