| | Aerosmith CD Aerosmith Discography of CDs
 (10 Customer Reviews)
Also available in a 3-pack with GET YOUR WINGS and TOYS IN THE ATTIC.
With their sharp-edged, bluesy swagger and irresistible riffs, Aerosmith made some of the best and most enduring rock records of the '70s. While their self-titled debut from 1973 is not among them, it is nevertheless an accurate snapshot of a great band finding its legs. The raw, hard-hitting cover of Rufus Thomas's "Walkin' the Dog" indicates where Aerosmith is coming from: this is blues-rock taken to a headbanging level of intensity, yet with enough smarts and sass to keep it sexy and appealing.
AEROSMITH boasts the presence of "Dream On," a soaring, heavy power ballad that showcases Stephen Tyler's raspy, soulful pipes and went on to become an all-time rock classic and a perennial radio staple. Also here is the groove and punch of "Mama Kin," a longstanding concert favorite. Elsewhere this fine debut flaunts the duel guitar attack, shuffle-boogie rhythms, and passionate, bratty yowls that would be the basis of the band's sound throughout the '70, '80s, '90s, and beyond.
Aerosmith: Tom Hamilton (bass instrument); Joe Perry , Joey Kramer, Steven Tyler, Brad Whitford.
Personnel: Joe Perry (vocals, guitar, percussion, background vocals); Steven Tyler (vocals, wooden flute, harmonica, keyboards, percussion); Brad Whitford (guitar); David Woodford (saxophone); Joey Kramer (drums).
Liner Note Author: Stu Werbin.
Additional personnel: David Woodward (saxophone). Aerosmith Music | List Price | $7.94 (You save $1.19) | | Category | Rock Albums, Pop CDs, Rock/Pop, Hard Rock | | Label | Columbia | | Orig Year | 1973 | | All Time Sales Rank |  1304  | | CD Universe Part number | 1087806 | | Catalog number | 57360 | | Discs | 1 | | Release Date | Sep 07, 1993 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Adrian Barber; Adrian Barber | | Engineer | Adrian Barber; Caryl Weinstock; Adrian Barber; Caryl Weinstock | | Recording Time | 35 minutes | | Personnel | Steven Tyler - vocals, wooden flute, harmonica, keyboards, percussion
Joe Perry - vocals, guitar, percussion, background vocals
Tom Hamilton - bass instrument
Joey Kramer - drums
Brad Whitford - guitar
David Woodford - saxophone
Also: David Woodward | | Additional Info | Remastered |
Aerosmith Music Review Average Rating: (3.8 out of 5 stars)   List All Reviews keep dreamin'
Sing with me... How can you not like Dream On??
Submitted by trock (Phoenix AZ) 
Was This Review Helpful? Yes No  A GREAT DEBUT
AEROSMITH's debut album is great Rock & Roll. True their sound is not polished here but they are sure on their way.With such classic hits as DREAM ON,MAMA KIN and MOVIN OUT are just a part of a album where all the songs here belong. Check out how AEROSMITH covers the RUFUS THOMAS HIT WALKIN THE DOG.
Submitted by Joel (Miami Fla.)
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we were headin' down a one way street rockin' to this album back in the 70's. We would drive up to cloud nine, get the cooler out of the car, raise the trunk lid and cooked. that means burned one. We didn't know all the words but we invented the air guitar. And then came along "Get Your Wings"
Submitted by patrick (asheville, nc)
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Aero-infancy
At this point, Aerosmith were still developing as a band. Steven Tyler hadn't developed his voice, the band hadn't found that aggressive and sleazy energy, and overall, they just didn't know what they were doing. Still, there's some great tunes on here (besides Dream On); Mama Kin, Walkin' The Dog, and Make It all pack a punch. Somebody is competent as well. However, One Way Street, despite a cool riff or two, is just boring, and both Write Me A Letter and Movin' Out are generic and fail to excite. Plus, the production isn't the best. This should NOT be the first Aerosmith album you buy, but if you like Toys or Rocks, pick this one up for songs like Mama Kin and Dream On.
Submitted by mcsavage (Pittsburgh, PA)
Was This Review Helpful? Yes No Cool Debut Album
This album rocks. There are no songs that are awful on this. My favourite songs on this are: Make It, Dream On, One Way Street, Mama Kin, and a few others. BUY IT NOW IF YOU LIKE AEROSMITH. YOU WONT BE DISAPOINTED!!
