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Ellington, Duke - 16 Most Requested Songs CD Cover Art CD music music CDs songs album
 

Duke Ellington 16 Most Requested Songs CD

Duke Ellington Discography of CDs
Regular Price: $11.98
Available:   $9.25 CDAdd to Cart
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Recorded between 1932 and 1957. Includes liner notes by Didier C. Deutsch.

Now, here's a gem! MOST REQUESTED SONGS could be subtitled "The Duke's Greatest Hits"--and it'd be no lie. Spanning the years 1932 through 1960, this compiles ...    Full Description

16 Most Requested Songs Music


Detailed 16 Most Requested Songs Music Information



List Price $11.98 (You save $2.73)
Category Rock/Pop Albums, Jazz CDs, Jazz Instrument, Big Band
Label Legacy
Orig Year 1994
All Time Sales Rank   31271  
CD Universe Part number 1087976
Catalog number 57901
Discs 1
Release Date May 31, 1994
Studio/Live Studio
Mono/Stereo Mixed
Personnel Duke Ellington - piano
Clark Terry
Johnny Hodges - soprano & alto saxophones, clarinet
Harry Carney - alto, tenor & baritone saxophones, clarinet
Oscar Pettiford - bass
Cootie Williams
Paul Gonsalves
Sam Woodyard - drums
Lawrence Brown - trombone
Russell Procope - alto saxophone

List all 27 contributors

Duke Ellington 16 Most Requested Songs Songs


Duke Ellington 16 Most Requested Songs Album Track Listing



Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample1.It Don't Mean a Thing (If It Ain't Got That Swing) - (mono)  
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample2.In a Sentimental Mood - (mono)  
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample3.Solitude - (mono)  
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample4.Caravan - (mono)
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample5.I Let a Song Go Out of My Heart - (mono)  
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample6.Do Nothing till You Hear From Me - (mono)  
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample7.Don't Get Around Much Anymore - (mono)  
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample8.Sophisticated Lady - (mono)  
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample9.I Got It Bad and That Ain't Good - (mono)
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample10.Perdido
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample11.In a Mellow Tone
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample12.Mood Indigo  
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample13.Prelude to a Kiss  
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample14.Satin Doll  
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample15.I'm Beginning to See the Light
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample16.Take the "A" Train

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Ella Fitzgerald with Duke Ellington and Benny Goodman

36 x 24 inch
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Duke Ellington

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Duke Ellington and His Orchestra at the Graystone Ballroom, New York City, 1933

17.125 x 24 inch
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Duke Ellington

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Recorded between 1938 and 1952. Includes liner notes by Roy Hemming. Digitally remastered by Chris Herles (Sony Music Studios, New York, New York). This is part of Columbia's 16 MOST REQUESTED SONGS series. Personnel includes: Benny Goodman (clarinet); Liza Morrow, Peggy Lee (vocals); Toots Mondello, Buff Estes, Hymie Schertzer, George Koenig (alto saxophone); Bus Bassey, Jerry Jerome, Babe Russin, Art Rollini (tenor saxophone); ...
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The 1998 reissue of GIANT STEPS contains all the original tracks and liner notes plus additional tracks and rare photos. John Coltrane's maiden voyage for Atlantic Records was the fulfillment of all the potential he'd demonstrated with Miles, Monk and on his own Prestige recordings. Recorded in May 1959 (one month after completing Davis' KIND OF BLUE), GIANT STEPS is Coltrane's first recital to feature nothing but his own original compositions, and is the culmination of his obsessive foray into harmony. By taking all of the notes in a chord--and trying to find every possible inversion and relevant substitution--the saxophonist was forced to develop a complex new form of melodic phrasing that enabled him to rhythmically crowd every permutation into a single phrase. The effect is not only technically impressive, but an emotional marvel as well. On equestrian events such as the up-tempo title tune and "Countdown," Coltrane blazes through the changes with a torrential effusion of ideas, each phrase connected to the next with unerring logic and a sublime sense of symmetry. Every note in the lower, middle and upper register of his horn is articulated with power, precision and a variety of expressive timbres. His manipulation of overtones and multiphonics imparts a hair-raising vocal immediacy to his cry, and each solo culminates in a stirring emotional catharsis. This is bebop to the tenth power. But the joy of Coltrane's art is not predicated on its intellectual dexterity. The charming stop-time cadences of "Syeeda's ...
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Most of these tracks were originally recorded for the Roulette label in the years 1957-1962; detailed liner notes place these recordings in the context of Williams' career and his relationship with Basie and other bandleaders. Like Basie, Williams built a reputation on the blues while demonstrating equal finesse and familiarity with ballads and uptempo standards. The singer came to prominence with Count Basie in 1955, with the hit "Every Day I Have the Blues" on Norman Granz's Verve label; this collection opens with a later version recorded in 1959. Other blues tunes here include "Confessin' the Blues," a live small-group version of "Alright, Okay, You Win," "Goin' to Chicago" (with Lambert, Hendricks & Ross), the blues ballad "Hurry on Down," and a live Basie band version of "Roll 'Em Pete." The balance of the material is standards, recorded with Basie or with orchestras led by Jimmy Mundy, Jimmy Jones and others, with the occasional strings, harp, and/or woodwinds. The less familiar standards are particularly satisfying; Williams wanders onto Sinatra-esque turf with "A Man Ain't Supposed to Cry" and delivers the snaky "I Was Telling Her About You" with deadpan sincerity. Principally recorded between October 11, 1957 and May 5, 1970. Includes liner notes by Will Friedwald. Personnel includes: Joe Williams, Sarah Vaughan, Lambert, Hendriks & Ross (vocals); Frank ...
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16 Most Requested Songs Music Reviews



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