| | ZZ Top Rio Grande Mud CD ZZ Top Discography of CDs
 (5 Customer Reviews)
By its second release, 1972's RIO GRANDE MUD, ZZ Top was honing the tough blues rock hybrid that would make it a certified U.S. arena headliner by the mid-70's. While the album didn't spawn the big radio hits of its later releases such as "La ... Full DescriptionGrange" and "Tush," RIO GRANDE MUD was another incredibly consistent and inspired ZZ Top classic.
Again, Billy Gibbons' guitar work is outstanding throughout, helping to spearhead such great cuts as the rugged opener "Francine," the gritty attitude of "Just Got Paid," the hyperactive "Ko Ko Blue," and one of the band's most melodic compositions up until this point, "Chevrolet." RIO GRANDE MUD remains one of ZZ Top's most underrated recordings.
All tracks have been digitally remastered.
Also available as part of the ZZ Top 6 Pack.
ZZ Top: Billy Gibbons (vocals, guitar, harmonica); Dusty Hill (vocals, bass); Frank Beard (drums).
Rolling Stone (7/20/72, p.52) - "...abnormally talented and resourceful.... [RIO GRANDE MUD] is a good album for people who enjoy uncompromising rock & roll at uncompromising volume..."
Q - Recommended Hide Description ZZ Top Rio Grande Mud Songs Rio Grande Mud Music Review Average Rating: (4 out of 5 stars)   CLASSIC BLUES/ROCK!
ZZ Top would always state in the liner notes to their 1970s albums that their music is authentic blues and rock, free from studio gimmicks and over-mixing. Nowhere is this more evident than in "Rio Grande Mud" - an album full of gritty and authentic tracks that emphasise the fact that they are a threesome capable of providing high powered Texan blues/rock. "Just got paid" showcases the awesome ability of Gibbons, Hill and Beard; each unique musicians in their own right. 'Mushmouth shoutin' has some phenomenal guitar and blues harp playing; you'd swear that you were listening to Sonny Boy Williamson circa 1950s/1960s. "Chevrolet" is a rockin' good number that's catchy and cool. This is then followed by one of the band's finest moments, "Apologies to Pearly" - a great swinging blues with exceptional slide guitar. The album ends with "Down brownie" which has one of the best guitar riffs ever from Mr Gibbons. All in all this is a phenomenally good album, and it clearly shows that 1970s ZZ Top were a no-nonsense band, giving listeners unadulterated performances 'live' in the studio.
Submitted by James Richardson (Elizabeth, South Australia)
Was This Review Helpful? Yes No 1 of 1 found this helpful.
Truely great!
1 star?!? man, do you have ears?!?!?
this is great, perfectionally played blues based hard rock!
a terrfific album! nuff said!
Submitted by eu, germany (...@....de)
Was This Review Helpful? Yes No great!!
A great album for ours Texas friends...Billy,Dusty and Frank here make energy and power of rock n'roll with amazing songs.
"Francine",a masterpiece,the fantastic "Chevrolet",the amazing"Sure got cold...",this cd will surprise you even if you aren't a ZZ fan.
A cd you couldn't not have if you are a rock fan;summer isn't a great summer withuot ZZ top's music,and "Rio grande"is a part of this.
Buy it!!!!!!!
Submitted by a reviewer (Italy)
Was This Review Helpful? Yes No  This cd was remixed too.
I dont know why, but they remixed their 3 early albums for CD.
Submitted by a reviewer (Austin,Tx,U.S.A.)
Was This Review Helpful? Yes No
Oldschool Rock and Roll
The second effort by ZZ is one when they were firing on all cylinders. Take you pick, no losers here. My favs are "Just got paid" and "KOKO Blue". This is ZZ at their best
Submitted by donaldg7 (Atlanta, Ga USA) 
Was This Review Helpful? Yes No 0 of 1 found this helpful. | Have you heard this album? |  |
Purchase Rio Grande Mud CD To buy, Click on price to add to cart | ZZ Top's First Album CD (1970)
Rio Grande Mud album
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While not their best-selling or most renowned album, ZZ Top's 1970 debut, ZZ TOP'S FIRST ALBUM, showed that the Texas trio had already nearly perfected their signature down n' dirty, blues-boogie-rock style. Like ZZ Top's other classic '70s albums, this one's an ass-kicker from beginning to end, especially on such standouts as the album-opening twang of "Shaking Your Tree," the vicious "Brown Sugar," the big rock of "Goin' Down to Mexico," and the fat blues groover "Bedroom Thang." Also of note is guitarist Billy Gibbons' supreme guitar tone and tasty playing; few other rock guitarists have sounded as confident on their debut as Gibbons does on ...
