| | John Coltrane Giant Steps CD John Coltrane Discography of CDs
(4 Customer Reviews)
The 1998 reissue of GIANT STEPS contains all the original tracks and liner notes plus additional tracks and rare photos.
John Coltrane's maiden voyage for Atlantic Records was the fulfillment of all the potential he'd demonstrated with Miles, Monk and on his own Prestige recordings. Recorded in May 1959 (one month after completing Davis' KIND OF BLUE), GIANT STEPS is Coltrane's first recital to feature nothing but his own original compositions, and is the culmination of his obsessive foray into harmony. By taking all of the notes in a chord--and trying to find every possible inversion and relevant substitution--the saxophonist was forced to develop a complex new form of melodic phrasing that enabled him to rhythmically crowd every permutation into a single phrase.
The effect is not only technically impressive, but an emotional marvel as well. On equestrian events such as the up-tempo title tune and "Countdown," Coltrane blazes through the changes with a torrential effusion of ideas, each phrase connected to the next with unerring logic and a sublime sense of symmetry. Every note in the lower, middle and upper register of his horn is articulated with power, precision and a variety of expressive timbres. His manipulation of overtones and multiphonics imparts a hair-raising vocal immediacy to his cry, and each solo culminates in a stirring emotional catharsis. This is bebop to the tenth power.
But the joy of Coltrane's art is not predicated on its intellectual dexterity. The charming stop-time cadences of "Syeeda's Song Flute" depict an upbeat, child-like disposition, inspiring a particularly celebratory Coltrane solo. The vamping figures of "Cousin Mary" and "Mr. P.C." lead to solos permeated with blues fervor. And of course, there's "Naima" (written for John's first wife), one of the saxophonist's tenderest, most enduring themes, with a melody that floats above Tommy Flanagan's serene chordal colors like a solitary cloud at dusk.
Digitally remastered by Bill Inglot & Dan Hersch (DigiPrep).
Recorded at Atlantic Studios, New York, New York on April 1, May 4 and December 2, 1959. Includes liner notes by Nat Hentoff.
Personnel: John Coltrane (tenor saxophone); Tommy Flanagan, Wynton Kelly, Cedar Walton (piano); Paul Chambers (bass); Art Taylor, Lex Humphries, Jimmy Cobb (drums).
Producer: Nesuhi Ertegun.
Reissue producer: Bob Carlton, Patrick Milligan.Rolling Stone (12/11/03, p.120) - Ranked #102 in Rolling Stone's "500 Greatest Albums Of All Time" - "[H]e played with a heated melodic enthusiasm - flying clusters of notes - that declared new possibilities for jazz improvisation..." Down Beat (1960) - 5 Stars - Excellent - "...[Coltrane] has managed to combine all the swing of Pres with the virility of Hawkins and added to it a highly individual, personal sound as well as a complex and logical, and therefore fascinating, mind...tag this LP as one of the important ones..." JazzTimes (11/94, p.88) - "...essential for all serious jazz collections....The culmination of 'Trane's sheets-of-sound period...GIANT STEPS brought the chordal improvising of bebop to its breaking point..." John Coltrane Giant Steps Songs Giant Steps Music Review Average Rating: (4.5 out of 5 stars)   JAZZ MASTERPIECE!!!! COLTRANE!!!! Submitted by najponk (Prague) Was This Review Helpful? Yes No 12 of 12 found this helpful.
swinging masterpiece From the opening bars of this masterwork, you will be carried along by the almost effortless swing and infectious flurries of notes that pour from Trane's instrument. Oozing confidence and brilliance, this album should be in any serious jazz fan's collection. Submitted by boris_boy (Brisbane, Australia) Was This Review Helpful? Yes No
Best of a giant It's already there, and time is running,he knows why.
The rest of his life is written. Submitted by philippe_herve34 (France) Was This Review Helpful? Yes No
Coltrane! Giant Steps! Love this cd! It's example of Coltrane's genius... Submitted by 006jake (england) Was This Review Helpful? Yes No
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Purchase Giant Steps CD To buy, Click on price to add to cart | Miles Davis Kind Of Blue CD (1959) Bonus Track; Remastered
Giant Steps
$6.39 With BIRTH OF THE COOL, Miles Davis distilled a new tonal palette for jazz. As early as 1954, Miles reacted to the escalating chordal complexity of hard bop by fashioning an evocative blues based on a simple scalar pattern ("Swing Spring"). KIND OF BLUE was the ultimate fulfillment of this approach, with Miles providing his collaborators little more than outlines for melodies and simple scales for improvisation. By emphasizing the blues and the improvisor's melodic gifts, KIND OF BLUE precipitated a major stylistic development--modal jazz.
Charles Mingus had experimented with pedal points throughout the 1950s, and the melodic freedom of Ornette Coleman's Atlantic sides was also predicated on freedom from chord changes. But KIND OF BLUE was to prove the most influential, enduring work of its kind. There was just such a vibe about these 1959 sessions--Miles' lyric genius and burgeoning stardom, the innovative voicings and rarefied touch of pianist Bill Evans, the electrifying presence of Coltrane and Cannonball--that some thirty-plus years after its initial release, KIND OF BLUE is still recognized as Davis' point of departure towards jazz's less-explored regions.
