| | Crosby, Stills, Nash & Young 4 Way Street CD Crosby, Stills, Nash & Young Discography of CDs
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4 WAY STREET caught Crosby, Stills, Nash & Young on their 1970 concert tour at the height of their success. Even with its included bits of audience patter and a few overlong tracks ("Southern Man" and "Carry On"), the album is varied and exciting, and perfectly captures the quartet's remarkable singer/songwriter chemistry and sparkling harmonies. Stephen Still's classics like "Suite: Judy Blue Eyes" and "Love the One You're With" abut David Crosby tunes like the beautiful "Laughing" and Graham Nash's positive, instructional "Teach Your Children."
But the real treat of 4 WAY STREET is the inclusion of Neil Young's solo material, including "Cowgirl In the Sand" from Young's first solo album, and the riveting "Ohio," about the Kent State student massacre. (The CD reissue also includes the Young medley "The Loner/Cinnamon Girl/Down By The River.") By the time the album came out, however, Young had already left the group, and Crosby, Stills & Nash began to work on solo and duo projects. 4 WAY STREET captures the end of an era, then, and remains an essential part of any folk and singer/songwriter collection.
Recording information: Fillmore East, New York, New York (06/02/1970 - 06/07/1970); The Forum, Los Angeles, California (06/26/1970 - 06/28/1970); Chicago Auditorium, Chicago, Illinois (07/05/1970).
Crosby, Stills, Nash & Young: David Crosby, Graham Nash, Neil Young, Stephen Stills (vocals, guitar).
Additional personnel: Calvin Samuels (bass instrument); Johnny Barbata (drums).
Rolling Stone (5/27/71, p.47) - "...a surprisingly good album...Crosby, Stills, Nash and Young are all performers of unquestionable talent, and--mostly because they stay out of each other's way--4 WAY STREET must surely be their best album to date..." Crosby, Stills, Nash & Young 4 Way Street Songs 4 Way Street Music Review Buy 4 Way Street CD  | | Crosby, Stills, Nash and Young, Rolling Stone no. 168, August 1974
17 x 24 inch
Photographic Print
Price: $39.99 |  | | Crosby, Stills & Nash
14.5 x 20.5 inch
Framed CD
Price: $49.99 |  | | Crosby, Stills and Nash, Rolling Stone no. 240, June 1977
17 x 24 inch
Photographic Print
Price: $39.99 |  | | David Crosby, Rolling Stone no. 44, October 1969
17 x 24 inch
Photographic Print
Price: $39.99 |
See all 5 matchesPurchase 4 Way Street CD To buy, Click on price to add to cart | Crosby, Stills, Nash & Young Deja Vu CD (1970) Remastered
4 Way Street
 $14.29   
Crosby, Still, and Nash topped their enormously popular self-titled 1969 debut by adding Neil Young to their ranks and expanding their stylistic and sonic range. The result, released in 1970, was an artistic and commercial success, representing the talents of the four primary players to excellent effect. More ambitious and incisive than its CSN predecessor, DEJA VU brings together folk, psychedelia, jazz, African, and Middle Eastern flavors, Tin Pan Alley, and hard rock in a manner that captures the tenor of the era's counterculture without sounding dated.
The group's distinctively lush harmonies are ...
| | Crosby, Stills, and Nash Crosby, Stills & Nash CD (1969)
4 Way Street
$10.29 
It was big news in 1969 when former key members of the Byrds, Buffalo Springfield, and the Hollies--three of the finest bands of the '60s--splintered off to form their own trio. Despite their already-proven talents, few could have imagined the gossamer vocal blend that would become the trademark of supergroup Crosby, Stills & Nash. The band's debut effectively provided the soundtrack to the summer of '69.
For his part, Steve Stills keeps exploring the progressive folk-rock sound that he'd pioneered with Buffalo Springfield; signature tune "Suite: Judy Blue Eyes" is an expansive, multi-section affair that makes full use of the group's vocal skills. Fresh from the Hollies, Graham Nash adds an accessible pop sensibility, epitomized by the effervescent ditty "Marrakesh Express." David Crosby, always the wild card in the Byrds, here adds rough edges and flashes of mystery with his cutting protest rocker "Long Time Gone" and the exquisite art-folk of "Guinnevere." With this kind of firepower under its belt, it's no wonder CSN quickly became one of the biggest ...
| | Neil Young After The Gold Rush CD (1970)
4 Way Street
$12.79
The album continues its collage of styles, from the wistfulness of "Only Love Can Break Your Heart" to song fragments like "Til the Morning Comes" to the transformation of Don Gibson's "Oh Lonesome Me" from canter to ballad. But the crowning achievements are the album's magnificent title track, a vividly drawn portrait of post-'60s melancholy, and the gorgeous, aching "Birds," a swan song heralding emotional departure. Both songs are graced by Nils Lofgren's delicate ...
| | Mike Bloomfield Super Session CD (1968) Bonus Tracks; Remastered
4 Way Street
$6.75
A surprise best-seller when it was first released, this mostly improvised pairing of singer/keyboardist/producer Al Kooper with two major guitar heroes of the day sounds fascinating all these years later precisely because of the distance of time--nobody makes records like this any more. The material runs the gamut from folk pop (covers of Donovan and Dylan), to blues ("Albert's Shuffle," "You Don't Love Me"), to heady jams ("His Holy Modal Majesty"), to big-band jazz ("Harvey's Tune").
All the tunes make effective templates for the kind off-the-cuff music-making that in less capable hands might have resulted in simple noodling. In fact, although Bloomfield and Stills don't play together on any of the cuts (Bloomfield played on one side of the original LP, Stills on the other), all three principals get off lots of good licks and producer Kooper has some interesting tricks up his sleeve, as in the over-the-top phasing he lavishes on "You Don't Love Me." The only real disappointment here is that Stills, a far better singer than Kooper, never opens his mouth.
Those familiar with the Live Adventures ...
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After working his way through loss ...
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One-way street - Neil Young is driving, others are asleep
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