| | John Coltrane Giant Steps CD John Coltrane Discography of CDs
(4 Customer Reviews)
The 1998 reissue of GIANT STEPS contains all the original tracks and liner notes plus additional tracks and rare photos.
John Coltrane's maiden voyage for Atlantic Records was the fulfillment of all the potential he'd demonstrated with Miles, Monk and on his own Prestige recordings. Recorded in May 1959 (one month after completing Davis' KIND OF BLUE), GIANT STEPS is Coltrane's first recital to feature nothing but his own original compositions, and is the culmination of his obsessive foray into harmony. By taking all of the notes in a chord--and trying to find every possible inversion and relevant substitution--the saxophonist was forced to develop a complex new form of melodic phrasing that enabled him to rhythmically crowd every permutation into a single phrase.
The effect is not only technically impressive, but an emotional marvel as well. On equestrian events such as the up-tempo title tune and "Countdown," Coltrane blazes through the changes with a torrential effusion of ideas, each phrase connected to the next with unerring logic and a sublime sense of symmetry. Every note in the lower, middle and upper register of his horn is articulated with power, precision and a variety of expressive timbres. His manipulation of overtones and multiphonics imparts a hair-raising vocal immediacy to his cry, and each solo culminates in a stirring emotional catharsis. This is bebop to the tenth power.
But the joy of Coltrane's art is not predicated on its intellectual dexterity. The charming stop-time cadences of "Syeeda's Song Flute" depict an upbeat, child-like disposition, inspiring a particularly celebratory Coltrane solo. The vamping figures of "Cousin Mary" and "Mr. P.C." lead to solos permeated with blues fervor. And of course, there's "Naima" (written for John's first wife), one of the saxophonist's tenderest, most enduring themes, with a melody that floats above Tommy Flanagan's serene chordal colors like a solitary cloud at dusk.
Digitally remastered by Bill Inglot & Dan Hersch (DigiPrep).
Recorded at Atlantic Studios, New York, New York on April 1, May 4 and December 2, 1959. Includes liner notes by Nat Hentoff.
Personnel: John Coltrane (tenor saxophone); Tommy Flanagan, Wynton Kelly, Cedar Walton (piano); Paul Chambers (bass); Art Taylor, Lex Humphries, Jimmy Cobb (drums).
Producer: Nesuhi Ertegun.
Reissue producer: Bob Carlton, Patrick Milligan.Rolling Stone (12/11/03, p.120) - Ranked #102 in Rolling Stone's "500 Greatest Albums Of All Time" - "[H]e played with a heated melodic enthusiasm - flying clusters of notes - that declared new possibilities for jazz improvisation..." Down Beat (1960) - 5 Stars - Excellent - "...[Coltrane] has managed to combine all the swing of Pres with the virility of Hawkins and added to it a highly individual, personal sound as well as a complex and logical, and therefore fascinating, mind...tag this LP as one of the important ones..." JazzTimes (11/94, p.88) - "...essential for all serious jazz collections....The culmination of 'Trane's sheets-of-sound period...GIANT STEPS brought the chordal improvising of bebop to its breaking point..." John Coltrane Giant Steps Songs Giant Steps Music Review Average Rating: (4.5 out of 5 stars)   JAZZ MASTERPIECE!!!! COLTRANE!!!! Submitted by najponk (Prague) Was This Review Helpful? Yes No 12 of 12 found this helpful.
swinging masterpiece From the opening bars of this masterwork, you will be carried along by the almost effortless swing and infectious flurries of notes that pour from Trane's instrument. Oozing confidence and brilliance, this album should be in any serious jazz fan's collection. Submitted by boris_boy (Brisbane, Australia) Was This Review Helpful? Yes No
Best of a giant It's already there, and time is running,he knows why.
The rest of his life is written. Submitted by philippe_herve34 (France) Was This Review Helpful? Yes No
Coltrane! Giant Steps! Love this cd! It's example of Coltrane's genius... Submitted by 006jake (england) Was This Review Helpful? Yes No
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Purchase Giant Steps CD To buy, Click on price to add to cart | Miles Davis Kind Of Blue CD (1959) Bonus Track; Remastered
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Charles Mingus had experimented with pedal points throughout the 1950s, and the melodic freedom of Ornette Coleman's Atlantic sides was also predicated on freedom from chord changes. But KIND OF BLUE was to prove the most influential, enduring work of its kind. There was just such a vibe about these 1959 sessions--Miles' lyric genius and burgeoning ...
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Digitally remastered using 20-bit technology by Mark Wilder and Rob Schwarz (Sony Music Studios, New York, New York).
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When alto saxophonist Julian "Cannonball" Adderley, a high school band director from Florida, passed through New York with brother Nat during a school break, he found more excitement than he was counting on. After Julian offered to sit in for a late reedman, the session's leader, bassist Oscar Pettiford confronted him with the challenging changes of "I'll Remember April," at a breakneck tempo designed to humiliate the young upstart. Instead, Adderley responded with a solo that became the talk of the town; within days, his recording career had begun; and within a year he was able to give up his teaching job to front ...
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$8.09 Digitally remastered using 20-bit technology by Erick Labson.
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A LOVE SUPREME is a 33-minute work divided into four movements. "Acknowledgment" starts the album with a heraldic summoning from Coltrane's tenor saxophone, full and joyous, which approximates the tone of the prayer he provides in the album's liner notes. The solo that follows reveals an artist whose spiritual depth and emotional urgency are matched by an adherence to logic and a resolve to achieve one goal above ...
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$14.09 Yes, the Ramones were one of the greatest, best bands of their time, but the single-disc 2002 Rhino compilation Loud, Fast Ramones: Their Toughest Hits is not the place to become acquainted with their legacy. The problem is that it's neither a concise, combustible recounting of their late-'70s heyday, nor is it a good single-disc capsulation of their big tunes from "Blitzkrieg Bop" to "I Don't Wanna Grow Up," or at least "Pet Semetary." Given that this only concentrates on Sire material, it's easy to forgive the absence of MCA material, but it stops somewhat inexplicably in the mid-'80s -- the time that Rhino's Ramones reissue series stopped, circa October 2002, coincidentally enough -- giving this set very little rhyme or reason, especially since it tries to treat the decade or so it covers evenhandedly, which means there are a lot of great songs absent in favor of latter-day, lesser tunes. There surely are some terrific, timeless tracks here, and the first 17 or 18 tracks are stone-cold classic and flow superbly, but there are 12 other ...
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