| | Black Sabbath Never Say Die! CD Black Sabbath Discography of CDs
(20 Customer Reviews)
By the end of the '70s, though Black Sabbath remained a top concert draw, its albums had become increasingly erratic and sub-par when compared to its earlier master works. Singer Ozzy Osbourne's growing disillusionment with the band had reached a boiling point, especially after it took so long to complete 1978's NEVER SAY DIE, the original line-up's final album. Though the album's title might suggest that the band had reconciled its differences (Osbourne had already left the band once previously, only to return shortly afterwards), the turmoil spilled over onto the recording.
The album-opening title track remains the record's best-known track, as it was featured on Ozzy's popular 1982 solo live album of Sabbath material, SPEAK OF THE DEVIL. Other hard rockers on the first half of the album, such as "Junior's Eyes" and "A Hard Road" prove to be standouts. The final deciding factor for Ozzy's permanent split from the band occurred on the ensuing tour, when a hungry young band by the name of Van Halen opened the shows, continually blowing the headlining metal veterans off the stage.
NEVER SAY DIE is Black Sabbath's last LP with Ozzy Osbourne.
Recorded at Sounds Interchange, Toronto, Canada.
Black Sabbath: Ozzy Osbourne (vocals); Tony Iommi (guitar); Geezer Butler (bass); Bill Ward (drums).
Additional personnel: John Elstar (harmonica); Don Airey (keyboards). Never Say Die! Music Review Average Rating: (3.4 out of 5 stars)    List All Reviews Bill Ward Steps Out I remember reading an interview with Ozzy talking about this album. He said that nobody in the band was really that interested in doing it and that drummer Bill Ward took over the project. Bill wanted a looser, more open, even jazzier sound. Well he certainly got a sound that is different to any other B.S. album. It was 1978, the Sex Pistols were on the loose and Heavy Metals reigning Gods were having some serious writers block. This is not a very good B.S. album or a particularly good Heavy or Hard rock album. But 1978 was not a great year for Heavy metal. Submitted by cwcarter ("Toronto, Canada") Was This Review Helpful? Yes No 2 of 2 found this helpful.
Last studio album of the 70's I remember when this came out in, I think, October 78. I remember I wasn't as pleased with this release as I was the others. But as I played it more and more, it grew on me.
The title track, Johnny Blade, Juniors Eyes, Hard Road, Shockwave and Over to You are all excellent tracks.
It certainly doesn't meet sound standards of previous releases but was and is a damn fine record, Submitted by Darryl (Fulton, MO & Pensacola, FL) Was This Review Helpful? Yes No 1 of 1 found this helpful.
Definately a departure for 'Sabbath It's good music; don't get me wrong, but I don't think it's worthy of the name Black Sabbath. "The Bill Ward Project" would have been a more apt title. It's good music, nevertheless and I think that if people didn't know it was a Balck Sabbath album, it would have been exceedingly more successful, with the public. It has my respect, because, despite their new musical guise, it is still an obviously genuine work. It was Sab's last, with Ozzy and I think they ended the Ozzy era in style. Submitted by Clyde (Hertfordshire, U.K.) Was This Review Helpful? Yes No 1 of 1 found this helpful.
Quite enjoyable The great thing about this album is that it is a departure from much of their earlier work in that it is surprisingly musical. If you only like the 'doom metal' sound this may not be for you. Many songs on this album are downright uplifting and fun to listen to. It is a nice album in their impressive catalogue. Submitted by drudow (Lawrenceville, GA USA)  Was This Review Helpful? Yes No
Outstanding! If you are even remotly into Black Sabbath then you need Never Say Die. Submitted by a reviewer (Richmond,VA,USA)  Was This Review Helpful? Yes No
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Purchase Never Say Die! CD To buy, Click on price to add to cart | Black Sabbath Master Of Reality CD (1971)
Never Say Die!