| | ZZ Top Tres Hombres CD
Rio Grande Mud CD music
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On 1973's TRES HOMBRES, everything came together for ZZ Top. While it was near inconceivable that the trio could better its superb previous effort, 1972's RIO GRANDE MUD, here ZZ Top somehow found a way to make the riffs tastier and the blues boogie more lethal.
One of classic rock's most identifiable standards, "La Grange," resides here, borrowing liberally from ...
| | ZZ Top Tejas CD (1976)
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Drained by the tour, and unhappy with the support of their record label (London), they took a three-year break. They negotiated a switch to Warner Brothers, who put out their next album (DEGUELLO), and also bought their back catalog for re-issue.
After breaking through to the big time with its hit 1975 release FANDANGO! (and its Top 40 single "Tush"), ZZ Top returned to the studio and issued its fifth album, TEJAS, one year later. The album kept ZZ near the top of the charts, as it embarked on its massive "Worldwide Texas Tour" soon after the album's release (which included live animals as part of the stage's props!).
Musically, the album is somewhat more laid back than the band's previous more uptempo releases, as proven by such blues rockers as "It's Only Love," "Arrested for ...
| | ZZ Top Deguello CD (1979)
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Most ZZ Top fans consider DEGUELLO to be the last link to the band's characteristic early blues-rock; it moved to a more accessible sound with its '80s releases EL LOCO, ELIMINATOR, and AFTERBURNER. Ending the '70s on a high note for the band, DEGUELLO includes a pair of the group's biggest ...
| | ZZ Top Fandango CD (1975) Bonus Tracks; Remastered
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FANDANGO, ZZ Top's fourth album, came out after five years of constant touring. With a studio/live format, it contained their first top-40 single ("Tush").
Also available with TRES HOMBRES on 1 cassette and as part of the ZZ Top 6 Pack.
While ZZ Top's early '70s studio albums were indeed great examples of the blues rock genre, the band's live shows were where the band really shined. On 1975's FANDANGO!, the trio issued an album that contained an 'in-concert' first side and a 'studio' second.
This was the album that catapulted ZZ Top to the summit of the '70s rock mountain, mainly due to the rowdy monster hit "Tush," which remains in rotation on rock radio to this day. Other highlights include the entire live turbo-charged first half ("Thunderbird," a cover of Elvis' "Jailhouse Rock," and the near 10-minute long "Backdoor Medley"), as well as the studio rockers "Balinese" and "Heard It on the X."
One of the world's greatest rock 'n' roll bands ever to strut the 50 States, these sharp-dressed Texas titans-Billy F. Gibbons, Frank Beard, and Dusty Hill-are a righteously hell rain' power trio boasting a 30-plus year hit-making legacy, both in the studio and at concert arenas. With their revved up blues 'n' boogie, they always make the most of their ...
| | Grateful Dead CD (1967) Remastered
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All tracks have been digitally remastered using HDCD technology.
The Grateful Dead's self-titled first album contains the main ingredients of the unique musical stew the band would brew over the coming years. Upon its release in March 1967, it brought the musical and philosophical ideals of the freak counter-culture out of the Bay Area and into the ears of mainstream America.
"The Golden Road (To Unlimited Devotion)" is a Summer Of Love anthem nonpareil. "Good Morning Little Schoolgirl" shows off the Dead's ability to reinterpret the blues, and Pigpen's natural front-man qualities. The hyperactive rockabilly of Jesse Fuller's "Beat It On Down The Line" and the rearranged traditionals "Sitting On Top Of The World" and "Cold Rain ...
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On her striking 2007 debut, FUR AND GOLD, British/Pakistani singer-songwriter Natasha Khan, aka Bat for Lashes, unveils a confident and eclectic set of indie-pop songs. Like a female counterpart to Irish wunderkind Patrick Wolf, Khan gilds her tunes with lush, moody arrangements that heighten their drama and establish an ornate, goth-tinged atmosphere (see the urgent, harpsichord-led opening track, "Horse and I," and ...
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