Submitted by James spiderkid418 (Ladner BC, Canada)
Was This Review Helpful? Yes No List All Reviews | Have you heard this album? |  |
Purchase Aerosmith CD To buy, Click on price to add to cart | Aerosmith Get Your Wings CD (1974) Remastered
Aerosmith album
 $6.75    
By the time Aerosmith released GET YOUR WINGS they were gaining serious momentum as edgy, sassy hard rock contenders. The band's sophomore effort, WINGS was the first time the five-piece band hooked up with eventual long-time producer Jack Douglas, and the result was an eight-song juggernaut of slashing guitars, pounding rhythms, and in-your-face attitude. The band's trademark dual-guitar raunch and vocalist Steven Tyler's vowel-chewing yelp can be heard loud and clear on slinky rockers like "Same Old Song and Dance" and "Pandora's Box."
The band turns in a scathing cover of Tiny Bradshaw's "Train Kept a Rollin'" (originally done by Aerosmith's heroes, the Yardbirds), a track that became a fixture in the band's live set. There are also songs about the prostitutes strolling outside the band's New York City recording studio ("Lord of the Thighs") and the edgy inevitabilities of living on the wrong side of the tracks ("S.O.S. [Too Bad]"). A too-often overlooked song on this record is "Seasons of Wither," a melancholy epic penned by Steven Tyler during a windy winter day in New Hampshire. GET YOUR WINGS defined the muscular, sexy sound that would make Aerosmith one of the best rock acts of the '70s, and is the band's first bona fide classic.
Liner Note Author: Charles Walters.
Recording information: Record Plant Studios, NY.
Photographer: Jimmy Ienner, Jr.
Aerosmith: Tom Hamilton (bass instrument); Joe Perry , Joey Kramer, Steven Tyler, Brad Whitford.
Personnel: Joe Perry (vocals, guitar, acoustic guitar, electric guitar, 12-string guitar, slide guitar, percussion); Steven Tyler (vocals, acoustic guitar, harmonica, ...
| | Aerosmith Toys In The Attic CD (1975) Remastered
Aerosmith CD music
$6.25
A truly inventive Aerosmith album, still suffused with a gloriously raspy sense of the blues, but quietly evocative in its timbre and approach. It showed Tyler working out lyrics that were so much more than simple cars and girls fodder, 'Adam's Apple' theorizing that creation could quite possibly have occurred with an alien mothership landing on earth and setting the wheels of the human race in motion. 'Sweet Emotion' throbbed slowly into life, 'Big Ten Inch Record', a salty R&B work-out, while 'You See Me Crying' was heightened and given body by a warm orchestration. A clear steeple of great work amid a skyline of repeating successes.
Recorded at the Record Plant, New York, New York.
Personnel: Joe Perry (vocals, guitar, acoustic guitar, slide guitar, percussion, background vocals); Steven Tyler (vocals, harmonica, keyboards, percussion); Joey Kramer (vocals, drums, percussion); Tom Hamilton, Brad Whitford (guitar); Scott Cushnie (piano); Jay Messina (marimba, percussion).
Recording information: Record Plant, NY; The Record Plant, NY.
Directors: Steve Leber; David Krebs.
Illustrator: Ingrid Haenke.
Photographers: ...
| | Aerosmith Rocks CD (1976) Remastered
Aerosmith music CDs
$6.75
One of the reasons why Aerosmith, after a number of creatively lean years, are still given legendary credence and an eager ear with each new release, Rocks encapsulated the very essence of rock 'n' roll. They may have been the target of detractors who still pinned them as nothing more than a poor man's Rolling Stones, but Rocks pioneered a strength and swagger and real depth that remains very nearly unsurpassed. From the slowly escalating 'Back In The Saddle' to the dying strains of 'Home Tonight', this album held the full spirit and soul of Aerosmith in both hands.
Recorded at The Warehouse, Waltham, Massachusetts and The Record Plant, New York.
Personnel: Joe Perry (vocals, guitar, steel guitar, lap steel guitar, electric bass, 6-string bass, percussion); Steven Tyler (vocals, harmonica, keyboards, electric bass, percussion); Tom Hamilton (guitar, electric bass); Brad Whitford (guitar); Paul Prestopino (banjo); Joey Kramer (drums, percussion, background vocals).
Recording information: Record Plant, New York, NY; Wherehouse, Waltham, MA.
Directors: Steve Leber; David Krebs.