$8.95 The album's opening track, "Sweet Leaf," a salute to one of the band's favorite smokeable substances, contains one of metal's heaviest guitar riffs, courtesy of Tony Iommi. Another eternal band favorite is the grim, post-nuclear war tale "Children of the Grave." Vocalist Ozzy Osbourne is in fine voice on "After Forever" and "Lord of this World," while the more tranquil "Solitude" and the instrumental Iommi compositions "Embryo" and "Orchid" offer a bit ...
| | Black Sabbath Volume 4 CD (1972)
Never Say Die!
$8.85 A pair of long and winding epics open and close VOL. 4.: "Wheels of Confusion/The Straightener" and "Under the Sun/Everything Comes and Goes," each consisting of two separate sections. The reflective, love-lost ballad "Changes" remains one of Sabbath's best, while Tony Iommi's gorgeous acoustic instrumental "Laguna Sunrise" is another low-key standout. But plodding, mega-decibel heavy metal is what Sabbath is known for, and VOL. 4 delivers with such dark rockers as "Tomorrow's Dream," "Supernaut," ...
| | Black Sabbath Sabbath, Bloody Sabbath CD (1973)
Never Say Die!
$8.65 While the title track is the album's best-known song, SABBATH BLOODY SABBATH proved to be another in a long line of 100% filler-free records from Ozzy and co. Highlights included the creepy "Who Are You?," plus the Tony Iommi riff-mongers "A National Acrobat," "Killing Yourself to Live," and "Sabra Cadabra," a song that Metallica would cover on its 1998 release GARAGE INC. You'll also find one of Sabbath's most haunting yet ...
| | Black Sabbath Sabotage CD (1975)
Never Say Die!
$8.99 While many hard-core Black Sabbath fans consider 1975's SABOTAGE to be the band's most underrated album, it can also be pointed to as the beginning of the end for the original Osbourne-Iommi-Butler-Ward line-up. Osbourne was starting to feel disillusioned with the group, and the seeds for his highly successful solo career in the '80s were being planted. That said, SABOTAGE was the last Sabbath album to truly contain all of the components that made the quartet one the most popular heavy metal bands of all-time, before it pursued less focused musical detours.
The album's most surprising cut is undoubtedly the tripped-out psychedelic rocker "Am I Going Insane (Radio)," ...
| | Black Sabbath Technical Ecstasy CD (1976)
Never Say Die!
$6.15 By the mid-'70s, a number of problems were threatening to break up the original line-up of Black Sabbath. The stress brought on by lengthy touring, drug use, and alcoholism had begun to dilute the band's original, influential heavy metal. Sabbath began to drift away from the straight-ahead power rock of such classic albums as PARANOID and SABBATH BLOODY SABBATH, as evidenced by its final two albums to feature singer Ozzy Osbourne, 1976's TECHNICAL ECSTASY and 1978's NEVER SAY DIE. However, TECHNICAL ECSTASY does contain some intriguing, overlooked tracks.
The best known song of the bunch is the album-closing rocker "Dirty Women," which ...
| | Black Sabbath Paranoid CD (1971)
Never Say Die!
$8.69 PARANOID proved to be Black Sabbath's most focused, consistent, and successful record. Leaving behind the amorphous, extended jams of their debut for focused songs and a more structured sound, Black Sabbath virtually wrote the book on heavy metal with the ominous, unforgettable riffs, thunderous rhythms, and dark themes on this release. There are some up-tempo rockers, the famous title track for one, but for the most part PARANOID oozes along like a bad dream, as on the slinky, creepy opener, "War Pigs," or the lumbering thud of "Iron Man" (which boasts one of the most indelible electric guitar riffs ...
| | Scott Henderson Tribal Tech CD (1991)
Never Say Die!
$10.69 Guitar god Scott Henderson is a fusion fanatic's dream, by virtue of his wild yet fluid and even melodic riffs. Bassist Gary Willis lacks Henderson's range compositionally and as a player, but still manages to keep the proceedings grooving. Backed by the keys of David Goldblatt, Joey Heredia's drums and the percussion of Brad Dutz, the two form a powerful musical bond as Tribal Tech. Unlike their previous album, TT's new disc features more melodies (the best ones, "Peru" and "Signal Path" are by Henderson), the softening effect of Goldblatt's key soloing and a tighter tune structure and production all around. There's still lots and lots of improvising, but on the less memorable ...
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