| | Styx Equinox CD Styx Discography of CDs
(4 Customer Reviews)
By 1975, Styx had persevered long enough, and had enough success via their sleeper hit "Lady," to graduate to a major label. Superstardom was still a couple of years off, but they were clearly on their way, having consolidated their sound effectively. EQUINOX was the last Styx album to feature original guitarist John Curulewski, one of the more progressive forces in the band. In a way, the album represents the last stand of prog-rock as a major element of the band's sound (though traces of it would crop up over the next few albums).
Curulewski's "Mother Dear," though an obscurity, is a highlight here, with its sophisticated, introspective lyricism and complex, synthesizer-laden arrangement. Dennis DeYoung picks up on that ambitious thread with "Suite Madam Blue," an epic-length tune that moves through several moods and is sort of an elegy for America. On the poppier side, there's the celebratory "Light Up," and the infectious, synth-dotted "Lorelei."
Photographer: Chris Micoine.
Personnel: John Curulewski (vocals, guitar, synthesizer); James Young (vocals, guitar); Dennis DeYoung (vocals, keyboards, synthesizer); Chuck Panozzo (vocals, bass guitar); John Panozzo (vocals, drums, percussion).
Audio Remixers: Styx; Barry Mraz.
Equinox Music | List Price | $9.95 (You save $3.46) | | Category | Rock Albums, Rock/Pop CDs, Hard Rock | | Label | A & M | | Orig Year | 1975 | | All Time Sales Rank | 2144  | | CD Universe Part number | 1094435 | | Catalog number | 3217 | | Discs | 1 | | Release Date | Oct 25, 1990 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Styx | | Engineer | Barry Mraz | | Recording Time | 34 minutes | | Personnel | James "Jockey" Young - vocals, guitar Dennis Deyoung - vocals, keyboards, synthesizer Chuck Panozzo - vocals, bass guitar John Panozzo - vocals, drums, percussion John Curulewski - vocals, guitar, synthesizer
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Equinox Music Review Average Rating: (4.8 out of 5 stars)   ROCK & ROLLLL Need I say more..... Submitted by brub3086 (Laughlin, Nv., USA)  Was This Review Helpful? Yes No
Maybe The Best Styx Album When Styx was still concidered a Hard Rock band,before Tommy Shaw brought comercialism to the band,this is Equinox.I consider it there best album(even though they put 3 more good albums out after this one),with rockers like Midnight Ride & Born For Adventure, this album will have you playing air guitar. Now if A&M would do it justice and remastered it,it would be even better. Submitted by chrispackers (Texas,USA)  Was This Review Helpful? Yes No
Pinnacle and pivot point Styx can be summarized in phases. True prog rock (71-76), arena/radio friendly prog (76-77), arena rock (78-80), pop (81-83 then up to Cyclorama). This is where the first two phases met.
Equinox is among the best Styx records because it keeps the musicianship and vibe of the Wooden Nickel albums but adds big hooks and choruses and somewhat shorter song lengths. Curulewski has no discernible "personality" here (as Shaw would starting the next year) but the guy can play guitar.
Fans of classic Kansas (and anything else similar) should run to hear this. Styx fans from Grand Illusion on might find this a little less than thrilling.
For me it is one of the Styx albums I play all the time (also true of Pieces of Eight and Cyclorama, all of which I think are actually better than Grand Illusion, Paradise though I like the whole catalog, including Cornerstone and Kilroy). Submitted by Andrew (Cos Cob, CT) Was This Review Helpful? Yes No
Equinox is FANTASTIC !!!! One of the best L.P. of that year!and one of the best bands of all time!!!. Submitted by a reviewer (Vineland, N.J. U.S.A.) Was This Review Helpful? Yes No
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Purchase Equinox CD To buy, Click on price to add to cart | Styx Crystal Ball CD (1976)
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| | Styx Grand Illusion CD (1977)
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$6.49 THE GRAND ILLUSION was the album that rocketed Styx to superstardom after all their years of hard work. That time spent in the trenches was clearly not wasted, as the group displays an unprecedented level of tightness here in their writing, arrangements, ...
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| | Styx Paradise Theater CD (1981)
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$13.65 Finely executed and well played in all respects, this is a fine example of the genre of hard bop in the mid '90s. If it sounds somewhat derivative, it is. Nonetheless, the studio recording catches the group in fine form. The front line of tenor saxophonist Billy Pierce and trumpeter Brian Lynch is no-nonsense in every respect. Pierce continues to be underrated, probably due to his understated approach, yet, his solos are logically perfect, even if they sometimes lack emotion. Lynch is the more fiery of the horns, with a debt, perhaps, to Tom Harrell. Leader Fintan O'Neill is a good, if undistinguished, pianist, who boasts strong technique and an adequate, if unspectacular, sense of rhythm. Guitarist David O'Rourke joins the group for a couple of numbers, to good effect. The choice of tunes is modest, yet appropriate, in keeping with the general tone. ~ Steve Loewy
FINTAN O'NEILL===================================================================================================================================='...pianist Fintan O'Neill played consistently inventive solos that sparkled or snapped as the mood demanded...' - Bob Blumental, Boston Globe. (From aHarvard concert of David O'Rourke and Lewis Nash's Celtic Jazz Collective.)Pianist/Composer- Fintan O'Neill's musical training started early,as he came from a musical family in his native Ireland(his mother, for example, sang operatic songs and played piano). After years of classical piano lessons(and a few years of tenor saxophone instruction) Fintan spent his college years playing in rock groups and found himself increasingly drawn to jazz. The young pianist plunged full time into jazz studies and performance, and by 1987 he was a prize winner in the Jazz Piano category in the Dublin Music Festival Competition (Feis Ceoil). In1988, He began playing with the top Irish Jazz musicians in Dublin and was featured in the Tommy Halferty Trio at the Cork Jazz Festival. Late in 1989, Fintan moved to New York City and began studies with several top New York pianists including Kenny Werner, James Williams and Larry willis. Shortly after that, Fintan began playing on the New York scene with many top players, including James Spaulding, ...
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