Photographers: Scott Enyart; Fin Costello; Ron Pownall; ...
| | Miracles Collection CD (2002) (Import) Germany
Aerosmith songs
$10.49 
The 18-track COLLECTION focuses on the 1970s work by the Miracles folloing Smokey Robinson's departure for a solo career, including the disco smash "Love Machine."
While a deeper dip into the Miracles' first release (Renaissance) wouldn't have hurt, The Essential Collection is still a fine overview of their post-Smokey Robinson recordings on Motown with Billy Griffin. The CD relies heavily on cuts from their best-selling City of Angels album: "Waldo Roderick DeHammersmith," "My Name Is Michael," the dreamy "Smog," the controversial "Ain't Nobody Straight in L. A.," and their number one smash "Love Machine." Other gimmes are "Do It Baby," "What Is a Heart Good For," and the super-classy "Don't Let It End (Til You Let It Begin)." Ronnie White's seldom-used (as a lead) second tenor is refreshing and provides a good contrast to Griffin's delicate first tenor on many tracks. ~ Andrew Hamilton
UK budget-price compilation for the ...
| | England Dan Nights Are Forever CD (1976)
Aerosmith album
$9.69
Nights Are Forever was the breakthrough album for Dan Seals and John Coley after some sincere and excellent work on A&M Records in the early '70s. Two of their biggest hits were the title track and the beautiful "I'd Really Love to See You Tonight." Those songs are a good indication of the fine performances this 1976 album contains. The duo's originals like "Long Way Home" and the Dan Fogelberg-ish "Westward Wind" could have been hits as well displaying superb musicianship and delicate vocals. This album is very much a companion piece to the Parker McGee album recorded around the same time, on the same label, with pretty much the same musicians. Producer Kyle Lehning has the sounds so similar a survey panel would probably not be able to figure out which song came from which album. What Nights Are Forever has that the Parker McGee album does not is "There'll Never Be Another For Me," a song co-written by Parker McGee, England Dan, and John Ford Coley -- it is a rare look at what a perfect synergy these musicians have, and it is an exceptional song. You can feel how cautious and serious the two singers are here. By the time Dowdy Ferry Road was released in 1977 they were settling in to a formula, and 1979's Dr. Heckle and Mr. Jive has low points that feel like fatigue offsetting the highs. Nights Are Forever does not suffer that hit or miss dilemma; it captures the band while in between the magical folk minstrel material they espoused earlier and while developing the refined sound that brought them into the Top 25 a half a dozen times. "Lady" is a collaboration by McGee, Coley, Seals, and producer Kyle Lehning. They all seemed motivated to put out a highly commercial and sincere recording. "It's Not the Same," "Prisoner," "Showboat Gambler," and "Everything's Gonna Be Alright" are all high-grade material, making ...
| | England Dan Some Things Don't Come Easy CD (1978)
Aerosmith CD music
$10.65
If Dowdy Ferry Road was their bleak moment in song, Some Things Don't Come Easy is the calm before the storm, a port prior to the schizophrenia that was Dr. Heckyll and Mr. Jive. Wandering songs like "Who's Lonely Now" are indicative of this album, and it is only one of two titles the singers pen together. They look alike on the smiling, happy airbrushed front cover, but you can almost see sadness in their eyes on the photos on the back. It must have been an intense period as they came up with yet another Top Ten hit, their fifth of six. "We'll Never Have to Say Goodbye Again" was written by Jeffrie Comanor and is far and away the best song on the album. This duo knew how to interpret; they were fantastic at it. The hit single is defined, the production is compact, and the loose ends that make up all the other songs on Some Things Don't Come Easy pale in comparison. The song's hook and instrumentation are so radio-friendly that the 45 could be put on repeat and after the 30th spin not bore like many of the tracks here. Sure, there is more outside material. Dave Loggins' "Lovin' Somebody on a Rainy Night," as well as Bob Gundry and Jeff Comanor's "Beyond the Tears," are adequate, but they really needed material beyond their genre, and needed it desperately at this point in time. Adequate just doesn't cut it when you are in the middle of a string of hit singles. Gundry co-wrote "Hold Me" and "Calling for You Again" with John Ford Coley, but they are songs in a rut. A Beatles tune or "She's a Rainbow" by the Rolling Stones would have been left of center enough to work without disrupting the flow. The problem here is, there's too much flow, but England Dan and John Ford Coley seem to be treading water as everything rushes by them. "If the World Ran Out of Love Tonight," written by four songwriters other than the singers, is passable, and Dan Seals' title track is second to the hit as an album highlight, but "You Can't Dance" goes nowhere and sounds labored. Perhaps it w.
| | Lecuona Cuban Boys, Vol. 5 (1932-1940) CD (1994)
Aerosmith music CDs
$15.05
recordings made in Europe and the Caribbean between 1932-40
Recorded in Europe and Cuba.
