| | Neil Young After The Gold Rush CD Neil Young Discography of CDs
(9 Customer Reviews)
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The album continues its collage of styles, from the wistfulness of "Only Love Can Break Your Heart" to song fragments like "Til the Morning Comes" to the transformation of Don Gibson's "Oh Lonesome Me" from canter to ballad. But the crowning achievements are the album's magnificent title track, a vividly drawn portrait of post-'60s melancholy, and the gorgeous, aching "Birds," a swan song heralding emotional departure. Both songs are graced by Nils Lofgren's delicate piano, and stand as two of Young's finest compositions. In a catalogue filled with rock classics, AFTER THE GOLDRUSH still ranks among the best.
AFTER THE GOLDRUSH mixes up the hard rock of EVERYONE KNOWS THIS IS NOWHERE and the folk and country leanings Young pursued with Crosby, Stills And Nash in one of his most eclectic and satisfying releases. The acoustic picking on the opener, "Tell Me Why," frames Young's vulnerable warble beautifully, signaling the softer aspect of the album. But the electric crunch of "Southern Man," a raging tour de force protest song that captures the special chemistry between Young and backing group Crazy Horse, balances Young's sensitivity with aggression and amplification.
Personnel: Neil Young (vocals, guitar, harmonica, piano, vibraphone); Danny Whitten (guitar, background vocals); Nils Lofgren (piano, background vocals); Jack Nitzsche (piano); Billy Talbot, Greg Reeves (bass instrument); Ralph Molina (drums, background vocals); Stephen Stills (background vocals).
Rolling Stone (12/11/03, p.114) - Ranked #71 in Rolling Stone's "500 Greatest Albums Of All Time" - "...An album of heartbreaking ballads....The music is gentle..." Spin (p.101) - "His most plaintively pretty and mournfully pissed-off folk album." Q (4/02, p.141) - "...Subdued, intimate, largely acoustic: the sound of the post-'60s comedown pressed into vinyl. Packed with fine songs..." Mojo (Publisher) (11/01, p.150) - "...With the singular exception of 'Southern Man', the songs here sound gentler but are still about confusion and disillusion..." NME (Magazine) (9/18/93, p.19) - Ranked #19 among The Greatest Albums Of The '70s. NME (Magazine) (10/2/93, p.29) - Ranked #66 in NME's list of the 'Greatest Albums Of All Time.' After The Gold Rush Music Neil Young After The Gold Rush Songs | 1. | Tell Me Why | $0.99 | |
| 2. | After the Gold Rush | $0.99 | |
| 3. | Only Love Can Break Your Heart | $0.99 | |
| 4. | Southern Man | $0.99 | |
| 5. | Till the Morning Comes | $0.99 | |
| 6. | Oh Lonesome Me | $0.99 | |
| 7. | Don't Let It Bring You Down | $0.99 | |
| 8. | Birds | $0.99 | |
| 9. | When You Dance You Can Really Love | $0.99 | |
| 10. | I Believe in You | $0.99 | |
| 11. | Cripple Creek Ferry | $0.99 | |
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$12.39 After a winning streak that stretched clear through the last half of the '90s, Are You Are Missing Winner represents a rare misstep for the mighty Fall. Mark E. Smith sounds curiously lackluster on this ten-track set; the accompaniment, usually unhinged, is much more pedestrian than on late masterpieces like The Marshall Suite and The Unutterable. The real problem, however, is the production and engineering; with a few shining exceptions, the sound is soft and muddy, whereas a great Fall LP continually pushes the red line. One of the bare few highlights is "My Ex-Classmates' Kids," with Smith summoning some much-needed venom and the band sounding a bit more inspired. (It comes complete with a hilarious aside from Smith at the end: "Up your nose! Aftershave! Like little twigs! Twigs.") A promising cover of the obscure Motown nugget "Gotta See Jane" (originally by R. Dean Taylor) turns out to be a back-and-forth rockabilly snorefest, and the "avant" (or just difficult) piece "Ibis-Afro Man" is pretty difficult to take as well -- understandably, it all breaks down when Smith begins dueting with what sounds like an enraged monkey, then starts back up again with five minutes ...
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