| | Styx Pieces Of Eight CD Styx Discography of CDs
(5 Customer Reviews)
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Personnel: James Young , Tommy Shaw (vocals, guitar); Dennis DeYoung (vocals, keyboards); John Panozzo (vocals, drums); Chuck Panozzo (vocals). Recording information: Cathedral Of St. James, Chicago, IL. Unknown Contributor Roles: Dennis DeYoung; Tommy Shaw. Styx's feisty, straightforward brand of album rock is represented best by "Blue Collar Man" from 1978's Pieces of Eight, an invigorating keyboard and guitar rush -- hard and heavy, yet curved by Tommy Shaw's emphasized vocals. Reaching number 21, with the frolicking romp of "Renegade" edging in at number 16 only six months later, Pieces of Eight maintained their strength as a front-running FM radio group. Even though these two tracks were both mainstream singles, the rest of the album includes tracks that rekindle some of Styx's early progressive rock sound, only cleaner. Tracks like "Sing for the Day," "Lords of the Ring," and "Aku-Aku" all contain slightly more complex instrumental foundations, and are lyrically reminiscent of the material from albums like The Serpent Is Rising or Man of Miracles, but not as intricate or instrumentally convoluted. While the writing may stray slightly from what Styx provided on The Grand Illusion, Pieces of Eight kept their established rock formula in tact quite firmly. ~ Mike DeGagne This album basically picks up where its predecessor, the breakthrough GRAND ILLUSION left off, and is equally effective. Dennis DeYoung's title tune about the emptiness of wealth (a subject on which he was beginning to gain first-hand experience) continues the previous album's thematic thread nicely. Tommy Shaw's infectious rockers "Renegade" and "Blue Collar Man" would become two of the group's most popular songs, and deservedly so. With their fanciful lyrics and freewheeling synth coloring, "Sing for the Day" and "Lords of the Rings" mark a slight return to Styx's prog-rock roots. PIECES OF EIGHT furthered the group's new status as superstars and continued their run of consistently strong releases. Styx Pieces Of Eight Songs Pieces Of Eight Music Review Average Rating: (4.2 out of 5 stars)   Their Best This album was a combination of everything that made Styx great. It is the best example of their combination of progressive and pop. Queen Of Spades is the greatest Dennis DeYoung penned tune of all time. It showed he could rock with the best and not just write great ballads and anthems. I grew up on this album and would list it as one of my desert island discs. Submitted by Rich (Appleton, WI, USA) Was This Review Helpful? Yes No
Best Styx Release This is the best styx release. The Grand Illusion is a close second, but is one great song shy on side two. By the way the guy who say's his ears hurt from this album is no styx fan. "Lord of the rings" the worst song ever...please. You lost all credibility with that statement. Submitted by Bleu (Pensacola, Florida) Was This Review Helpful? Yes No
May be Their Best Album With Tommy Shaw Arguable Yes! I Agree! BUT, Styx built a stong loyal, local fan fan base with five albums before Tommy Shaw ever showed up. To those of us that have been around from the beginning, Styx has always beem known for the magical, mystical genious of Dennis Deyoung's songwriting ability. These songs take us to a special place and time, or a special time in our past! This has always been a multitalented band and this effort is no exception. No band that possesses 3 songwriters and 3 lead vocalists, along with incredible harmonies can fail, unless they're cursed! Submitted by a reviewer (New Port Richey FL USA) Was This Review Helpful? Yes No
Classic Styx If you like Grand Illusion, you'll also like Pieces of Eight. It's great music from beginning to end. I highly recommend it! Submitted by a reviewer (Detroit, MI, USA)  Was This Review Helpful? Yes No 0 of 1 found this helpful.
My ears hurt Other than the hits, this is one of their worst CDs. Specifically, "Lords of the Rings" is one of the worst songs I have ever heard, and I have heard some real stinkers. Buy it if you must, but don't say you weren't warned. "Great White Hope", "I'm OK", and "Pieces of Eight" reach lows they had not seen since parts of Man of Miracles and Serpent is Rising. Submitted by pciskowski (Memphis, TN) Was This Review Helpful? Yes No 0 of 1 found this helpful.