Personnel: Adalberto "Chiquito" Orefiche (vocals, tenor saxophone, bongos); Agustin Bruguera (vocals, percussion); Gerardo Bruguera (baritone, tenor saxophone); Ernesto "Jaruco" Vazquez (guitar, trumpet); Guillermo Hernandez ...
| | Barry Manilow Ultimate Manilow (Alternate Version) CD (2008) (Import) Australia; Remastered; Germany; Alternate Version
Aerosmith songs
$14.45
2002, German remaster features alternate sleeve art and 6 songs that are not on the US version as well. One unique track is "Who Needs To Dream", which comes from his theatre production "Copacabana-The Musical".
The definitive single disc collection of his finest tracks. 20 original studio recordings including one never before available bonus track, 'Who Needs To Dream', taken from 'Copacabana The Musical'. This set features six tracks that do not appear on the US edition, 'Let's Hang On' (Replaces the US 'Daybreak') 'You're Looking Hot Tonight' (Replaces 'When October Goes'), 'Bermuda ...
| | Rachael Sage Blistering Sun CD (2006)
Aerosmith album
$9.89
Blistering Sun is, astonishingly, Rachael Sage's seventh studio offering. While she entered the scene with a fine array of skills, classical piano training, a head full of pop songwriters who influenced her, and a fantastic sense of time and phrase, this Port Chester, NY, native has finally come into her own with a set of songs that is bright, airy, economical, and full of fine hooks and textures. As on her past offerings, she has surrounded herself with a crack unit of studio musicians, including (to mention just a few) Julia Kent and Julie Wolf on cello and organ, respectively; Todd Sickafoose on bass; alternately Jack Petruzelli or Ben Butler on guitar; and trumpeter Russ Johnson. Sage handles the keyboard chores for herself and is a fine vocalist. But it is her keen ironic sense of humor and quirky sense of the profound being visible in any moment that make her special as a songwriter. This time out, one can hear the influence of Magazine-era Rickie Lee Jones in her work, but that's fine. Sage's phrasing is her own, and so is her writing. Slippery little pop flourishes underscore her restrained yet somehow passionate vocals -- check out "Featherwoman" for an example. But then there are the gauzy Eastern European accordions in "93 Maidens," and the song's poignant lyric based on the letters of Chaya Feldman from her time spent in the camps of Poland during the Second World War. The horns on "Wildflower," with its wah-wah guitar and organ flourishes, give the tune a shuffling feel as Sage's lyric pops through the middle. The ballad "Older" is a bit of a toss-away and could have been done by any one of her increasingly anonymous peers -- Morissette, McLachlan, etc. -- but Sage's words are stronger and more focused than both of them put together. In "Paperplane," the dramatic piano arpeggios underscore her voice -- with its taut desperation -- as the expressionist trumpet asserts itself in the verse and the violin and entire horn section find their way into the knotty lyric lines. "C'mon Over" is an ironic, sexy little cut about a woman who needs to prod her lover and show him what's possible. The crescendos, with the horns blaring like a drunk mariachi band, and rockist refrains work like a charm; this may be the album's strongest cut overall. But then, Blistering Sun is as strong as Sage has ever been. Now, if only somebody would sit up and take notice. Pop music isn't crafted as carefully and expertly as this anymore and Sage is the stitch between the great rock and pop traditions of the past and what those traditions have wrought -- albeit almost invisibly -- in the hypermodern world of the present. Highly recommended. ~ Thom Jurek
Photographer: Amy Chace.
Arranger: Rachael Sage.
Personnel: Rachael Sage (vocals, piano, celesta, electric harpsichord, Wurlitzer organ, Mellotron); Ben Butler, Jack Petruzzelli (guitar); Allison Cornell (violin, viola); ...
| | Clint Brown Praise Heard Around The World CD (2006)
Aerosmith CD music
$14.55
| | Ka-Yu Solid Beat CD (2007) (Import)
Aerosmith music CDs
$32.85
| | Broadway's Fair Ladies CD (1993)
Aerosmith songs
$6.05
Track Listing of songs: My Heart Belongs to Daddy; Can't Help Lovin' Dat Man; How Are Things in Glocca Mora?; Party's Over, The; I Could Have ...
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