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The soundtrack to Mike Nichols' The Graduate remains a key musical document of the late '60s, although truth be told, its impact was much less artistic than commercial (and, for that matter, more negative than positive). With the exception of its centerpiece track, the elegiac and oft-quoted "Mrs. Robinson" -- which only appears here as a pair of fragments -- the Simon & Garfunkel songs that comprise much of the record (a series of Dave Grusin instrumentals round it out) appeared on the duo's two preceding LPs; Nichols' masterstroke was to transplant those songs into his film, where they not only meshed perfectly with the story's themes of youthful rebellion and alienation (and the inner life of the central character, Dustin Hoffman's Benjamin Braddock) but also heralded a new era in movie music centered around the appropriation of past pop hits, a marketing gimmick that grew exponentially in the years to follow. The Graduate soundtrack, then, merits the dubious honor of being the earliest and one of the most successful Hollywood repackagings of "found" pop songs, a formula essentially based around coercing fans to purchase soundtrack albums filled with material they already own in order to acquire the occasional new track or two.
The album began its life because of Nichols' enthusiasm for the duo's music, and Columbia Records chief Clive Davis' ability to persuade the pair of the importance of a soundtrack LP. Davis turned the actual making of the album over to producer Teo Macero, who approached it with skepticism -- Paul Simon and Mike Nichols had discovered that they really weren't on the same page, with Nichols rejecting "Overs" and "Punky's Dilemma," songs that ended up as highlights of the Bookends album, issued two months after The Graduate soundtrack. Thus, there wasn't enough Simon & Garfunkel material to fill even one LP side, and only about eight minutes of that were "new" recordings, and barely a quarter of that (the "Mrs. Robinson" fragments) new song material. And there also wasn't enough of David Grusin's instrumental music (none of which meshed with the duo's work) for an album. Macero combined this material into a musically awkward LP that somehow did its job -- which, in Davis' eyes, was to introduce Simon & Garfunkel's music to the parents of their existing audience (topping the charts in the bargain, and turning Grusin's "Sunporch Cha-Cha-Cha" into a favorite of easy listening stations). Fans of Simon & Garfunkel likely felt cheated by the presence of the "Mrs. Robinson" fragments, as well as repeats of the 1966-vintage "The Sound of Silence" and "April Come She Will," and an edited extension of "Scarborough Fair/Canticle." But there were two curiosities for the completist -- a high-wattage, edited rendition of "The Big Bright Green Pleasure Machine" (in a style seemingly parodying the sound of Bob Dylan's Highway 61 Revisited); and a gentle, subdued acoustic reprise of "The Sound of Silence," which was possibly the best studio rendition the duo ever gave of the song. ~ Jason Ankeny & Bruce Eder
Simon & Garfunkel: Paul Simon (vocals, guitar); Art Garfunkel (vocals).
Personnel: Paul Simon (vocals, guitar); Art Garfunkel (vocals).
Liner Note Author: Charles Burr.Entertainment Weekly (10/12/01, p.28) - Ranked #7 in EW's "100 Best Movie Soundtracks" - "...Nichols' use of old and new Simon & Garfunkel songs was ingenious...Even though half of it is devoted to a mood-music score, this landmark introduced 'youth music' to grown-ups' movies..."
On the Strip (with Garfunkel, Simon, Simon & Garfunkel, Simon¦, Simon²)
1:59
$0.99
7
April Come She Will (with Art Garfunkel)
1:49
$0.99
8
Folks (with Garfunkel, Simon, Simon & Garfunkel, Simon¦, Simon²)
2:27
$0.99
9
Scarborough Fair/Canticle (with Garfunkel, Simon, Simon & Garfunkel, Simon¦, Simon²)
6:22
$1.29
10
Great Effect (with Garfunkel, Simon, Simon & Garfunkel, Simon¦, Simon²)
4:05
$0.99
11
Big Bright Green Pleasure Machine (with Garfunkel, Simon, Simon & Garfunkel, Simon¦, Simon²)
1:43
$0.69
12
Whew (with Garfunkel, Simon, Simon & Garfunkel, Simon¦, Simon²)
2:10
$0.99
13
Mrs. Robinson (with Garfunkel, Simon, Simon & Garfunkel, Simon¦, Simon²)
1:12
$1.29
14
Sound of Silence (with Garfunkel, Simon, Simon & Garfunkel, Simon¦, Simon²)
3:08
$1.29
Graduate Soundtrack Music Review
Customer Graduate Soundtrack Reviews
Average Rating: (5 out of 5 stars)
The Expanding World of Movie Music The importance of folk music in the social protest movements of the 1960s, along with the identification of rock music with the American counterculture, meant that the growing movie audiences of young adults was primed to hear those kinds of music on movie soundtracks. In the second half of the 1960s, increased emphasis on unique music for a specific film encouraged a turn for pop music groups for scoring films. Hollywood hired rock musicians for a film, or they aquired the rights to previously recorded music. The scoring for "The Graduate" consisted of songs by Paul Simon and Art Garfunkel that lent a distinctive underpinning to the film's offbeat story line. Nonetheless, although the Simon and Garfunkel "sound" was new and different, it was used conventionally. Just track, for example, the lyrics for "The Sounds of Silence" through the movie: its essential purpose remained strongly narrative, precisely as in classic Hollywood scoring. Submitted by filmfactsman (Beverly Hills, CA, USA) Was This Review Helpful? YesNo
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