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Talking Heads - Little Creatures CD Cover Art CD music music CDs songs album

Talking Heads Little Creatures CD

 Talking Heads Discography of CDs
5 stars (1 Customer Review)

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 Our Price: $6.39  CD

After the abstract funk experimentation of REMAIN IN LIGHT and SPEAKING IN TONGUES, the Heads decided to return to their roots with LITTLE CREATURES. They abandoned the modal, polyrhythmic approach in favor of the two-guitars/4/4 pop structures ...    Full Description

Little Creatures Music


Detailed Little Creatures Music Information



List Price $8.97 (You save $2.58)
Category Rock Albums, Pop CDs, Alternative, Rock/Pop, New Wave
Label Sire
Orig Year 1985
All Time Sales Rank   8612  
CD Universe Part number 1100047
Catalog number 25305
Discs 1
Release Date Oct 25, 1990
Studio/Live Studio
Mono/Stereo Stereo
Producer Talking Heads
Engineer Eric "E.T." Thorngren
Recording Time 38 minutes
Personnel David Byrne - guitar, vocals
Chris Frantz - drums
Tina Weymouth - bass, background vocals
Jerry Harrison - keyboards, guitar, background vocals

Also: Lani Groves, Lenny Pickett, Eric Weissberg, Nana Vasconcelos, Diva Gray, Steve Scales, Gordon Grody, Ellen Bernfeld, Andrew "El Pantalones" Cader, Erin Dickens, Jimmy Macdonell, Kurt Yahijian
Talking Heads Little Creatures Songs


Talking Heads Little Creatures Album Track Listing



Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample1.And She Was  
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample2.Give Me Back My Name  
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample3.Creatures of Love  
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample4.Lady Don't Mind, The  
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample5.Perfect World  
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample6.Stay up Late  
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample7.Walk It Down  
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample8.Television Man  
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample9.Road to Nowhere  

Little Creatures Music


Little Creatures Other Versions



Talking Heads
Little Creatures  (1985) Bonus Tracks; Digipak; DualDisc5 stars Audio Samples
CD$16.79
Talking Heads
Little Creatures  (1985) United Kingdom5 stars
CD$16.79
Little Creatures Music Review


Customer Little Creatures Reviews 




Average Rating: (5 out of 5 stars) 5 stars

5 stars Talking about Little Creatures.
A brilliant album and no mistaking! The Talking Heads take a more mainstream route through the musical jungle and invent themselves as a quirky new wave pop band. But the best thing about the whole thing is that it's not a sell-out...not even very slightly! Tunes like "Road to nowhere" and "And she was" are played on Dodder FM all day long because everyone loves them! But it's still the Talking Heads, and all the better for it. If this CD is your first trip into T.H. land, congratulations...you have chosen wisely. The other recordings are not the same as this one but you can find out about this in your own sweet time.
Submitted by a reviewer (Somewhere in England.)
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Buy Talking Heads Little Creatures Posters From Allposters.com



