| | Talking Heads Little Creatures CD Talking Heads Discography of CDs
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After the abstract funk experimentation of REMAIN IN LIGHT and SPEAKING IN TONGUES, the Heads decided to return to their roots with LITTLE CREATURES. They abandoned the modal, polyrhythmic approach in favor of the two-guitars/4/4 pop structures of yore. While LITTLE CREATURES is the band's most accessible, radio-friendly album, it's not a step backwards by any means, because as they return to the quirky "new wave" style that made them famous, they bring a well-earned sophistication (both harmonic and lyrical) to the table. These advances allow the band to knock out a crop of winners, like the anti-anthem "Road To Nowhere," the semi-mystical (but still damn catchy) "And She Was" and the we've-got-a-baby-now, let's-party-with-him rocker "Stay Up Late." Nothing here is as groundbreaking as BUILDINGS AND FOOD, but it's still the Talking Heads, full of idiosyncratic charm and smart-but-infectious tunes.
Recorded at Sigma Sound, New York, New York.
Talking Heads: David Byrne (guitar, vocals); Jerry Harrison (keyboards, guitar, background vocals); Tina Weymouth (bass, background vocals); Chris Frantz (drums).
Additional personnel: Eric Weissberg (steel guitar); Jimmy Macdonell (accordion); Lenny Pickett (saxophone); Andrew "El Pantalones" Cader (washboard); Steve Scales, Nana Vasconcelos (percussion); Ellen Bernfeld, Erin Dickens, Diva Gray, Gordon Grody, Lani Groves, Kurt Yahijian (background vocals).
CMJ (1/5/04, p.16) - Ranked #5 in CMJ's "Top 20 Most-Played Albums of 1985" Little Creatures Music | List Price | $7.98 (You save $1.89) | | Category | Rock Albums, Pop CDs, Alternative, Rock/Pop, New Wave | | Label | Sire | | Orig Year | 1985 | | All Time Sales Rank | 8291  | | CD Universe Part number | 1100047 | | Catalog number | 25305 | | Discs | 1 | | Release Date | Oct 25, 1990 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Talking Heads | | Engineer | Eric "E.T." Thorngren | | Recording Time | 38 minutes | | Personnel | David Byrne - guitar, vocals Jerry Harrison - keyboards, guitar, background vocals Tina Weymouth - bass, background vocals Chris Frantz - drums
Also: Lani Groves, Lenny Pickett, Eric Weissberg, Diva Gray, Nana Vasconcelos, Gordon Grody, Steve Scales, Andrew "El Pantalones" Cader, Ellen Bernfeld, Erin Dickens, Jimmy Macdonell, Kurt Yahijian |
Talking Heads Little Creatures Songs Little Creatures Music Review Purchase Little Creatures CD To buy, Click on price to add to cart | Talking Heads '77 CD (1977)
Little Creatures
$9.09 When they burst out of the New York underground/CBGB's movement, the Heads stood apart from the pack because not only were they unlike anything that gone before, they were even anomalous to their contemporaries. A million miles from the detached irony of Blondie or the willful primitivism of the Ramones, the Talking Heads virtually invented geek-rock, setting the stage for everyone from the Violent Femmes to They Might Be Giants. Lyrically, David Byrne came off as the guy who thought too much about everything. Fortunately, he also happened to be a unique visionary, whose quirky, hyper-cerebral modernism echoed the work of poet John Ashbery and "serious" composer Robert Ashley.
