| | Ry Cooder Jazz CD Ry Cooder Discography of CDs
 (1 Customer Review)
JAZZ focuses on early ragtime and vaudeville traditions of American jazz. 3 songs ("In A Mist", "Flashes" and "Davenport Blues") are tributes to the legendary cornetist Bix Beiderbecke. Also included are gospel standards and a Jelly Roll Morton ... Full Descriptionmedley.
Personnel: Ry Cooder (vocals, guitars, mandola, tiple, harp); Jimmy Adams, Bill Johnson, Simon Pico Payne, Cliff Givens (vocals); David Lindley (mandobanjo, mandolin); Willie Schwartz, David Sherr (clarinet); Harvey Pittel (clarinet, alto saxophone); Pat Rizzo (alto saxophone); Bill Hood (bass saxophone); Mario Guarneri, Oscar Brashear (cornets); George Bohanon (baritone horn, trombone); Randy Aldcroft (trombone); Red Callender (tuba); John Rodby (piano); Barbara Starkey (pump organ); Tom Collier (marimba, vibraphone); Stuart Brotman (cymbalum); Chuck Domanico, Chuck Berghoffer, Tom Pedrini (bass); Mark Stevens (drums, percussion).
Stereophile (2/93, p.101) - "...[Cooder] plays this music with affection and respect; a gentle pastiche almost surpassing the originals...an album which will hit you intensely, with a sound quality to match..." Hide Description Purchase Jazz CD To buy, Click on price to add to cart | Ry Cooder Into The Purple Valley CD (1972)
Jazz album
 $10.39   
Guitarist Cooder was a respected session musician prior to launching a solo career. His distinctive style blossomed fully on this, his second album, which is a brilliant compendium of American country/folk styles. Tight but sparse accompaniment takes the artist through songs largely drawn from the Dustbowl Ballads of the Depression era, including Woody Guthrie's "Vigilante Man" and Leadbelly's "On A Monday."
Traditional songs ...
| | Ry Cooder Chicken Skin Music CD (1976)
Jazz CD music
$10.39 
Live Recording
Personnel: Ry Cooder (vocals, guitars, mandolin, Hawaiian guitar, mandola, bajo sexto, French accordion); Bobby King, Terry Evans, Herman ...
| | Ry Cooder Bop Till You Drop CD (1979)
Jazz music CDs
$10.39 
This was the ...
| | Ry Cooder CD (1970)
Jazz songs
$10.95
"Police Dog Blues" and "Dark Is the Night" are straight-up blues numbers that feature Cooder's incredible slide-guitar playing. "Pigmeat," however, finds Cooder in a different setting, exploring gritty Dixieland music. "Do Re Mi" and "My Old Kentucky Home (Turpentine & Dandelion Wine)" move in yet another direction, easing into a funky, lazy groove reminiscent of the Band's MUSIC FROM BIG PINK. On several tracks, Cooder is supported by the unique orchestral arrangements of Kirby Johnson, which add color and texture to this excellent outing.
A sonic chameleon of sorts, Ry Cooder has always been on the forefront of popular music. Whether as a session musician (with the Rolling Stones, Randy Newman, and others) or a film-score composer (most notably in collaboration with director Wim Wenders), Cooder ...
| | Buena Vista Social Club CD (1997)
Jazz album
$15.05
BUENA VISTA SOCIAL CLUB won the 1998 Grammy Award for Best Tropical Latin Performance.
That Ry Cooder, you've got to keep an eye on him every minute, or he jumps into another cross-cultural collaboration. In the wake of his landmark recordings TALKING TIMBUKTU with Ali Farka Toure and A MEETING BY THE RIVER with V.M. Bhatt comes BUENA VISTA SOCIAL CLUB, essentially a supergroup of traditional Cuban musicians with the addition of international agitator Cooder. Somehow, Cooder always finds just the right space to slide his sinuous slide guitar into, so that it works in almost any context. Here, amidst the multi-layered percussion, piano and Cuban guitar rhythms, Cooder's slide simultaneously finds a home and eggs the ensemble on. The natural beauty of the Cuban tonal and rhythmic palette is the real star of BUENA VISTA SOCIAL CLUB, evoking both a sense of mystery and a feeling of intense emotional satisfaction.
Additional personnel includes: Juan de Marcos Gonzalez (conductor, guiro, background vocals); Julio Alberto Fernandez (vocals, maracas); Manuel "Puntillita" Licea (vocals, congas); Omara Portuondo (vocals); Benito Suarez Magana ...
| | Anthony Braxton Quartet (London) 1985 CDs (2000) (Import) United Kingdom
Jazz CD music
$30.85
| | Stan Getz Imported From Europe CD (2007) (Import) Japan; Limited Edition; Mini LP Sleeve
Jazz music CDs
$30.65
| | Roots Of Modern Jazz CD (1994) (Import) United Kingdom
Jazz songs
$13.05
| | Meitantei Konan Baker Gai No Borei CD (2002) (Import) Japan
$49.95 | | Robbie Williams Greatest Hits CD (2004) (Import) Argentina
Jazz album
$15.69
Spanish version of Robbie's hits collection features two exclusive tracks unavailable on other European versions: 'Angeles' and 'Ser Mejor' (Spanish versions of 'Angels' and 'Better Man'). It took eight ...
| | Dexter Before (The Space Between) After CD (2003)
Jazz CD music
$9.35
DeXter, a guitar based rock quartet, is proud to present their new full length CD entitled Before [the space between] After.DeXter's sound is a rock/folk blend with distinctive vocal harmonies and modern guitar variations. After introducing ...
| | Journey Dream After Dream CD (1980) Japan; Limited Edition; Remastered; Digipak; Mini LP Sleeve
Jazz music CDs
$30.69
One of the most overlooked albums in Journey's catalogue, DREAM AFTER DREAM is the band's soundtrack for a little-seen 1980s Japanese film of the same name. On these tracks, most of which are instrumental, the San Francisco-based rock group indulges in its more progressive and ornate tendencies, with former Santana members Neal Schon (guitar) and Gregg Rolie (keyboards), in particular, cutting loose (see "Destiny"). (Rolie would soon leave Journey, with ...
| | Eternal Essence Inifnite Procession CD (2008)
Jazz songs
$10.15
Progressive Rock. A genre that remains untouched, almost feared, by the plebians, the lay persons, the novices of the local music scene. Indeed, the technical prowess, theoretical knowledge, and dedication required for progressive rock lie just beyond the reach of all but the most daring of musicians. It is a unique breed, an enigma unto itself, an ode to the extreme, a sound that penetrates the deepest fathoms of the human psyche, and yet, like a wild animal, remains unyeilding to the hands that seek to control it. Enter Eternal Essence. In the Spring of 2004 in Atlantic City, NJ, three musicians joined forces with a single motive: conquer the world. EJ was the backbone, harnessing his technical precission at drums with machine-like intensity. Josh forged the structure through bass, utilizing his own unique playing style and complex basslines to create surreal and violent landscapes of beauty. Greg was in charge of the keys, devising ethereal textures over the drums and bass, breathing life into the progressive golem. Combined, they created something yearned for by many, but belonging only to them. A creation of chaos and beauty. For two years, Eternal Essence composed music, perfected their skills, and assaulted the music scene relentlessly with their progressive vision. Pop punk, indie rock, hardcore, rap, it didn't matter; Eternal Essence pushed themselves upon all genres, and the people responded. They quickly won over fans all over central and south NJ, and erupted all over the local newspapers and radio stations, playing in numerous battles of the bands, ...
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