| | Against All Odds Soundtrack CD
Against All Odds Soundtrack Music | List Price | $8.97 (You save $2.58) | | Category | Rock/Pop Albums, Soundtrack CDs | | Label | Atlantic | | Orig Year | 1984 | | All Time Sales Rank |  31661  | | CD Universe Part number | 1096909 | | Catalog number | 80152 | | Discs | 1 | | Release Date | Oct 25, 1990 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Recording Time | 43 minutes | | Additional Info | Original Soundtrack |
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Against All Odds Soundtrack CD Purchase Against All Odds Soundtrack CD To buy, Click on price to add to cart | Allman Brothers Band Dreams CDs (1989) Box Set
Against All Odds Soundtrack album
 $38.09  
DREAMS is a 4-CD box set compiling in chronological order tracks by the Allman Brothers Band, as well as tracks by bands featuring one or more member of the Allman Brothers Band and solo performances by Gregg Allman and Dickey Betts.
Recorded between 1966 & 1988. Includes a 32-page illustrated booklet and liner notes by John Swenson.
Like nearly all box sets, DREAMS has plenty to recommend it-and a few nagging drawbacks. The set's chief shortcoming is its two conflicting goals: providing an overview of the Allmans' history, thus attracting buyers seeking the ultimate hits package, and including enough unreleased tracks and rarities to appeal to the band's most devoted fans. As a result, DREAMS is neither the definitive Allman Brothers collection nor the gift to hardcore fans that, say, THE BOOTLEG SERIES is to Dylan-philes.
DREAMS' strengths are considerable. First and foremost, the box contains nearly five wall-to-wall hours of great music. By including everything from early demos to Gregg Allman and Dickie Betts' solo material, DREAMS does a great job of tracing the group's musical evolution from hippie blues band to kings of Southern rock. And, while the unreleased studio version of "Statesboro Blues" included here isn't definitive, it's still mighty good-as are the set's other rarities. Start your Allman Brothers collection with THE FILLMORE CONCERTS; if that grabs you, DREAMS should also find a welcome ...
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With BIRTH OF THE COOL, Miles Davis distilled a new tonal palette for jazz. As early as 1954, Miles reacted to the escalating chordal complexity of hard bop by fashioning an evocative blues based on a simple scalar pattern ("Swing Spring"). KIND OF BLUE was the ultimate fulfillment of this approach, with Miles providing his collaborators little more than outlines for melodies and simple scales for improvisation. By emphasizing the blues and the improvisor's melodic gifts, KIND OF BLUE precipitated a major stylistic development--modal jazz.
Charles Mingus had experimented with pedal points throughout the 1950s, and the melodic freedom of Ornette Coleman's Atlantic sides was also predicated on freedom from chord changes. But KIND OF BLUE was to prove the most influential, enduring work of its kind. There was just such a vibe about these 1959 sessions--Miles' lyric genius and burgeoning stardom, the innovative voicings and rarefied touch of pianist Bill Evans, the electrifying presence of Coltrane and Cannonball--that some thirty-plus years after its initial release, KIND OF BLUE is still recognized as Davis' point of departure towards jazz's less-explored regions.
Bill Evans' translucent chords and Paul Chambers' famous bass line herald the revolution that is "So What": Davis and Evans' taut, coiled lyricism stands in sharp relief to the saxophonists' labyrinthine elation. The fat, shimmering beat ...
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Digitally remastered by David Luke (Fantasy Studios, Berkeley, California).
EXPLORATIONS, Bill Evans' fourth solo album, is aptly named. Throughout, Evans displays the high-minded lyrical facility, long flowing phrases and rich sound that made him so popular with both fans and other musicians during the 1950s and '60s. The intrepid nature of his improvisations and the edgy interactivity of his trio echo the album's title in tracks like the expansive "Elsa," "Israel," and the ...
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