All this high-mindedness doesn't detract from the infectious rock ...
| | Talking Heads More Songs About Buildings & Food CD (1978)
Little Creatures
$9.15 The Heads' second album found them building on the twitchy "new wave" sound they established with their debut while using that approach as a springboard for new lyrical and musical innovations. The band's sonic pallette is a bit wider here; the interplay between the guitars of David Byrne and Jerry Harrison is more fully developed here, are Harrison's keyboard contributions (he was, after all, strictly a keys man in the Modern Lovers, one of the Heads' primary influences). The band displays diversity with their first recorded cover tune, Al Green's "Take Me To The River," which they redefine with an ominous, supple sensuality. While Byrne still sounds like his nerves are being stretched to the breaking point, the band is a little looser here, as on the jumpy, Velvet Underground-ish "Thank You For Sending Me an Angel." Byrne's hyper-intellectualism is in full flower on BUILDINGS, from the gender politics lesson "The Girls Want to Be With the Girls" to the New York bohemian slant of "Artists Only," whose key phrase is "you can't see it till it's finished!"
Also available with TALKING HEADS '77 on 1 cassette.
Live Recording
Recorded ...
| | Talking Heads Remain In Light CD (1980)
Little Creatures
$6.09 Though the previous album FEAR OF MUSIC provided a bit of foreshadowing, Talking Heads fans could never have guessed what was in store for them with the release of REMAIN IN LIGHT. A visionary work of innovation and inspiration, it's arguably one of the finest albums of the 1980s. The band leaves behind the two-guitars-over-a-quirky-rock-beat ethic of their previous work, adopting a funky, modal approach. Abandoning traditional song form and chord progressions, the tunes here are built around layers of overdubbed keyboard, guitar and percussion parts that weave around each other in an almost fugue-like manner, relying on the adding and subtracting of elements in the mix for dynamics, instead of on chord changes and structural development.
It was a radical approach for a rock band, and it's reflected in the lyrics as well. Byrne abandons his urban paranoia of old in favor of a more spiritual, third world-influenced style of writing. Adrian Belew injects some grit with his postpunk-psychedelia guitar work (suggestive of ...
| | Talking Heads Speaking In Tongues CD (1983)
Little Creatures
$6.39 On REMAIN IN LIGHT, the Heads fused their twitchy, intellectual geek-rock sensibilities with an organic, spiritual funkiness that catapulted them into a new artistic realm, virtually unfettered by the shackles of their "new wave" past. SPEAKING IN TONGUES picks up where that album left off, expanding on the band's newfound funk aesthetic and even upping the danceability quotient a notch or two. The Heads let their hair down a bit more here than on REMAIN IN LIGHT, but while the tone is a bit less serious (as on the party-starting "Burning Down The House,") the highly developed conceptual sensibilites of Byrne and company are still at work, even without the assistance of former producer Brian Eno.
Some of the previous album's airy abstractions are stripped away here, to make more room on the dance floor. Tunes like "Girlfriend is Better" attack both the feet and the mind, in typically quirky Talking Heads style. "This Must Be the Place/Naive Melody" stands out as a pretty, affecting ballad ...
| | Talking Heads Naked CD (1988)
Little Creatures
$9.09 Coming at the end of the Talking Heads' discography, NAKED finds the Heads returning to many elements of the complex, polyrhythmic arrangements that marked their work earlier in the decade, prior to the rootsier LITTLE CREATURES. Reflecting a more European influence, NAKED was recorded in Paris and produced by Steve Lillywhite, who brings to bear his gift for making sprawling arrangements sound remarkably down-to-earth and radio-friendly (see U2). The album's truly special guest is former Smith Johnny Marr, who lends his imaginative fretboard work and timeless pop sensibility to tunes such as "Nothing but Flowers," and "Cool Water." Other standouts include "Blind," a bombastic groove that foreshadows Byrne's soon-to-follow solo work. Sparse, spastic, and filled with intellectual social rage, NAKED is at once ...
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| | Ron Carter Pick 'Em/Super Strings CD (1978)
Little Creatures
$13.95 All tracks have been digitally remastered.
Recorded at Van Gelder Studios, Englewood Cliffs, New Jersey in December 1978. Originally released on Milestone (9092).
Recorded at Aura Studios, New York, New York on April 14 & 15, 1981. Originally released on Milestone (9100). Includes liner notes by Eugene
2 ...
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