Bill Evans' translucent chords and Paul Chambers' famous bass line herald ...
| | Charles Mingus Mingus Ah Um CD (1959) Remastered
Giant Steps
$6.55 This remastered edition of MINGUS AH UM features six of the original tracks in unedited form and three bonus tracks.
Digitally remastered using 20-bit technology by Mark Wilder and Rob Schwarz (Sony Music Studios, New York, New York).
This is a Super Audio CD playable only on Super Audio CD players.
One of the five essential Mingus albums to own, and even if you are not a jazz fan this is still worthy of being in any comprehensive collection. The opening track, "Better Git It In Your Soul," rushes along at a furious pace and then there is a wonderful change of tempo into an a cappella and handclap pause. It rolls on, of course, but the nature of this track reflects the nature of Mingus who never failed to experiment (even though sometimes he failed). The personnel comprises John Handy III, Shafi Hadi and Booker Ervin (saxophones), Horace ...
| | John Coltrane My Favorite Things CD (1961)
Giant Steps
$9.29 MY FAVORITE THINGS is a landmark album in jazz history. On the previous year's GIANT STEPS, Coltrane had established his credentials as a bebop master, composer and group leader. By 1960, he was ready to move on. On MY FAVORITE THINGS, Coltrane is in transition, searching for another level to which to raise his music. A new group featuring McCoy Tyner on piano, Steve Davis on bass and Elvin Jones on drums supports Coltrane on this experiment in non-Western harmonics and controlled dissonance.
Unlike some of Coltrane's later recordings, MY FAVORITE THINGS contains plenty of melodic elements, enough to please audiences mystified by free jazz. MY FAVORITE THINGS sounds most like a typical 1950s jazz album on the Cole Porter ballad ...
| | Cannonball Adderley Somethin' Else CD (1958) Remastered
Giant Steps
$9.29 The Rudy Van Gelder Edition of SOMETHIN' ELSE includes an essay by Bob Blumenthal.
The track "Bangoon" is the correct title for the track "Allison's Uncle" that was originally included as a bonus on previous editions of SOMETHIN' ELSE.
Digitally remastered using 24-bit technology by Rudy Van Gelder.
This is part of the Blue Note Rudy Van Gelder Editions series.
When alto saxophonist Julian "Cannonball" Adderley, a high school band director from Florida, passed through New York with brother Nat during a school break, he found more excitement than he was counting on. After Julian offered to sit in for a late reedman, the session's leader, bassist Oscar Pettiford confronted him with the challenging changes of "I'll Remember April," at a breakneck tempo designed to humiliate the young upstart. Instead, Adderley responded with a solo that became the talk of the town; within days, his recording career had begun, and within a year he was able to give up his teaching job to front a full-time band.
Adderley gave up his own band in 1957 when he had the opportunity to become a sideman in Miles Davis' epic ensemble with John Coltrane, resulting in some of the greatest jazz recordings of all time (including MILESTONES and KIND OF BLUE). Davis returned the favor in March of 1958, appearing as a sideman on Adderley's all-star quintet date ...
| | VH1 Presents The Corrs Live In Dublin CD (2002)
Giant Steps
$6.79 This audio document of The Corrs' Dublin homecoming concert has pretty much everything fans of Irish pop could wish for, including an appearance from Bono in his earthly incarnation, fresh from an audience with President George W. Bush. It's to the band's credit that the charismatic singer fails to steal the show, despite creditable efforts via an anthemized version of Ryan Adams' beautifully downtempo "When the Stars Go Blue," and a great, leering rendition of Lee Hazlewood and Nancy Sinatra's "Summer Wine."
Somewhat more mysteriously, Rolling Stone Ron Wood also turns up on what sounds dangerously close to a lounge version of Jimi Hendrix's "Little Wing," but this minor faux pas is redeemed by the Irish folk medley "Joy of Life/Trout in the Bath" which arguably ...
| | John Coltrane Love Supreme CD (1965) Remastered
Giant Steps
$9.65 Digitally remastered using 20-bit technology by Erick Labson.
A LOVE SUPREME is the essential example of the genius of John Coltrane. In what has become the apotheosis of jazz music, this eminently accessible work bridges the gap between music and spirituality, between art and life. With the ultimate incarnation of the jazz quartet, Coltrane brings together all of his turbulent elements into a cohesive paean to spirituality, one which is fully appreciable by the uninitiated.
A LOVE SUPREME is a 33-minute work divided into four movements. "Acknowledgment" starts the album with a heraldic summoning from Coltrane's tenor saxophone, full and joyous, which approximates the tone of the prayer he provides in the album's liner notes. The solo that follows reveals an artist whose spiritual depth and emotional urgency are matched by an adherence to logic ...
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