| | Cure Kiss Me Kiss Me Kiss Me CD Cure Discography of CDs
(8 Customer Reviews)
This hefty double album often sounds more like a compilation than a coherent whole, with musical ideas bouncing frantically back and forth. Nevertheless, in typical Cure style, KISS ME, KISS ME, KISS ME successfully combines catchy pop with bitter despair. Through 17 immensely sensual songs, Robert Smith is at his most poetic ("strange as angels, dancing in the deepest ocean, twisting in the water, you're just like a dream") and vitriolic ("get your fucking voice out of my head...I never wanted any of this, I wish you were dead"). The joyous pop of "Just Like Heaven" and "The Perfect Girl" still delights, and the frisson provided by "Shiver And Shake" reinforces the physical nature of this collection.
2 LPs on 1 CD.
The Cure: Robert Smith (vocals, guitar, keyboards); Porl Thompson (guitar, saxophone, keyboards); Laurence Tolhurst (keyboards); Simon Gallup (bass guitar); Boris Williams (drums).
Recording information: 1987.Uncut (p.102) - 4 stars out of 5 -- "Glossy, even sexy, here the excesses of that decade finally caught up with Smith, which he twisted into stunning pop..." Alternative Press (p.200) - "[With] the heartfelt 'Just Like Heaven,' one of the classic alt-rock singles of the 1980s." Magnet (p.106) - "Smith pens the prettiest pop, unleashes seven minutes of sitar-driven stonerdom, uses accordions to punctuate Parisian travelogues, plays with psychedelic Hendrixian guitar textures and -- as always -- lets bassist Simon Gallup have all the best riffs and melodies." CMJ (1/5/04, p.20) - Ranked #3 in CMJ's "Top 20 Most-Played Albums of 1987" Kiss Me Kiss Me Kiss Me Music Cure Kiss Me Kiss Me Kiss Me Songs | | Kiss Me Kiss Me Kiss Me CD KISS ME, KISS ME, KISS ME: |
| 1. | Kiss, The |
| 2. | Catch |
| 3. | Torture |
| 4. | If Only Tonight We Could Sleep |
| 5. | Why Can't I Be You? |
| 6. | How Beautiful You Are |
| 7. | Snakepit, The |
| 8. | Just Like Heaven |
| 9. | All I Want |
| 10. | Hot Hot Hot!!! |
| 11. | One More Time |
| 12. | Like Cockatoos |
| 13. | Icing Sugar |
| 14. | Perfect Girl, The |
| 15. | Thousand Hours, A |
| 16. | Shiver and Shake |
| 17. | Fight |
| Kiss Me Kiss Me Kiss Me Music Kiss Me Kiss Me Kiss Me Music Review Buy Kiss Me Kiss Me Kiss Me CD Purchase Kiss Me Kiss Me Kiss Me CD To buy, Click on price to add to cart | Megadeth Endgame CD (2009)
Kiss Me Kiss Me Kiss Me
$15.65 The release of 2009's ENDGAME brings with it a startling realization: if first-generation thrash metal fans had been polled about which of the genre's "Big Four" -- Metallica, Slayer, Anthrax, and Megadeth -- would prove to be the most resilient and consistently prolific over the next quarter century, the only sure-fire consensus would probably have been "well, anyone but Megadeth!" And yet, 12 studio albums and 150-plus songs later -- more than any of the other three have managed -- that's exactly what's come to pass. The group's second release for Roadrunner, whose title apparently refers to "coming full circle" rather than any sort of goodbye, finds the latest iteration of Megadeth-- debuting new guitarist Chris Broderick(ex-Nevermore, Jag Panzer)--working primarily within their technical thrash comfort zone (think PEACE SELLS through RUST IN PEACE), with only a few latter-day elements and rare experimental diversions. As such, deceptively simple guitar-shredding master classes like "This Day We Fight!," "1,320" (surprisingly, written about ...
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Kiss Me Kiss Me Kiss Me
$13.65 Despite her star having lost some of its luster in the 2000s, Whitney Houston is still regarded as a benchmark for modern singers of all stripes (from soulful divas to would-be pop idols). Almost seven years in the making, 2009's I LOOK TO YOU marks a music industry homecoming for the singer. Supported by a mob of A-list producers and songwriters including Diane Warren, David Foster, R. Kelly, Alicia Keys, and many more, Houston's vocals are in fine form ...
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$33.75 With the release of this seminal double-album, Prince evolves from the minimalist synth-pop that powered such discs as DIRTY MIND and CONTROVERSY into the pop genius that defined such quirky masterpieces as PURPLE RAIN and SIGN OF THE TIMES. Were it only for the hits--the loopy bounce of "Delirious," the moody slide of "Little Red Corvette," and the irresistible title track (only Prince could have written the ultimate dance song for the turn of the millennium 18 years before the fact)--1999 would be essential. These tracks are as perfect as they are familiar from incessant radio play.
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