Talking Heads, Rolling Stone no. 491, January 1987

10 x 12 inch
Photographic Print

Price: $19.99
Talking Heads

48 x 36 inch
Limited Edition on Canvas

Price: $994.99
Talking Heads

21 x 16 inch
Limited Edition on Canvas

Price: $394.99
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When they burst out of the New York underground/CBGB's movement, the Heads stood apart from the pack because not only were they unlike anything that gone before, they were even anomalous to their contemporaries. A million miles from the detached irony of Blondie or the willful primitivism of the Ramones, the Talking Heads virtually invented geek-rock, setting the stage for everyone from the Violent Femmes to They Might Be Giants. Lyrically, David Byrne came off as the guy who thought too much about everything. Fortunately, he also happened to be a unique visionary, whose quirky, hyper-cerebral modernism echoed the work of poet John Ashbery and "serious" composer Robert Ashley. All this high-mindedness doesn't detract from the infectious rock & ...
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The Heads' second album found them building on the twitchy "new wave" sound they established with their debut while using that approach as a springboard for new lyrical and musical innovations. The band's sonic pallette is a bit wider here; the interplay between the guitars of David Byrne and Jerry Harrison is more fully developed here, are Harrison's keyboard contributions (he was, after all, strictly a keys man in the Modern Lovers, one of the Heads' primary influences). The band displays diversity with their first recorded cover tune, Al Green's "Take Me To The River," which they redefine with an ominous, supple sensuality. While Byrne still sounds like his nerves are being stretched to the breaking point, the band is a little looser here, as on the jumpy, Velvet Underground-ish "Thank You For Sending Me an Angel." Byrne's hyper-intellectualism is in full flower on BUILDINGS, from the gender politics lesson "The Girls Want to Be With the Girls" to the New York bohemian slant of "Artists Only," whose key phrase is "you can't see it till it's finished!" Also available with TALKING HEADS '77 on 1 cassette. Live Recording Recorded ...
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Though the previous album FEAR OF MUSIC provided a bit of foreshadowing, Talking Heads fans could never have guessed what was in store for them with the release of REMAIN IN LIGHT. A visionary work of innovation and inspiration, it's arguably one of the finest albums of the 1980s. The band leaves behind the two-guitars-over-a-quirky-rock-beat ethic of their previous work, adopting a funky, modal approach. Abandoning traditional song form and chord progressions, the tunes here are built around layers of overdubbed keyboard, guitar and percussion parts that weave around each other in an almost fugue-like manner, relying on the adding and subtracting of elements in the mix for dynamics, instead of on chord changes and structural development. It was a radical approach for a rock band, and it's reflected in the lyrics as well. Byrne abandons his urban paranoia of old in favor of a more spiritual, third world-influenced style of writing. Adrian Belew injects some grit with his postpunk-psychedelia guitar work (suggestive of his ...
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On REMAIN IN LIGHT, the Heads fused their twitchy, intellectual geek-rock sensibilities with an organic, spiritual funkiness that catapulted them into a new artistic realm, virtually unfettered by the shackles of their "new wave" past. SPEAKING IN TONGUES picks up where that album left off, expanding on the band's newfound funk aesthetic and even upping the danceability quotient a notch or two. The Heads let their hair down a bit more here than on REMAIN IN LIGHT, but while the tone is a bit less serious (as on the party-starting "Burning Down The House,") the highly developed conceptual sensibilites of Byrne and company are still at work, even without the assistance of former producer Brian Eno. Some of the previous album's airy abstractions are stripped away here, to make more room on the dance floor. Tunes like "Girlfriend is Better" attack both the feet and the mind, in typically quirky Talking Heads style. "This Must Be the Place/Naive Melody" stands out as a pretty, affecting ballad ...
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Coming at the end of the Talking Heads' discography, NAKED finds the Heads returning to many elements of the complex, polyrhythmic arrangements that marked their work earlier in the decade, prior to the rootsier LITTLE CREATURES. Reflecting a more European influence, NAKED was recorded in Paris and produced by Steve Lillywhite, who brings to bear his gift for making sprawling arrangements sound remarkably down-to-earth and radio-friendly (see U2). The album's truly special guest is former Smith Johnny Marr, who lends his imaginative fretboard work and timeless pop sensibility to tunes such as "Nothing but Flowers," and "Cool Water." Other standouts include "Blind," a bombastic groove that foreshadows Byrne's soon-to-follow solo work. Sparse, spastic, and filled with intellectual social rage, NAKED is at once ...
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All tracks have been digitally remastered. Recorded at Van Gelder Studios, Englewood Cliffs, New Jersey in December 1978. Originally released on Milestone (9092). Recorded at Aura Studios, New York, New York on April 14 & 15, 1981. Originally released on Milestone (9100). Includes liner notes by Eugene 2 ...
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