Moody Blues On The Threshold Of A Dream CD

Originally released on Deram (1035). Includes liner notes by John Reed.

Where this album's predecessor IN SEARCH OF THE LOST CHORD dipped deeply into Eastern-flavored psychedelia, THRESHOLD is more of a straightforward rock record. Things open up experimentally enough, with a spoken-word vignette over electronic drones, but this leads straight into one of the Moodies' poppiest, most up-tempo songs, "Lovely to see You," which would remain a concert favorite for decades. Even notoriously theatrical flautist/vocalist Ray Thomas keeps his eccentricities in check on his effective ballad "Dear Diary."

Keyboardist Mike Pinder takes a surprisingly lascivious vocal turn on the anomalous, leering rocker "So Deep Within You." Justin Hayward provides the lion's share of ear-tickling moments with pretty folk-rock tunes such as "Never Comes the Day" and "Are you Sitting Comfortably," while the most adventurous piece "Have you Heard/The Voyage" extends over three discrete tracks, featuring complex instrumental passages and lush harmonies. THRESHOLD doesn't come off as an attempt to cater to the mainstream, it's just a more song-based, less exotic recording than its predecessors.

Digitally remastered - 13 tracks include 'In the Beginning', 'Lovely to See You', 'Dear Diary', 'Lazy Day' and more.

Digitally remastered by Steve Fallone (PolyGram Studios).

Includes liner notes by David Lymonds and Lionel Bart.

Personnel: Justin Hayward, John Lodge (vocals, guitar); Ray Thomas (vocals, flute, horns); Michael Pinder (vocals, keyboards); Graeme Edge (drums).

Audio Remasterer: Steven Fallone.

Liner Note Author: John Reed.

Photographers: Terence Abbott; David Wedgbury.

Unknown Contributor Roles: Justin Hayward; Graeme Edge; John Lodge; Michael Pinder.

The Moody Blues: Mike Pinder, Justin Hayward, Ray Thomas, John Lodge, Graeme Edge.

Additional personnel: Pete Jackson (triangle).

Uncut (p.120) - 4 stars out of 5 -- "[The album deserves] a prominent place in the pantheon of British prog/pscyh classics."
Mojo (Publisher) (9/00, p.121) - "...They Gregorian chanted as well as the Yardbirds, they structured their song cycles wonderfully, they made better use of the Mellotron than anyone, and nobody sang daft lyrics more beautifully..."