| | Byrds Mr. Tambourine Man CD Byrds Discography of CDs
 (3 Customer Reviews)
Includes original liner notes by Billy James, and new liner notes by David Fricke and Johnny Rogan. All songs have been digitally remastered using a 20-Bit Super Mapping system. Few debut singles in the history of rock & roll have ... Full Descriptionhad the immediate and overwhelming impact of The Byrds' version of Bob Dylan's "Mr. Tambourine Man." Marrying a Beatles-like electric jangle to Dylan's insight and folky melody (in many ways, breaking Dylan into the pop market), it not only forecast the band's influence on the future of pop music but reestablished an American rock & roll presence in the face of the British Invasion. The album of the same name, released in June of 1965, was a shotgun blast before the canon roar that Dylan's HIGHWAY 61 REVISITED (released just two months later) would become.
As much as Bob Dylan was an overwhelming influence on the young Byrds--four of the twelve tracks on MR. TAMBOURINE MAN were Dylan songs--his contributions were only a part of what made the band special. The chiming sound of McGuinn's 12-string guitar was the group's backbone, characterizing The Byrds' presence in a way few rock instrumentalists had done until then. Gene Clark proved to be a mighty songwriter in his own right--"I'll Feel A Whole Lot Better" has stood the test of time better than any other track here. Yet, what distinguished The Byrds and MR. TAMBOURINE MAN most was that they couldn't be easily pigeonholed. Combining disparate musical backgrounds and openly reconstructing everything from a British wartime standard ("We'll Meet Again") to a Jackie DeShannon pop tune ("Don't Doubt Yourself, Babe") in their own open-minded image, the Byrds kicked down the door to a new sound called folk-rock. Many would soon follow.
Recorded between January 20, 1965 and April 22, 1965.
The Byrds: David Crosby (vocals, guitar); Jim McGuinn (vocals, 12-string guitar); Chris Hillman (vocals, bass); Gene Clark (vocals, tambourine); Michael Clarke (drums).
Reissue producer: Bob Irwin.
Entertainment Weekly (6/28-7/5/96, p.106) - "...illustrates why the best Byrds music still inspires musicians....And while time hasn't enhanced the group's forays into psychedelia...there are enough keepers to make you forgive their occasional tendency to fly into walls." - Rating: B+
Q (7/96, p.134) - 5 Stars - Indispensable - "...The Byrds took a plane to the knots and gnarls in the orginals and fashioned records that smoothly embodied the romance of rebellion and the exhilaration of escape..."
Melody Maker (5/11/96, p.50) - Recommended - "...`Mr. Tambourine Man' gave them both a Number One single and a record worthy of their sound, which was blue sky and tears of milk..."
Musician (8/96, p.90) - "I like the sound better here. The guitar interplay emerges with greater warmth and clarity, without over-thinning the wash..."
NME (Magazine) (5/11/96, p.46) - 7 (out of 10) - "...The Byrds...took rock music on an astral flight which everybody from Big Star to REM to John Squire have never come down from. MR. TAMBOURINE MAN...still bears up..." Hide Description Byrds Mr. Tambourine Man Songs Mr. Tambourine Man Music Review Average Rating: (5 out of 5 stars)  The start of a legend.
Before the Byrds ever came along, these people were almost complete unknowns. And this album exploded them onto the public scene. These people inspired the Beatles to make Rubber Soul, and this album proves it. All of the songs are absolute sixties-pop masterpieces, with some incredible songwriting inside and outside of the group. One thing that is interesting, though, is that the group wasn't all that tight together, which resulted in session musicians (with the exception of Roger McGuinn's electric twelve-string Rickenbacker) being hired for the background tracks. But the songs and the vocals are completely the group's. This album has so many memories and so many highlights that it just cannot be summed up. You have to listen to this to understand it. This album, absolutely, confidently kick-started the ubiquitous genre of "folk-rock", and once again, for goooood reason.
Submitted by Galen (Anchorage, Alaska)
Was This Review Helpful? Yes No Simply Gorgeous!
This CD is just a beautiful masterpiece, that's it. It was great in 1965 when I was 15, and it is still great now. It was the second thing to make my head spin. (The Beatles were the first.) When I heard it, I knew it was something important. It was - it was called folk-rock, and I never got over it!
Submitted by stevenx9 (Mandeville, LA)
Was This Review Helpful? Yes No Ahhh!!!!
Unlike most music today that has no higher value then the latest fad for blue jeans, there was a time when musicians had high asperations for their music. The Byrds are a breath of fresh air with this album. A must have for any collection.
