| | Pearl Jam Ten CD Pearl Jam Discography of CDs
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TEN, Pearl Jam's debut album, was released less than a month before Nirvana's NEVERMIND, and although it took longer to climb the pop charts it also hung around longer, eventually outselling its Seattle rival. Together, the two albums reinvigorated rock & roll, whose share of the pop marketplace had been slipping through the late 1980s. But while Nirvana's bruising punk rock was an all-out assault on the classic-rock dinosaur, Pearl Jam's accomplished hard rock was an attack from within the system.
The drawn-out, bluesy guitar riffing and anthemic choruses that dominated TEN instantly gave away roots in the same popular hard rock and heavy metal that Nirvana was intent on crushing. Indeed, before forming Pearl Jam, guitarist Stone Gossard and bassist Jeff Ament (who between them wrote most of the music on TEN) were the core of two '70s-influenced metal bands, Green River and Mother Love Bone. But in place of the self-aggrandizing, larger-than-life singers that led most such bands, Gossard and Ament found Eddie Vedder, an explosive vocalist with a ravaged timbre more apt to identify with the abused and misunderstood children he was singing about (and to) than with any other rock stars.
After producer Brendan O'Brien remastered a few TEN tracks for the later greatest-hits collection, REARVIEWMIRROR, the band pressed him for years to remaster the entire album. In 2009, the band re-released TEN with O'Brien's remaster, a rendering that strips away the early '90s reverb and lays bare the scabrous edges in both the twin guitars and Vedder's voice. Including many extra tracks and paraphernalia, the many different versions of the reissue placed the official stamp of "classic" on a record that always had the air of one.
Live Recording
Recorded at London Bridge Studios, Seattle, Washington from March to April, 1991.
Engineers: Dave Hills, Don Gilmore, Adrian Moore.
Pearl Jam: Eddie Vedder (vocals); Mike McCreedy, Stone Gossard (guitar); Jeff Ament (bass); Dave Krusen (drums).
Additional personnel: Walter Gray (cello); Rick Parashar (piano, organ, percussion).
Rolling Stone (p.66) - 4 stars out of 5 -- "'Alive' hits harder; 'Black' feels broader in scope; and Eddie Vedder's soaring vocals on 'Oceans' shine brighter." Spin (9/99, p.136) - Ranked #32 in Spin Magazine's "90 Greatest Albums of the '90s." Spin (1/93) - Ranked #15 in Spin's list of the 20 Best Albums Of 1991. Q (12/99, p.74) - Included in Q Magazine's "90 Best Albums Of The 1990s." Q (1/93, p.73) - Included in Q's list of the 50 Best Albums Of 1992. Q (3/92, p.79) - 4 Stars - Excellent - "...a raucous modern rock, spiked with infectious guitar motifs and powered with driving bass and drums...may well be the face of the 90's metal..." Village Voice (3/2/93, p.5) - Ranked #34 in the Village Voice's list of the 40 Best Albums Of 1992. Stereo Review (1/92, p.80) - Performance "Challenging" / Recording "Good" - "...the band sounds larger than life, producing a towering inferno of roaring guitars, monumental bass and drums, and from-the-gut vocals...the tunes here surge, ebb, and surge again..." Kerrang (Magazine) (p.51) - "[T]hese songs are as touching today as the day they came out..." Kerrang (Magazine) (p.52) - "With its nod to classic '70s rock in the shotgun guitars and engaging Vedder's ragged, back-to-the-wall fury dissecting a fractured family life anthem like 'Alive' and 'Jeremy' sound as relevant and impassioned today as they did on the original release." Q (Magazine) (p.123) - "The hit singles 'Jeremy' and 'Alive' wove serious lyrical subject matter to flurrying guitar solos and singer Eddie Vedder's hectoring vocals..." Q (Magazine) (p.114) - 4 stars out of 5 -- "[With] classic songwriting that wasn't afraid to wear its influences on its sleeve....The freewheeling guitars of 'Even Flow' and 'Jeremy' sounded vintage even then, so it's no surprise that they've held up so well after all these years." Mojo (Publisher) (p.116) - 4 stars out of 5 -- "TEN is a classic of the grunge era, its super-sized anthems and introspective mood pieces powerfully voiced by Eddie Vedder..." Blender (Magazine) (p.64) - 5 stars out of 5 -- "It's an exhilarating punk howl....It's a batch of outsider's tales coursing with beefy swagger..." Purchase Ten CD To buy, Click on price to add to cart | Pearl Jam vs. CD (1993)
Ten
$7.59 VS. was nominated for a 1995 Grammy Award for Best Rock Album. "Daughter" was nominated for Best Rock Performance By A Duo Or Group With Vocals, and "Go" was nominated for Best Hard Rock Performance.
