| | Fleetwood Mac Mirage CD Fleetwood Mac Discography of CDs
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After the 1979 release of the precocious but misunderstood double album TUSK, which fell disappointingly below the mind-blowing sales of 1977's multi-platinum RUMOURS, the band decided to take a safer route for their next release. In sunny contrast to the melancholy introspection of TUSK, 1982's MIRAGE returned the band to bright melodies and hit single material. The advent of MTV led the band to release two artistic videos in conjunction with the record, the Magritte-inspired desert fantasy of "Hold Me," Christine McVie's lush, pleading love song, and the handsome, Depression-era daydream of "Gypsy," one of Nicks' prettiest signature tunes.
The jangling bonhomie of MIRAGE even affects Buckingham's darker songs; though lyrically heartbroken, on "Book of Love" Buckingham sounds almost cheerful. His husky "Empire State" is a love-giddy ode to New York. Nicks' "Straight Back" feels spiritually tied to the duskier tone of her 1981 solo album BELLADONNA, and the mistress of the moon even tries her hand at country with the twanging lope of "That's Alright." Christine McVie's shimmering ballad "Only Over You" is one of MIRAGE's strongest tracks. Though not one of Fleetwood Mac's legendary albums, MIRAGE is still strong when held against the fierce competition of the band's exceptional catalogue.
Live Recording
Recorded at Le Chateau, Herouville, France; Larrabee Sound & The Record Plant, Los Angeles, California.
Producers: Fleetwood Mac, Lindsey Buckingham, Richard Dashut, Ken Caillat.
Personnel: Lindsey Buckingham (vocals, guitar); Christine McVie (vocals, keyboards); Stevie Nicks (vocals); Ray Lindsay (guitar); Mick Fleetwood (drums).
Fleetwood Mac: Lindsey Buckingham (vocals, guitar, keyboards); Christine McVie (vocals, keyboards); Stevie Nicks (vocals); John McVie (bass); Mick Fleetwood (drums, percussion).
Additional personnel: Ray Lindsey (guitar).
Fleetwood Mac Mirage Songs Purchase Mirage CD To buy, Click on price to add to cart | Fleetwood Mac Tango In The Night CD (1987)
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Nights Are Forever was the breakthrough album for Dan Seals and John Coley after some sincere and excellent work on A&M Records in the early '70s. Two of their biggest hits were the title track and the beautiful "I'd Really Love to See You Tonight." Those songs are a good indication of the fine performances this 1976 album contains. The duo's originals like "Long Way Home" and the Dan Fogelberg-ish "Westward Wind" could have been hits as well displaying superb musicianship and delicate vocals. This album is very much a companion piece to the Parker McGee album recorded around the same time, on the same label, with pretty much the same musicians. Producer Kyle Lehning has the sounds so similar a survey panel would probably not be able to figure out which song came from which album. What Nights Are Forever has that the Parker McGee album does not is "There'll Never Be Another For Me," a song co-written by Parker McGee, England Dan, and John Ford Coley -- it is a rare look at what a perfect synergy these musicians have, and it is an exceptional song. You can feel how cautious and serious the two singers are ...
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Over 77 minutes of music by Captain & Tennille can be found on More Than Dancing...Much More, the Australian Raven Records label's exquisite compilation of the ten songs from the rare 1982 More Than Dancing LP along with 11 bonus tracks. And it is much more than dancing. For fans of pop music, Toni Tennille's voice is pure magic deserving more than the nine Top 40 hits the duo garnered between 1975 and 1979. That those original nine hits started and ended with chart-toppers on two different labels says a lot about the industry's inability to stay with a radio-friendly sound. This album is seamless, despite the fact the tracks were recorded at different points in time. "Boy Crazy" jumps out as just a great girl group song, if only Toni Tennille had invited Barbara Harris from the Toys, Supreme Mary Wilson, and the great Doris Troy to join in on this gem. The singer's rendition of "How Sweet It Is (To Be Loved By You) is lively and adds to the legend created when Marvin Gaye, Junior Walker, and James Taylor brought it to the airwaves. This mid-'90s version has smash written all over it, with a wailing sax and fun, bouncy feel. It's in direct contrast to the sultry "Nobody Does It Better," and the vibe Captain & Tennille give is one ...
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It's no secret that 99 percent of blues songs are about trouble raining down, and most of that trouble stems from a serious dose of heartache and perceived betrayal, ...
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