Submitted by Stevem (Lincoln, NE, USA)
Was This Review Helpful? Yes No | Have you heard this album? |  |
Buy Mr. Tambourine Man CD  | | The Byrds
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Price: $29.99 |  | | The Byrds
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Purchase Mr. Tambourine Man CD To buy, Click on price to add to cart | Byrds Turn! Turn! Turn! CD (1966) Remastered
Mr. Tambourine Man album
 $8.39   
Includes original release notes by Derek Taylor and new liner notes by David Fricke and Johnny Rogan.
All songs have been digitally remastered using a 20-Bit Super Mapping system.
More of a companion piece than a follow-up to their debut, TURN! TURN! TURN! established The Byrds' place in the puzzle that was American rock & roll in the mid-'60s, but not for reasons commonly attributed to it. On the one hand, this was another batch of songs furthering the California folk-rock boom. "Turn! Turn! Turn!," the band's second (and final) number one single, was Pete Seeger's musical interpretation of proverbs from the Book Of Ecclesiastes; "Oh Susannah" was a 19th century minstrels' tune; "He Was A Friend Of Mine" was a folk standard; and, as was a norm for the early Byrds, there were a couple of Bob Dylan songs.
Yet the application of The Byrds' sound to these long-known songs gave each of them a new, wholly different life. ...
| | Byrds Younger Than Yesterday CD (1967)
Mr. Tambourine Man CD music
$8.29 
Recorded in 1966-67. Includes liner notes by David Fricke and Johnny Rogan.
Released in April 1967, months before the Summer Of Love, YOUNGER THAN YESTERDAY was proof that The Byrds had already graduated from their fascination with the psychedelic "scene." "Eight Miles High" may have introduced the general public to the counter culture's interests and fascinations, but this song cycle found The Byrds reluctant to rest their faith in either the growing movement they helped bring together, or the art form that was the movement's voice.
The sonic lessons they'd learned still infused many of the tracks. Tape-loops created the splendorous backdrop of "Mind Gardens," the Eastern modes used on "Eight Miles High" reappeared on the re-recorded "Why," and "C.T.A.-102" seemed less a song than an excuse to use the studio as a laboratory for new sounds. But a new direction was emerging. "So You Want To Be A Rock 'N' Roll Star," a tongue-in-cheek treatise on fame, and Bob Dylan's "My Back Pages," the best known tracks here, both hinted at a reevaluation of previously settled matters. David Crosby's folky, Eastern-tinged "Everybody's Been Burned" may have been written well before he joined the group, but it is a dark declaration on ...
| | Byrds Sweetheart Of The Rodeo CD (1968)
Mr. Tambourine Man music CDs
$7.59
In the same year that Bob Dylan stepped back from his electric pilgrimages by releasing an album of roots-oriented morality tales, the Byrds took a symbolic flight to Nashville. Gone was Roger McGuinn's singular 12-string guitar sound and the acid rock that had influenced everyone from the Monkees to the Velvet Underground. McGuinn now played banjo, and bassist Chris Hillman doubled on mandolin, both seemingly reconsidering their musical approaches. And while Dylan remained the songwriter of choice, his tunes now sat alongside a rearranged hymn ("I Am a Pilgrim"), a bluegrass version of a famous outlaw tale (Woody Guthrie's "Pretty Boy Floyd"), and a cover of the Louvin Brothers ("The Christian Life"). This was a musical turn, turn, turn, indeed.
The obvious catalyst for all this reconstruction was the arrival of young Gram Parsons, and SWEETHEART OF THE RODEO played as if it was his coming-out party. He introduced McGuinn to a musical world that seemed totally foreign to these predecessors ...
| | Jimi Hendrix Electric Ladyland CD (1968)
Mr. Tambourine Man songs
$11.25
Principally recorded at the Record Plant, New York, New York in April and May 1968.
On ELECTRIC LADYLAND Jimi Hendrix stretched and experimented in the studio, going beyond the power-trio format on what would be his last studio album with the Experience. ELECTRIC LADYLAND was revolutionary in its scope and execution. Using New York City's Record Plant as a gateway to free expression, Hendrix traversed an abstract landscape containing compositions as weird and wonderful as "...And The Gods Made ...
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Mr. Tambourine Man album
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| | Jolin Tsai Castle CD (2006) (Import)
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| | Pretty Things Emotions CD (2007) (Import) Japan; Mini LP Sleeve
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