| | Phish Hoist CD Phish Discography of CDs
 (4 Customer Reviews)
Live Recording
Recorded at American Recording Company, Woodland Hills, California from October to November, 1993.
Tower Of Power Horns: David Mann (alto saxophone); Emilio Castillo (tenor saxophone); Stephen "Doc" Kupka (baritone saxophone); Lee Thornburg (trumpet, trombone); Greg Adams (flugelhorn).
Phish: Trey Anastasio (guitars, vocals); Page McConnell (piano, organ, vocals); Mike Gordon (bass, mandolin, vocals); Jon Fishman (drums).
Additional personnel: Alison Kraus (vocals); Bela Fleck (banjo); Morgan Fichter (violin); The Richard Greene Fourteen (strings); Jonathan Frakes (trombone); Rickey Grundy Chorale, Jean McClain, Rose Stone (background vocals).
Phish Hoist Songs | 1. | Julius | $0.99 | |
| 2. | Down With Disease | $0.99 | |
| 3. | If I Could | $0.99 | |
| 4. | Riker's Mailbox | $0.99 | |
| 5. | Axilla (Part II) | $0.99 | |
| 6. | Lifeboy | $0.99 | |
| 7. | Sample in a Jar | $0.99 | |
| 8. | Wolfman's Brother | $0.99 | |
| 9. | Scent of a Mule | $0.99 | |
| 10. | Dog Faced Boy | $0.99 | |
| 11. | Demand - (Hebrew) | $0.99 | |
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Hoist Music Review Average Rating: (4.3 out of 5 stars)   it kicks ass
phish rocks
Submitted by a reviewer (Decatur, AL)
Was This Review Helpful? Yes No 1 of 1 found this helpful.
 Tower of Power Horns + Phish = PHUN!!!
Hoist is the story of a band going to the big, bad state of California to make an rock album. This album is supposed to be Phish's bust out album into the mainstream. Ha boy was Elektra dissapointed. I think Down With Disease was shown twice on MTV: once at 1 o clock in the morning and the other on Beavis and Butthead. It's a great pop album and the majority of the album translates amazingly on stage.. I just miss the old proggy Phish.
Submitted by scijigglephish (Johnson,VT/Milford,CT)
Was This Review Helpful? Yes No
 Phish's most prolific album
In 1994, this album seemed ahead of it's time.Plenty of guests, and cathchy riff's. The horns, banjo's and bela fleck make this album one of my favorite, listened to often.The more you hear hoist the more you want to!
Submitted by a reviewer (columbus, ohio)
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Phantastic!
Hoist is an awsome disc for listeners of all tastes. Every song rocks, and every song has some individuality.
Definatly for phirst-timer-phans!
Submitted by a reviewer (Virginia Beach, VA)
Was This Review Helpful? Yes No | Have you heard this album? |  |
Purchase Hoist CD To buy, Click on price to add to cart | Alice In Chains Black Gives Way To Blue CD (2009) Limited Edition; Digipak
Hoist
 $10.49  
When Layne Staley died from a drug overdose in 2002, it had already been several years since most Alice in Chains fans stopped hoping for a new album. The singer had become a recluse since the late-`90s, and there was little indication that AIC would ever again produce much in the way of new music. As a result, when the remaining members reunited to release BLACK GIVES WAY TO BLUE in 2009, expectations were low. To the delight of all however, the album proved to be perhaps the Seattle combo's most energetic and consistent effort since its masterpiece DIRT. Perhaps the most surprising element of the new record was how much it sounded exactly like Alice in Chains. While new singer William DuVall was not an exact Staley soundalike, he managed to evoke both the unique timbre and sense of deep angst that were the late vocalist's trademarks. Throughout, the sound is heavier and sturdier than ...
| | Rosanne Cash List CD (2009)
Hoist
$15.65
After the dark and chilling themes of 2006's BLACK CADILLAC, which saw Rosanne Cash dealing with the deaths of her mother, Vivian Liberto, her father, Johnny Cash, and her stepmother, June Carter Cash -- all of whom passed within a two-year span -- one might assume that her next project would move into an even deeper level of bleakness, but with THE LIST, it's immediately clear that she has instead found a more measured place to stand. It's a lovely and redemptive outing that looks back to go forward. When Cash turned 18, her father, alarmed that his daughter only knew the songs that were getting played on the radio, gave her a list of what he considered 100 essential American songs; Cash kept that list, and now she's drawn on it for this wonderfully nuanced outing that brims with a kind of redemptive timelessness. THE LIST is a renewal and a testament to life, and it belongs to her father as much as it belongs to her, a beautiful restatement of her father's passions, only now, they've become his daughter's treasures, as well. It's an affirming story, but that's all it would be if Cash didn't sing her heart out here. The opener, a version of Jimmie Rodgers' "Miss the Mississippi and You," is full of comfortable grace and sentiment, and Cash keeps that fine emotional tone throughout this set. Songs like the folk classic "500 Miles" feel at once both lovingly rendered and reborn for a new century in Cash's hands. There's also her fine rendering of Bob Dylan's "Girl from the North Country," a nice turn at Harlan Howard's "Heartaches by the Number" (which features ...
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"This is not a show," murmurs Michael Stipe at the start of LIVE AT THE OLYMPIA and it's not quite misdirection. R.E.M.'s five-night residency at Dublin's Olympia in the summer of 2007 functioned as working rehearsals for their fourteenth album ACCELERATE, with the band testing out each of the songs, exploring arrangements, finding breaking points, and pairing them with older songs that informed their back-to-basics move. As rehearsal, it paid off splendidly -- road-testing the material made it stronger, resulting in their best album in years -- but the audience was in for a real treat, with the band digging deep into their back catalog to play some of their best non-hit songs. Just as importantly, the band sounds completely engaged with the material, enjoying playing the songs again. And that is what R.E.M. is here -- a tighter, cleaner band than the scruffy ...
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-----Full-length CDNov 2003KC029 Seekonk makes music that is sad and warm and wise.It is music designed for the listening room, particularly the inner one you always carry around with you, bustling with that ever-present dialogue. It helps quiet things down in there.Seekonk is five players from Portland, Maine who like to try different instruments on for size, including a cello, trombone, xylophone, and bowed amplified birdcage.The band began as a result of two guys getting dumped hard by their sweethearts within weeks of each other. Songs happened. Then they asked a girl who lived on an island to sing these songs for them. Makes sense somehow.Some have said Seekonk reminds them of other bands like Pink Floyd, Low, The Velvet Underground, and Neil Young. Seekonk is not averse to being called a "head" band.Seekonk's debut album For Barbara Lee sounds particularly lovely in the here and now. And yet it has an ageless quality. That's a pretty neat trick.Here indeed is music as inviting as any you might hold dear.Seekonk played its first show as a 3-piece in March 2002 at lead singer Shana's art opening, having been together for less than two months. They had only five originals and two covers (by Neil Young and Low) in their repertoire. The five-piece consolidated that summer and began committing some songs to tape in the fall, recording "For Barbara Lee" in March 2003 at Big Sound with Jonathan Wyman engineering.
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Live Recording
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Best known for her 1990s solo work on 4AD and stints performing with the likes of John Mellencamp and Iggy Pop, multi-instrumentalist/vocalist Lisa Germano began a new chapter in her remarkably varied career with 2006's IN THE MAYBE WORLD, her ...
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Track Listing of songs: Endlich Wieder Rosenzeit; Einmal Hinmal Hott; Du Hast Gesagt Es Ist Zu Ende; Es Ist Nicht ...
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