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Faces - Long Player CD Cover Art CD music music CDs songs album

Faces Long Player CD

 Faces Discography of CDs
4.7 stars (3 Customer Reviews)

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 Our Price: $6.39  CD

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All tracks have been digitally remastered.

Live Recording

Recorded at Morgan Studios, London, England and live at The Fillmore East, New York, New York.

The Faces: Ronnie Lane (vocals, guitar, bass); Rod Stewart (vocals); ...    Full Description

Long Player Music


Detailed Long Player Music Information



List Price $8.97 (You save $2.58)
Category Rock Albums, Pop CDs, Rock/Pop
Label Warner
Orig Year 1971
All Time Sales Rank   7353  
CD Universe Part number 1099023
Catalog number 1892
Discs 1
Release Date Sep 14, 1993
Studio/Live Mixed
Mono/Stereo Stereo
Producer The Faces
Personnel Ron Wood - guitar, slide guitar, pedal steel guitar
Rod Stewart - vocals
Rod Stewart - vocals
Ian McLagan - piano, organ
Kenny Jones - drums
Ronnie Lane - vocals, guitar, bass

Also: Bobby Keyes, Harry Beckett
Faces Long Player Songs


Faces Long Player Album Track Listing



Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample1.Bad 'N' Ruin  
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample2.Tell Everyone
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample3.Sweet Lady Mary  
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample4.Richmond  
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample5.Maybe I'm Amazed  
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample6.Had Me a Real Good Time  
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample7.On the Beach  
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample8.I Feel So Good  
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample9.Jerusalem

Long Player Music


Long Player Other Versions



Faces
Long Player  (1971) Japan
CD$28.15
Long Player Music Review


Customer Long Player Reviews 




Average Rating: (4.7 out of 5 stars) 4.5 stars

4 stars Rod should have stayed with them
The Faces play great rock n' roll for sitting around relaxing with friends, good beat and good feeling music. They sound and feel loose just like r n'r should.This is perfect party tunes,no extended solos,no heavy thoughts only good playing and singing.
Submitted by jelp10 (Saskatoon, SK, Canada) Verified Buyer
Was This Review Helpful? Yes No

5 stars Best Rock'n'Roll Album
I'm 13 and i have the LP and i love it
Submitted by Nick (Deer Park, Wisconsin, USA)
Was This Review Helpful? Yes No

5 stars Bad 'N' Ruin
This album was my first exposure to Rod Stewart, and, The Faces. (San Fransico, 1971) I felt like I had rediscovered Rock 'n' Roll. From the first guitar notes, and, the howling vocal intro to Bad 'N' Ruin I knew something very special was coming my way. There is a raw, rude, sexy quality to this album that I think defines what Rock 'n' Roll is all about. Ron Wood's guitar work is a tour de force, and, Rod, and, the band swing, and, sway like wild horses drunk on scotch whiskey. The slow songs are sweet, and, drip with emotion, but, don't lose their touch with traditional folk values. A must for any fan of any member of this band, or, of what Rock 'n' Roll is suppossed to sound like, and, emote. Tell Everyone!
Submitted by Gene (Kansas City, Missouri)
Was This Review Helpful? Yes No

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Rod Stewart Album (1st LP)
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In between their departure from the Jeff Beck Group and their joining the Small Faces, Rod Stewart and buddy Ron Wood went into the studio to record THE ROD STEWART ALBUM (aka AN OLD RAINCOAT WON'T EVER LET YOU DOWN). Within the span of eight songs, Stewart used his soulful rasp to dismiss any ideas that he was merely Beck's singer. With Wood riding shotgun and playing potent bottleneck guitar, Stewart's talents were demonstrated on mostly self-penned material. The only exceptions were a rollicking "Street Fighting Man," a baroque reading of Mike D'Abo's "Handbags And Gladrags" (featuring D'Abo on piano) and folkie Ewan MacColl's "Dirty Old Town." Stewart's own material showed off a love of sweeping storytelling ("Blind Prayer"), and even a bit of proggy experimentation ("I Wouldn't Ever Change A Thing" with Keith Emerson on organ). The golden throated rocker's ...
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Where the original Small Faces had been a quintessential British mod band, the reconfigured group instantly emerged as a boozy party band. FIRST STEP perfectly captures this new direction. All five members contribute to the songwriting in various capacities. The only outside material on the album is Bob Dylan's "Wicked Messenger," which slithers out of the gates with dirty slide guitar, sexy organ, and thundering drums. The Faces went onto enjoy the stateside success that had eluded their earlier incarnation. But Stewart's burgeoning solo career relegated the band to the shadows, and The Faces eventually dissolved. The Small Faces offer a rare example of a band that underwent significant changes ...
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When this was released in 1971, the Faces also released LONG PLAYER (following the dropping of "Small" from the band's name) and frontman Rod Stewart released the seminal EVERY PICTURE TELLS A STORY. The three-album output was especially remarkable for the Faces, as the band was more known for skirt-chasing and carousing than recording music. NOD found the Faces fusing together a grittier blues and soul sound than on past efforts, which were marked by a rather modish sound and Stewart's then-folkier leanings. The group includes enough heartfelt ruminations to add a sentimental edge to the otherwise rip-roaring mix of material. Among the latter class of songs are a shambling cover of Chuck Berry's "Memphis, Tennessee" and "Stay With Me," the Faces' only hit and the quintessential groupie kiss-off. Stewart's talents as a balladeer are no less effective, with songs like the poignant "Love Lives Here" and the Ronnie ...
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Lane takes lead vocals on his own "Flags and Banners" and wrote the majority of the album's latter half. The remaining parts of OOH LA LA include Stewart and Wood's boogie-fried "Silicone Grown" and two songs spotlighting the inimitable keyboardist Ian McLagan--the atypically poppy, almost Elton John-like "Cindy Incidentally" and the stomping rocker "Borstal Boys," one of the Faces' finest tunes. Although hints of the band's dissolution are everywhere throughout the record, this is paradoxically also the most "group"-like album the Faces ever did, with all five members making significant contributions. By the time the Faces' fourth album came out in 1973, Rod Stewart had already become a solo superstar, causing stresses within the band. Stewart and founding member/bassist ...
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As the drums kick into the fierce opener "Tarot Woman," it's obvious that RISING delivers directly to your door. It is the band's second release, and a vast improvement over RICHIE BLACKMORE'S RAINBOW. With a revamped lineup that sounds like it had been touring together for years, the album takes no prisoners. "Starstruck" is a classic groove reminiscent of guitarist Blackmore's ex-band Deep Purple. Blackmore replaced everyone from the first album's lineup except vocalist Ronnie Dio with Jimmy Bain (bass), Tony Carey (keyboards), and Cozy Powell (drums). Dio shows what he's got with a stellar performance on "Do You Close Your Eyes." "Stargazer" is the band's "Kashmir," ...
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This audio document of The Corrs' Dublin homecoming concert has pretty much everything fans of Irish pop could wish for, including an appearance from Bono in his earthly incarnation, fresh from an audience with President George W. Bush. It's to the band's credit that the charismatic singer fails to steal the show, despite creditable efforts via an anthemized version of Ryan Adams' beautifully downtempo "When the Stars Go Blue," and a great, leering rendition of Lee Hazlewood and Nancy Sinatra's "Summer Wine." Somewhat more mysteriously, Rolling Stone Ron Wood also turns up on what sounds dangerously close to a lounge version of Jimi Hendrix's "Little Wing," but this minor faux pas is redeemed by the Irish folk medley "Joy of Life/Trout ...
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