| | Rosemary Clooney 16 Biggest Hits CD Rosemary Clooney Discography of CDs
(1 Customer Review)
Confusing as it may seem, the 16 Biggest Hits series of anthologies from Sony's archival imprint Legacy is more a brand name than a literal description of the contents of the albums. As with the label's less literally titled 16 Most Requested Songs series, these albums are likely to contain many of an artist's most successful single releases as registered in the national charts but not to quite fulfill the title. And so it is with the Rosemary Clooney entry. Clooney launched a solo career on the eventual Sony-owned Columbia Records label in 1950 after splitting with her sister Betty and the Tony Pastor Orchestra, and she racked up a series of hits before departing in 1957, at which time her commercial success declined. 16 Biggest Hits contains 11 of her 16 biggest hits from this period, including her four number one singles, "Come on-a My House," "Half as Much," "Hey There," and "This Ole House." The five missing titles are the Top Ten hits "Beautiful Brown Eyes" and "The Night Before Christmas Song," the Top 20 hits "Be My Life's Companion" and "Too Old to Cut the Mustard," and the Top 40 hit "I'm Waiting Just for You." In their place, the compilers have substituted "Sisters," a duet between Clooney and her sister on an Irving Berlin song from her film White Christmas that was a Top 40 hit; "The House of Singing Bamboo," a duet with Guy Mitchell; "In the Cool, Cool, Cool of the Evening," an Academy Award-winning song, on which Clooney is accompanied by Harry James and His Orchestra; "Sophisticated Lady" from Blue Rose, Clooney's album with Duke Ellington and His Orchestra; and a version of Cole Porter's "From This Moment On" that has not been released previously in the U.S. These are not unreasonable alternates to the missing songs, and 16 Biggest Hits manages a good balance between Clooney's popular novelty material and her more impressive ballad performances. But as of the fall of 2000, there was no comprehensive CD-era collection of Clooney's Columbia recordings; this album repeats ten songs from 16 Most Requested Songs; and, as usual, the title 16 Biggest Hits turns to be a misnomer. ~ William Ruhlmann
Rosemary Clooney launched a solo career on the eventual Sony-owned Columbia Records label in 1950 after splitting with her sister Betty and the Tony Pastor Orchestra, and she racked up a series of hits before departing for RCA Victor in 1957, at which time her commercial success declined. 16 Biggest Hits contains 11 of her 16 biggest hits from this period, including her four number one singles, "Come on-a My House," "Half as Much," "Hey There," and "This Ole House." The five missing titles are the Top Ten hits "Beautiful Brown Eyes" and "The Night Before Christmas Song," the Top 20 hits "Be My Life's Companion" and "Too Old to Cut the Mustard," and the Top 40 hit "I'm Waiting Just for You." In their place, the compilers have substituted "Sisters,
Recorded between 1950 & 1956.
Digitally remastered by Darcy M. Proper.
Personnel: Rosemary Clooney (vocals); Sal Salvador , Mundell Lowe (guitar); Harry Carney, Jimmy Hamilton, Johnny Hodges, Paul Gonsalves, Russell Procope (saxophone); Clark Terry, Ray Nance, Willie Cook, Cat Anderson (trumpet); Quentin Jackson, John Sanders, Britt Woodman (trombone); Duke Ellington, Billy Strayhorn (piano); Stan Freeman (harpsichord); Jimmy Crawford , Sam Woodyard, Terry Snyder (drums).
Recording information: 10/21/1950-11/24/1956.
Arrangers: Frank Comstock; Jimmy Carroll; Percy Faith.
Personnel includes: Rosemary Clooney, Guy Mitchell, Betty Clooney (vocals); Percy Faith, Frank Comstock, Jimmy Carroll (arranger, conductor); Duke Ellington, Billy Strayhorn (piano); Stan Freeman (harpsichord); Sal Salvador, Mundell Lowe (guitar); Frank Carroll (bass); Jimmy Crawford, Terry Snyder (drums); Duke Ellington & His Orchestra, The Benny Goodman Trio, Buddy Cole & His Orchestra, Harry James & His Orchestra, The Paul Weston & His Orchestra.
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$10.99 Daniel Moore has had his greatest successes as a songwriter, and his two most successful songs both emerged in 1973, when Three Dog Night took "Shambala" into the Top Ten and B.W. Stevenson followed a couple of months later with "My Maria," which he and Moore co-wrote. Those two songs, particularly "My Maria," remade for a number one country hit by Brooks & Dunn in 1996, are Moore's long-term annuities, but he has also placed songs with a large number of artists over the years. He revisits many of those songs, along with some newer ones, on his self-released The Giveaway, apparently taking his original demos, dating back as far as the early '70s, and beefing them up with overdubs in at least some cases. That makes the disc something of a retrospective for the songwriter, and it demonstrates that his style has been ideal for the artists who have favored his work, notably mainstream rockers like Joe Cocker and Bonnie Raitt, who like to mix in elements of blues and funk with their pop/rock style. Moore is not a distinctive lyricist, sticking to romantic subjects or vaguely spiritual, simplistically philosophical exhortations expressed in relatively few words. Nor is he a great melodist. But he is a craftsman steeped in folk and blues forms, capable of finding a new twist to create a song that sounds both effortless and timeless. As a singer, he is competent and enthusiastic, and these are finished recordings, but they still seem like demos in the sense that, to be really effective, they would need accomplished interpreters such as Cocker and Raitt (or Thelma Houston or Maria Muldaur, who also recorded certain selections). Also, this is music of a specific time; it sounds like mainstream rock of the mid-'70s, ...
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