Although it topped the pop charts and sold 5 million copies, Pearl Jam's stunning second album is unknown to much of the rock audience. Recoiling from the octopus-like grasp of the music industry, the group refused to support VS. with either videos, singles or a major tour, and rock radio was given just two acoustic-powered ballads, "Daughter" and "Elderly Woman Behind The Counter In A Small Town," as so-called emphasis tracks.
The former was about a sexually abused young girl promising to rise above her past, the latter about a forgotten woman with nothing but long gone memories. The rest of the album rocked significantly harder--harder and more raw, in fact, than anything on TEN--and zoomed in on a cusp between those two stories, on moments when outlaws, outcasts, the dispossessed and the disaffected were being called to political judgment. The woman sheltering a "Dissident" gives in and turns him over to the police. But the abused subjects of "Go" and "Rearviewmirror"--two of the album's most musically heroic songs--manage ...
| | Pearl Jam Vitalogy CD (1994)
Ten
$7.59 Recorded in Seattle, Washington; Atlanta, Georgia; New Orleans, Louisiana.
The CD version of VITALOGY includes a 32-page book; the cassette version includes a 16-page book.
"Spin The Black Circle" won a 1996 Grammy Award for Best Hard Rock Performance. VITALOGY was nominated for 1996 Grammys for Album Of The Year and Best Rock Album.
Wider in scope than any 70mm film, VITALOGY is the album on which Pearl Jam demands that the pigeonholing cease and desist once and for all. Whether by throwing meatless bones at some blindly zealous fans, or by moving their sound out of the grunge-land that they once called home, Vedder & Co. present this 55-minute tour de force as a treatise to win over the alternative non-believers and drop the excess baggage of fame.
There's nothing fancy to VITALOGY: no ACHTUNG BABY or OUT OF TIME-like transformations, no post-modern gimmickry, no Steve Albini sound. Nevertheless, VITALOGY is revolutionary by Pearl Jam standards because it presents a collection of actually crafted songs, and succeeds in spotlighting the band's growing diversity.
The ...
| | Pearl Jam Yield CD (1998)
Ten
$7.59 "Do The Evolution" was nominated for the 1999 Grammy Award for Best Hard Rock Performance and Best Short Form Music Video. YIELD was nominated for the 1999 Grammy Award for Best Recording Package.
Nay-sayers and trends be damned. Pearl Jam's follow-up to 1996's NO CODE continues down the path of aggressive rock and roll, existential musings and musical experimentation. This isn't your older brother's grunge. Opening with the hard-driving "Brain Of J," YIELD goes from a punky swagger representing man's arrogance in asserting his lofty place on the food chain ("Do The Evolution") to a free jazz approach and a disembodied Vedder vocal questioning the meaning of life ("Push Me, Pull Me").
Most of YIELD continues ...
| | Metallica CD (1991)
Ten
$15.65 When a genre-defining group like Metallica, whose past albums have rocked the charts with virtually no airplay, enlists the aid of a hit-making producer like Bob Rock, the result is bound to be monumental. METALLICA, their sixth studio release, surpasses all expectations.
METALLICA is an extremely heavy album. It carries a presence, a huge, live sound different from that heard on their previous recordings. What once could not be tamed has been refined, resulting in a fuller, more powerful guitar sound in an already guitar-intensive band. They have evolved from the messy, unabashed thrashers of their youth into a more confident, poised and angry bunch, not ...
| | Nirvana Nevermind CD (1991)
Ten
$10.79 A few years after the matter, even the album cover appears vaguely symbolic: an innocent babe, braving the hazards, lunging for the seductive prize at the end of a hook. Few would've given good odds that the youngster would actually be able to snatch the green, swim back to shore, and laugh triumphantly in the fisherman's face; and history has made fools of those who thought it couldn't be done. NEVERMIND not only gave Nirvana the prize the band had reached out for, it included some epic consequences in the bargain--raising the Seattle grunge trio to the status of Godhead, and forever changing the face of the pop music market.
As ground-breaking albums go, NEVERMIND seemed expressly designed for a post-modern existence. The punk energy and aesthetic ("Territorial Pissings," "Drain You") were its lifeblood; melody, harmony and structure ("Something In The Way," "Come As You Are") were its selling points; the roaring guitars ...
| | States And Capitals CD (1993)
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| | Le Tigre CD (1999) Bonus Tracks
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| | Strokes First Impressions Of Earth CD (2006) Deluxe Edition
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$12.39 With 2006's FIRST IMPRESSIONS OF EARTH, the Strokes have not only crafted an album that cracks the 36-minute mark, they've also opted for a bolder sound, courtesy of veteran producer David Kahne. While these ...
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