| | Genesis Lamb Lies Down On Broadway CD Genesis Discography of CDs
 (59 Customer Reviews)
Peter Gabriel's conceptual lyricism reached its apex on the double-length LAMB LIES DOWN ON BROADWAY. An epic undertaking even for a band used to 10- and 20-minute songs, LAMB weaves over 20 songs into one long suite ostensibly about the tribulations of its urban protagonist, Rael. The group achieves an unprecedented level of focus and force here. No matter how complex the guitar and keyboard themes get, they're driven home with enough force and conviction to make them instantly memorable.
The panoramic scale of Gabriel's lyrics is easily equal to the grandeur of the music, making this at once Genesis's most hard-edged and most complicated album. From the lush sweep of the opening title track to the almost Beatles-esque Britpop of "Counting Out Time," Genesis is at the top of its compositional game throughout LAMB. Having thoroughly topped himself with this release, Gabriel subsequently quit the group, leaving Phil Collins to take over as vocalist for the next phase of the Genesis story.
Genesis: Peter Gabriel (vocals, flute); Steve Howe (guitar); Mike Rutherford (12-string guitar, bass instrument); Tony Banks (keyboards); Phil Collins (vibraphone, drums, background vocals).
Additional personnel: Brian Eno.
Q (12/94, pp.162-3) - 4 Stars - Excellent - "...Their masterpiece...Sprawling and often obscure, it's the nearest they got to being cool....it iconised America in the same way SELLING ENGLAND [BY THE POUND] did their home country..."
Q (Magazine) (p.120) - "'Back In NYC' plays like a trial run for the sort of edgy pop Gabriel would later make as a solo artist."
Mojo (Publisher) (3/01, p.82) - "...Ambitious if often bewildering double set....Genesis began to perceived as a one-man band [Gabriel's]. He left at the end of the tour." Genesis Lamb Lies Down On Broadway Songs | | Lamb Lies Down On Broadway CD DISC 1: |
| 1. | Lamb Lies Down on Broadway, The |
| 2. | Fly on a Windshield |
| 3. | Broadway Melody of 1974 |
| 4. | Cuckoo Cocoon |
| 5. | In the Cage |
| 6. | Grand Parade of Lifeless Packaging, The |
| 7. | Back in N.Y.C. |
| 8. | Hairless Heart |
| 9. | Counting Out Time |
| 10. | Carpet Crawlers |
| 11. | Chamber of 32 Doors, The |
| | Lamb Lies Down On Broadway Songs DISC 2: |
| 1. | Lilywhite Lilith |
| 2. | Waiting Room, The |
| 3. | Anyway |
| 4. | Here Comes the Supernatural Anaesthetist |
| 5. | Lamia, The |
| 6. | Silent Sorrow in Empty Boats |
| 7. | The Colony of Slippermen: The Arrival / A Visit To The Doctor / Raven |
| 8. | Ravine |
| 9. | Light Dies Down on Broadway, The |
| 10. | Riding the Scree |
| 11. | In the Rapids |
| 12. | It |
|
Lamb Lies Down On Broadway Music Review Buy Lamb Lies Down On Broadway CD Purchase Lamb Lies Down On Broadway CD To buy, Click on price to add to cart | Michael Jackson Thriller CD (1982) Bonus Tracks; Remastered; Special Edition
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The latest album from Swedish doom rockers Katatonia, their first studio effort since 2006, is as moody and beautiful as their other latter-day work. The group's career can be marked in two stages based on the condition of singer Jonas Renske's vocal cords -- basically, after the band's first two albums, he developed health problems ...
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About dannydolinger:From before I could see over the dashboard of my daddy's early sixties Chevy wagon, that dashboard with a light show like a KISS concert, I knew what I wanted out of life. All the unbelievable noises that came out of that rack of magical lights and dials. My first favorite song was "The Lonesome Fugitive", by Merle Haggard. "Down every road there's always one more city", yep, I saw my future pretty clear around four or five years of age. Definately anything with acoustic guitar made me jump out of my seat belt to dance on my poor daddy's dash (which, in an early sixties Chevy was as big as a gym floor). Any song that added heartache, homesickness, or wanderlust, well I still hear ...
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Another step on the evolutionary ladder of Drums and Machines, the Psycho Killer Project is an experiment in live instuments and programming to create a rich tapestry of sound. Rod Marquart brings years of experience as a drummer, mixer, and programmer from a lengthy discography as Drums and Machines, the much celebrated and visionary project that has eaten up college charts for the last ten years or so. Rod is joined by a borderline sociopath by the name of Stefan Schiebel, famous for his work in Highwater, Asuras, Sour Cream, the Cure for Pain, and Maxx Power, hammering out vocals and trumpet licks with a vengeful slur. The sloth of the guitar work is the product of Pierre Porter, a veteran and prodigal musician on Halifax\'s amazing music scene. Additional guitars have been re/deconstucted by Madd Dog Matt Secord.We truly hope you will enjoy the hell we will put you through.Exposure Online Magazine had this to say:\"Rod Marquart (the man behind Drums and Machines) takes his listeners on a harrowing ride for his ninth album Psychokiller. Like the title would indicate, the album is best listened to with the light on. Marquart uses live instruments, computer electronics and vocals from Stefan Schiebel to creep you out.If Stefan Schiebel\'s voice is any indication of his demeanor, you would not want to come across him in an ally somewhere at night. The hair on the back of your neck stands up every time his voice is heard on the disc.Best described as an industrial-sounding ode to the demon in man, Psychokiller would be perfect for the soundtrack of an Eli Roth film which isn\'t too surprising as Marquart is a film maker himself (see our feature article on his film Cannibal).\"Review by James Andean of badmonkeyX... \" Drums and Machines is a one-man project, the brainchild of independent musician Rod Marquart. His vision, both musical and textual, is a striking one; this stuff grabs you by the throat right from the word go, and never relaxes its grip. The style here is remarkably unique; the nearest referents would probably be some of Bill Laswell\'s work, especially his Axiom projects with Bootsy Collins et al, as well as some other dub-funk stalwarts like Jah Wobble. I can guarantee that no one else\'s concoction sounds much like his. Far from being ...
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