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Purchase Pieces Of Eight CD To buy, Click on price to add to cart | Styx Equinox CD (1975)
Pieces Of Eight
$6.49 Personnel: John Curulewski (vocals, guitar, synthesizer); James Young (vocals, guitar); Dennis DeYoung (vocals, keyboards, synthesizer); Chuck Panozzo (vocals, bass guitar); John Panozzo (vocals, drums, percussion). Audio Remixers: Styx; Barry Mraz. Photographer: Chris Micoine. Equinox produced Styx's first single with A&M, the highly spirited "Lorelei," which found its way to number ...
| | Styx Crystal Ball CD (1976)
Pieces Of Eight
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| | Styx Grand Illusion CD (1977)
Pieces Of Eight
$6.49 Styx: Dennis DeYoung (vocals, keyboards, synthesizer); Tommy Shaw (acoustic & electric guitars, background vocals); James Young (guitar, background vocals); Chuck Panozzo (bass, background vocals); John Panozzo (drums, percussion, background vocals). Recorded at Paragon Studios, Chicago, Illinois. Personnel: Tommy Shaw (vocals, guitar, acoustic guitar, electric guitar, 12-string guitar); Chuck Panozzo (vocals, guitar, bass guitar); James Young (vocals, ...
| | Styx Cornerstone CD (1980)
Pieces Of Eight
$6.55 Personnel: Tommy Shaw (vocals, guitar, acoustic guitar, electric guitar, autoharp, mandolin); James Young (vocals, guitar, autoharp, synthesizer); Dennis DeYoung (vocals, keyboards); Chuck Panozzo (vocals, bass guitar); John Panozzo (vocals, drums, percussion); Arnie Roth (strings); Steve Eisen (saxophone); Ed Tossing (horns). Recording information: Pumpkin Studios, Oak Lawn, IL. Photographer: Aaron Rapoport. Arrangers: Ed Tossing; Arnie Roth. Presenting radio with one of the best rock ballads ever, Cornerstone gave Chicago's Styx their big break with the number one single "Babe," which held ...
| | Styx Paradise Theater CD (1980)
Pieces Of Eight
$6.85 Personnel: James Young , Tommy Shaw (vocals, guitar); Dennis DeYoung (vocals, keyboards); Chuck Panozzo (vocals, bass guitar); John Panozzo (vocals, drums, percussion); Steve Eisen (saxophone); Mark Ohlson, Mike Halpin, John Haynor, Billy Simpson, Dan Barber (horns). Recording information: Pumpkin Studios, Oak Lawn, IL; Universal Recording. Arranger: Styx. After successfully establishing themselves as one of America's best commercial progressive rock bands of the late '70s with albums like The Grand Illusion and Pieces of Eight, ...
| | Beastie Boys Ill Communication CD (1994)
Pieces Of Eight
$8.85 The Beastie Boys: Mike "Ad-Rock" Horovitz (vocals, guitar); Adam "MCA" Yauch (vocals, acoustic bass, electric bass); Mike "Mike D" Diamond (vocals, drums). Additional personnel: Q-Tip, Biz Markie (rap vocals); Eugene Gore (violin); "Money" Mark Nishita (keyboards, organ); Amery Smith (drums); Eric Bobo (percussion). Producer: Beastie Boys, Mario Caldato, Jr. Recorded at G-Son Studios, Atwater Village, California and Tin Pan Alley, New York. "Sabotage" was nominated for Best Hard Rock Performance in the 37th Annual Grammy Awards. Ill Communication follows the blueprint of Check Your Head, accentuating it at some points, deepening it in others, but never expanding it beyond the boundaries of that record. As such, it's the first Beastie Boys album not to delve into new territory, but it's not fair to say that it finds the band coasting, since much of the album finds the group turning in muscular, vigorous music that fills out the black-and-white sketches that comprised Check Your Head. Much of the credit has to go to the group's renewed confidence in -- or at least renewed emphasis on -- their rhyming; there are still instrumentals (arguably, there are too many instrumentals), but the Beasties do push their words to the forefront, even on dense rockers like the album's signature tune, "Sabotage." But even those rhymes illustrate that the group is in the process of a great settling, relying more on old-school-styled rhyme schemes and word battles than the narratives and surreal fantasies that marked the high points on their first two albums. With this record, the Beasties confirm that there is indeed a signature Beastie Boys aesthetic (it's too far-ranging and restless to be pegged as a signature sound), with the group sticking to a blend of old school rap, pop culture, lo-fi funk, soulful jazz instrumentals, Latin rhythms, and punk, often seamlessly integrated into a rolling, pan-cultural, multi-cultural groove. The best moments of Ill Communication rank with the best music the Beasties have ever made, as well as the best pop music of the '90s, but unfortunately, it's uneven and rather front-loaded. The first half overflows with brilliant, imaginative variations on their aesthetic: the assured groove of "Sure Shot," the warped rap of "B-Boys Makin' With the Freak Freak," the relentless ...
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