| | Peter Green Tango In The Night CD Peter Green Discography of CDs
 (11 Customer Reviews)
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Not having the mega-multi-million sales of RUMOURS allows this record greater credibility--the listener has the choice of discovering it. A worthy album, late in their career, many million miles away from the monster Peter Green created. It showed a much happier and cleaner Fleetwood Mac, having put much of their emotional baggage in the cupboard. Some of their strongest material is found here, Lindsey Buckingham's ambitious "Big Love," Christine's beautiful "Everywhere" and close second "Little Lies." Reappraising this record gives you a further chance to work out whether a rude word is repeated throughout "Family Man".
Recorded at The Slope, Bel Air, California in 1986.
Fleetwood Mac: Lindsay Buckingham (vocals, guitar, keyboards); Christine McVie (vocals, piano); Stevie Nicks (vocals); John McVie (bass); Mick Fleetwood (drums, percussion). Peter Green Tango In The Night Songs Tango In The Night Music Review Average Rating: (4.3 out of 5 stars)   List All Reviews One of My CD Essentials
I got this album the first time round at a very tender age, so my appreciation for it is multifaceted. Back before I was truly into the band, I just played the Hell out of the cassette.
After some years without it in my collection and an attack of nostalgia, I repurchased it. Like an old pair of shoes, it's quality and familiarity can't be ignored.
I know die hard fans might not agree, but it was a fine enough release considering the time period during which it was recorded. Give it a listen and see how it grabs you!
Submitted by Sarah (Kalamazoo, MI)
Was This Review Helpful? Yes No 1 of 1 found this helpful.
 VINTAGE MAC!!!!
THIS IS THE BEST F.M. ALBUM OUTSIDE OF RUMORS. THE VOCAL HARMONIES ARE UNMATCHED BY ANY ROCK AND ROLL BAND. CHRISTINE MCVIE IS BY FAR THE BEST FEMALE VOCALIST IN THE EIGHTIES, I WISH SHE WAS'NT SO HARD TO WORK WITH. LINDSAY IS ON TOP OF HIS GAME, IF YOU LIKE GUITAR WORK, STUDY THIS GUY - YOU WILL LEARN ALOT. THIS ALBUM IS A MUST HAVE FOR ANY PERSON WHO ENJOYS GREAT ROCK AND ROLL HARMONIES WITH INCREDIBLE LYRICS~!!!
Submitted by jsonoqui (Huntington Beach California) 
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mac attack
one of fleetwood macs most underrated cds.some of the best guitar chords lindsay buckingham did to that point.molodic and power tango in the night is a must have!
Submitted by a reviewer (cincinnati,oh u.s.a)
Was This Review Helpful? Yes No Great Album!
Though I've been a fan of Fleetwood Mac
since the '70s, Tango In The Night is
my favorite album.Some of their best
work can be found here.From the top 40
successes of Big Love,Little Lies,
and Everywhere,to songs that weren't
played on the radio(Family Man,Mystified) My most favorite song
on Tango In The Night is the beautiful
Mystified,with lead vocals by Christie McVie. A must have c.d. for any Mac fan!
Submitted by a reviewer (Dallas,TX)
Was This Review Helpful? Yes No  ~Tango the remixes all 4 of the 12"x12" Vinyl
Tango in the Night for sure it was and will be a good concept album one of the best the type of album you don't find much of these days.
For me it was the remixes.
~Tango in the Night remixes four 12"x12" Vinyl mixes by Jellybean that laid hidden behind the walls of this album if you were lucky enough like myself to have come across them then it made the experience all the better for yourself like it did for me.
Submitted by d26013 (Laredo Tx)
Was This Review Helpful? Yes No
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Purchase Tango In The Night CD To buy, Click on price to add to cart | Fleetwood Mac Bare Trees CD (1972)
Tango In The Night album
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The real star of BARE TREES is guitarist/vocalist Danny Kirwan, who contributes the gorgeous guitar ...
| | Fleetwood Mac Rumours CD (1977)
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Principally recorded at The Record Plant & Wally Heider Recording Studios, Los Angeles, California; Criteria Studios, Miami, Florida; Davlen Recording Studio, North Hollywood, California.
This deluxe edition of RUMOURS includes a bonus disc featuring outtakes, demos, and jam sessions.
The reviewers tell us what to buy, but the public actually part with the cash. Surely 26 million people cannot be wrong, as original Mac guitarist Peter Green's creation became the prime example of AOR long after his departure. The inner strife and turmoil of the band is credited as having helped to make this many-headed beast into such a success. Keyboardist Christine McVie sparred with ...
| | Peter Green Tusk CD (1979)
Tango In The Night music CDs
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This deluxe edition of Tusk includes a bonus disc featuring roughs, outtakes and demos.
No home should be without at least one copy of TUSK. Fleetwood Mac's magnum opus of 1979 is considered by some to be their greatest work. And while you are probably familiar with the hits, you may not realize that this recording is full of gems like Christine McVie's gorgeous "Brown Eyes" and Lindsey Buckingham's rousing and infectious "I Know I'm Not Wrong." Of course, even the Nikei industrial average would ...
| | Peter Green Mirage CD (1982)
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After the 1979 release of the precocious but misunderstood double album TUSK, which fell disappointingly below the mind-blowing sales of 1977's multi-platinum RUMOURS, the band decided to take a safer route for their next release. In sunny contrast to the melancholy introspection of TUSK, 1982's MIRAGE returned the ...
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| | Gilby Clarke CD (2007)
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Capitalizing on his sudden shot to stardom as a member of the TV supergroup Rock Star: Supernova, Gilby Clarke cobbled together this eponymous 2007 release, a collection of highlights from Pawnshop Guitars, The Hangover, Rubber, and Swag, plus his Col. Parker band and its 2001 album, Rock n Roll Music, all given remixes that might not have really been needed. Thrown into the mix is a version of "Black" that has been re-recorded with Dilana, the ferocious finalist from Rock Star, which gives fans of the show an incentive they might need to check this out since Clarke's music doesn't sound all that much like the glammy, fizzy pop of Rock Star: Supernova. On his own, Clarke has always stuck pretty close to loose, ragged '70s rock, equal parts Stones and Faces tempered by a dose of Aerosmith, and he not only celebrates this in his sound but he romanticizes it with his songs. There are tunes about parties and hangovers, about "Punk Rock Pollution" and "Bourbon Street Blues," about being stuck in the "Tijuana Jail" and how if "It's Good Enough for Rock n' Roll" it's good enough for him. If Clarke doesn't really find a new way to come up with classic spins, his love of classic rock is plenty endearing, even if his results are uneven. He's just as likely to kick out generic bloozy L.A. metal or vaguely psychedelic glam pop (think a less haunted, less flamboyant Weiland) as he is to lay back and deliver giddy, loose rock & roll worthy of Ronnie Wood or Izzy Stradlin, and this comp showcases both sides. If the latter is stronger than the former -- songs like "Skin n' Bones," "Can't Get That Stuff," "Bourbon Street Blues," the Stonesy "Dropping Out," ...
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