| | Cat Stevens Tea For The Tillerman CD Cat Stevens Discography of CDs
 (9 Customer Reviews)
Digitally remastered by Bill Levenson (December 1999, Sterling Sound, New York, New York). TEA FOR THE TILLERMAN is one of Cat Stevens's finest albums, and a gem in the crown of early 1970s singer/songwriterdom. Stevens manages to have ... Full Descriptionhis cake and eat it too, simultaneously achieving pop accessibility and artistic relevance. While inviting rhythms (buoyed by Stevens's dynamic acoustic strumming) and pop hooks abound, the feel is decidedly gentle and spare. Apart from the occasional string section, Stevens is accompanied only by a three-piece band as he sings his introspective lyrics with appreciable fervor.
While there are some relatively conventional love songs here ("Hard Headed Woman," "Wild World"), the most memorable moments come when Stevens's lyrics venture further afield. "Father and Son" is a poignant but realistic and unsentimental portrait of the generation gap, capable of reducing any given dad or junior to tears. "On the Road to Find Out" and "But I Might Die Tonight" reflect Stevens's existential dilemmas, and the resulting spiritual quest that would later lead him to embrace the Islamic faith. The graceful beauty of arrangements, performances, and songs makes TEA FOR THE TILLERMAN a folk-rock classic.
This is a limited edition digipak.
Personnel: Cat Stevens (vocals, guitar, keyboards); Alun Davies (guitar); John Rostein (violin); John Ryan (bass); Harvey Burns (drums).
Producer: Paul Samwell-Smith.
Reissue producer: Bill Levenson.
Personnel: Cat Stevens (vocals, guitar, keyboards); Alun Davies (guitar); John Rostein (violin); John Ryan (bass instrument); Harvey Burns (drums).
Recording information: 1970.
Personnel: Cat Stevens (vocals, guitar); Alun Davies (guitar); John Rostein (violin); John Ryan (bass); Harvey Burns (drums).
Rolling Stone (2/18/71, p.50) - "...Cat's melodies and lyrics are disarmingly, deceptively simple. He seems to fasten without effort onto tunes with a life of their own..."
Rolling Stone (2/18/71, p.50) - "...Cat's melodies and lyrics are disarmingly, deceptively, simple. He seems to fasten without effort onto tunes with a life of their own..."
CMJ (7/24/00, p.24) - "...Classic folk-pop....gorgeously remastered...breathing new life into tunes...while remaining faithful to the albums' original majesty..."
Goldmine - Sound 5 Stars - Classic, Indispensable
Q (Magazine) (p.124) - 4 stars out of 5 -- "TEA FOR THE TILLERMAN was his second album of 1970 and it turned him into an international star..." Hide Description Tea For The Tillerman Music Cat Stevens Tea For The Tillerman Songs Tea For The Tillerman Music Tea For The Tillerman Music Review Average Rating: (4.8 out of 5 stars)   List All Reviews What can be said??
An artist experiencing upheavals? So I've read. But who wasn't- at that time? Music is inspired by many things. Music is eight little notes that can be divided, subdivided, grouped, isolated, etc. and the listener decides if he/she likes it. When I recall the past, Cat Setvens stands out as a gr8 composer. I enjoy visiting the past but I don't live there.
Submitted by robertponce (Los Angeles,CA USA) 
Was This Review Helpful? Yes No The Best
I have the album, it's just time to get the best Cat Stevens ever. Old memories!
Submitted by a reviewer (Houston, TX)
Was This Review Helpful? Yes No An 8-Track Must Replace
Cat was off the charts with this album. Ever so meaningful, ever so peaceful. So sad to see his albums burn on NY streets during troubled times. Where is he now?
