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Recorded between 1950 & 1956. Digitally remastered by Darcy M. Proper. Personnel includes: Rosemary Clooney, Guy Mitchell, Betty Clooney (vocals); Percy Faith, Frank Comstock, Jimmy Carroll (arranger, conductor); Duke Ellington, ... Full DescriptionBilly Strayhorn (piano); Stan Freeman (harpsichord); Sal Salvador, Mundell Lowe (guitar); Frank Carroll (bass); Jimmy Crawford, Terry Snyder (drums); Duke Ellington & His Orchestra, The Benny Goodman Trio, Buddy Cole & His Orchestra, Harry James & His Orchestra, The Paul Weston & His Orchestra.
Compilation producers: Didier C. Deutsch, Darcy M. Proper.
Hide Description 16 Biggest Hits Music | List Price | $11.98 (You save $1.83) | | Category | Rock/Pop Albums, Rock CDs, Jazz, Vocal, Nostalgia, Jazz Vocals | | Label | Legacy | | Orig Year | 2000 | | All Time Sales Rank |  11838  | | CD Universe Part number | 1088197 | | Catalog number | 63553 | | Discs | 1 | | Release Date | Jul 18, 2000 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Personnel | Duke Ellington
Rosemary Clooney
Benny Goodman
Mundell Lowe - guitar
Paul Weston & His Orchestra
Buddy Cole
Jimmy Crawford
Sal Salvador
Frank Carroll - bass
Frank Comstock
Stan Freeman - harpsichord
Jimmy Carroll - arranger, conductor
Terry Snyder - drums
Betty Clooney - vocals
Also: Guy Mitchell, Percy Faith & His Orchestra, Billy Strayhorn, Harry James & His Orchestra, Percy Faith & His Orchestra | | Additional Info | Remastered |
Purchase 16 Biggest Hits CD To buy, Click on price to add to cart | Best Of Eydie Gorme CD (1991)
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Staring with their classic first single "I Ain't Gonna Eat My Heart Out No More" and continuing through 19 other jazz-inflected slices of blue-eyed soul, THE ULTIMATE RASCALS charts a course from the hyper rock of "Good Lovin'" through the suave sophistication of "Groovin'" and "How Can I Be Sure" to the band's more complex and artsy later work, like "A Ray of Hope," which features Alice Coltrane. Excellent stuff, and possibly the only Rascals ...
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| | Animals Retrospective CD (2004)
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Today the most recognition the Animals get is "House of the Rising Sun" being played on oldies radio, but in the mid-1960s they were a powerful part of the British Invasion, often reckoned on a par with the Beatles, the Stones, and the Who. Like those bands, the Animals had strong roots in blues and R&B, but, in their original incarnation, they stayed closer to those roots than their peers did. This definitive compilation, masterfully assembled by the ABKCO think tank of Teri Landi and Jody Klein, shows the tough, uncompromising use to which the Animals put their American influences. John Lee Hooker's "Boom Boom" is recast as a raw garage rocker glazed with Alan Price's sinister organ riffs, and the aforementioned "House of the Rising Sun" is transformed from a traditional folk lament to an urgent, ominous piece of churning tumult.
Of course, the group skillfully expanded those roots (with the help of some great writers), and turned out some classic working-class-rebel anthems ("We Gotta Get Out of This Place," "It's My Life"). By '67, the original lineup disbanded, and Eric Burdon led a new batch of Animals into a psychedelic West Coast sound ("San Franciscan Nights," "Monterey"). ...
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Doris Day, star of both screen and song throughout ...
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Intial pressings of HOUSE OF SECRETS come in limited edition, 3-D packaging.
The impenetrable boys' club of metal has fallen, thanks, in part, to vocalist Otep Shamaya. The band bearing her name is known largely for its fierce Ozzfest appearances, and its sophomore release, HOUSE OF SECRETS, is an affair even heavier and scarier than its debut. Here political provocation and dissent join Shamaya's palette of verbal assaults. As listeners are drawn into her dark world, swirling lyrical mantras slowly rise to levels of savage intensity. Shamaya's ability to sonically pummel her audience in a discomforting way, then offer fleeting moments of softer reflection, caesura, and disarmingly sultry melody, is what makes her so unpredictable. "Nein" showcases the group's ferocious chops and highlights its ability to create an urgency that matches the ever-dominant vocals. In addition to guitarist Greg Wells and bassist Evil J., Slipknot ...
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