| | Ralph Lalama Circle Line CD - Import Ralph Lalama Discography of CDs
swinging, hefty-toned tenor saxman tackles the pianoless tenor-guitar format, mixing brushfire tempos w. heartfelt ballads, feat. Peter Bernstein-gtr, Peter Washington-bss & Kenny Washington-drms Ralph Lalama Circle Line Songs | 1. | Circle Line |
| 2. | My Ideal |
| 3. | Giant Steps |
| 4. | You Are Too Beautiful |
| 5. | Fiesta Espagnol |
| 6. | Dark Chocolate |
| 7. | Homestretch |
| 8. | Without a Song |
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Circle Line Review
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The title might seem arrogant, but Eric Alexander doesn't presume to be anything more than he is--a very talented tenor player at the top of his game. The saxophonist here expertly demonstrates his abilities, along with those of his former boss, organist Charles Earland, and his longtime associates Jim Rotondi, Joe Farnsworth, and Peter Bernstein. Alexander continues to prove both muscular and agile, sporting a robust, tastefully lyrical tone, while also occasionally summoning passages of explosive energy.
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Art Blakey & The Jazz Messengers: Art Blakey (drums); Hank Mobley (tenor saxophone); Kenny Dorham (trumpet); Horace Silver (piano); Doug Watkins (bass).
Recorded live at the Cafe Bohemia, New York, New York on November 23, 1955. Originally released on Bluenote (1508). Includes liner notes by Bob Blumenthal.
When Art Blakey invites his audience to "take off your shoes and have a ball" we know that this live set from the Cafe Bohemia will be a swinger. This second volume of Blakey's Jazz Messengers at the famous Greenwich Village nightspot is a defining document of one of the greatest small groups in jazz. Recorded the ...
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While continuing the Mediaeval Baebes' tradition of reprising anonymous medieval compositions, THE ROSE branches out to include credited material from Chaucer ("Slay Me Suddenly"), Dante ("The Circle of the Lustful"), and Gwerful Mechain, a 15th-century Welshwoman whose racy poem "The Sour Grove" had long been suppressed.
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U.N.K.L.E. are back! After a three-year hiatus, the james lavelle-helmed collective return with a new label, new home, new collaborators,- and a new sound. Unkle's third album follows the worldwide success of 1998's 'psyence fiction' and 2003's 'never, never, land' and once again finds the collective drawing on rock, electronic and beat-driven music in new ways. The collective (that once included dj shadow & tim goldsworthy) continues under the creative core of james lavelle & richard file, alongside ...
| | Silvan Zingg Changes In Boogie Woogie CD (2008)
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Check out Pablo Mayor on the cover of Latin Beat magazine, May 2009!Here's a review from inside the magazine: This is the third production of the New York City-based band Folklore Urbano, led by multi-hyphenate Pablo Mayor, and his wife, Anna Povich de Mayor (flutist and band manager). Since their debut recording "Aviso" (2003), Mayor and Folklore Urbano have been redefining modern Colombian music by fusing its traditional folkloric rhythms with elements of jazz and other musical influences, resulting in a unique sound. CorazĂłn (Heart) includes a total of ten scores, eight of which are original compositions penned by Mayor, who also arranges all the tracks. The twelve-member collective known as Folklore Urbano swings like a fine-tuned big band as it takes the roots of Colombian rhythms on a rollercoaster ride of sophisticated arrangements and liberating jazzy applications, track after track. Mayor is a devotee of crosscultural diversity and moody experimentations, who creates compelling music, full of textural complexity. Adding vocal elements to the band are SofĂa Rei Koutsovitis and Ronald Polo. Highlighting this dazzling recording are the tracks "Cada Vez", "Expresar Amor", "DĂ©jate Amar", and Pañuelitos Blancos. -Rudy Mingual, Latin Beat, May 2009 issue.More info. on Pablo Mayor: Pablo Mayor, composer, arranger, pianist, from Cali, Colombia, holds both a B.A. and an M.A. in Jazz Arranging from the University of North Texas. While Professor of Jazz at Universidad Javeriana in Bogotá, Colombia, in 1998, Mr. Mayor began his personal investigation of the native music of Colombia. Although it will be a lifelong process of discovery, Mr. Mayor has taken his knowledge of Colombian folklore and has combined it with an extensive knowledge of jazz harmonies and arranging. Since moving to NYC in 1999, Mr. Mayor’s reputation has grown from that of a brilliant pianist and writer, to that of a leader and visionary. His work with his band Folklore Urbano has produced three CD’s and taken the band to both national and international venues. Beginning in 2003, featuring the renowned “Gaiteros de San Jacinto,” he founded the annual “Encounter of Colombian Musicians in New York,” an event in its sixth year running uniting Colombian musicians in an effort to document what he calls a “movement” of Colombian musicians in the world, beginning in New York City. The Sixth Annual Encounter of Colombian Musicians in NY will be held June 14, 2009, at the High Line Ballroom in Maniatan, featuring such renowned musicians as Hector Martignon, Samuel Torres, Edmar Castañeda, Marta Gomez, Lucia Pulido, as well as Folklore Urbano and others. Mr Mayor has become a representative for Colombian music and culture in the USA; in 2008, Mr. Mayor was invited to speak on Colombian music at the Colombian Embassy on Capitol Hill, during the 2008 celebration featuring Petrona Martinez. In addition to his Colombian project, Mr. Mayor has been working as both pianist and arranger for Orquesta Broadway, where his music and piano playing is featured on ...
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