Submitted by joe_g_drinksnj (Fairfield, nj)
Was This Review Helpful? Yes No hold on to the shore!
this is perhaps the singular most important album in my life. I listened to it first as a young child at my uncles house at arund the time it came out. the melodies and lyrics went straight to my heart and i never forgot them. they are still as meaningful and as emotionally available as ever to the listener. no one except dylan can teach you as much.
my children will grow up with this music and im sure they will feel the same way later. I only wish i could have seen him live.
Submitted by aaron b (hong kong)
Was This Review Helpful? Yes No  changed my life
I was 15 years old in 1970 and listening to this album in my room on a plastic turntable that i was ashamed of gave me the vision and the courage to leave my "happy home" to see what i could find out. thank you cat stevens.
Submitted by tdev (Huntington Beach, CA)
Was This Review Helpful? Yes No
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Buy Tea For The Tillerman CD Purchase Tea For The Tillerman CD To buy, Click on price to add to cart | Cat Stevens Mona Bone Jakon CD (1970) Remastered
Tea For The Tillerman album
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1970's MONA BONE JAKON was Cat Stevens's third album, yet it bore little relation to the pop-oriented sound of his 1967 releases. In the interim Stevens had become disillusioned with the pop scene, then became seriously ill and spent a year convalescing. When he returned with this album his sound had grown folksier and his songs more reflective and emotionally straightforward. Acoustic guitar and spare backing by bass, keys, and drums framed these new compositions that dealt with the trials of fame ("Pop Star"), personal hardship ("Trouble"), and faith ("I Think I See the Light").
Although the quality of the songwriting here does not quite match ...
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In "Sitting," for example, the singer is dogged by thoughts of stagnation and mortality while a chiming, minstrel-esque keyboard riff plays in the background. The somber mood is heightened by some hushed acoustic guitar-driven numbers ("Boy with a Moon and Star on His Head") and some stark piano ballads ("Sweet Scarlet"). The fact that Stevens was experimenting more with styles, arrangements, and dynamics here may have given some fans pause, yet his trademark charm is still in evidence, as is the dependable strength of his songwriting.
Cat Stevens began to taper off the winning streak he'd scored with TEA FOR THE TILLERMAN and TEASER AND THE FIRECAT on this 1972 release. CATCH BULL AT FOUR still fared well commercially, yet it ...
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Crosby, Still, and Nash topped their enormously popular self-titled 1969 debut by adding Neil Young to their ranks and expanding their stylistic and sonic range. The result, released in 1970, was an artistic and commercial success, representing the talents of the four primary players to excellent effect. More ambitious and incisive than its CSN predecessor, DEJA VU brings together folk, psychedelia, jazz, African, and Middle Eastern flavors, Tin Pan Alley, and hard rock in a manner that captures the tenor of the era's counterculture without sounding dated.
The group's distinctively lush harmonies are spread across the album, notably on the record's two centerpieces--"Carry On," which segues into a chugging, percussion-fueled groove halfway through, and "Woodstock," the band's hard rock re-working of the Joni Mitchell tune. Elsewhere, the songs are stamped by individual personalities, as on David Crosby's ...
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Each copy of this limited edition is sequentially numbered. The packaging recreates the original double-gatefold sleeve and includes the original poster as well as the individual photos of each band member.
Additional personnel includes: Yoko Ono (vocals); Eric Clapton (electric guitar); Mal Evans (trumpet, tambourine); George Martin (piano, harmonium); Chris Thomas (harpsichord, Mellotron); Maureen Starkey, Patti Harrison (background vocals).
THE BEATLES (generally known as "The White Album" because of its cover) was a sprawling two-record set, highlighting the distinct personalities in the group as they matured and moved further away from each other. With the four Beatles playing like session men on each other's songs, the making of the album was fraught with tension. John Lennon's songs included a bitter take on people who read too much into the Beatles' lyrics ("Glass Onion"), reflections on loneliness and alienation ("Yer Blues," "I'm So Tired"), and the avant garde sound collage "Revolution 9."
George Harrison's songs offered black humor ("Piggies") and ...
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