| | Miles Davis Doo-Bop CD Miles Davis Discography of CDs
(2 Customer Reviews)
This is the recording Miles Davis was working on when he checked into the hospital in mid-September of 1991. With his passing on the 28th of September, a major epoch in American music came to a close. Somewhere in the back of his mind he probably ... Full Descriptionknew that he was living on borrowed time, because earlier that summer he'd finally consented to make a nostalgic return to the classic music that emerged from his collaborations with Gil Evans (MILES & QUINCY AT MONTREAUX). But as the contemporary sounds of DOO-BOP indicate, Miles Davis was incapable of sustained backwards glances.
As the rapology of J.R., A.B. Money and Easy Mo Bee on "The Doo-Bop Song," "Blow" and "Fantasy" indicates, Miles and his collaborators were still feeling each other out in terms of themes and context. The raps revolve around hangin' with the legendary Davis--let's dim the lights and get down with my man Miles. In terms of dance tracks, the Afro-Cuban airs of "Blow" make it the most successful, while "Fantasy" re-visits Clyde Stubblefield's much sampled "Funky Drummer" beat--via the "Red Clay" chord changes--with hip-happy results.
But many of the funky arrangements are a bitch, and Miles sounds funky, lyrical and relaxed. "Chocolate Chip" recalls the ancient doo wop and R&B antecedents of modern funk, including a nod to James Brown, while "Duke Booty" presents the modern perspective on funk. And "High Speed Chase" anticipates the current acid jazz fascination with cool blues and boogaloo grooves of the Blue Note and CTI studio styles, as Miles blows bumblebee lines over fatback organ, vibes and a variety of street sounds.
Recorded at Unique Recording, New York, New York.
Personnel includes: Miles Davis (trumpet); A.B. Money, J.R. (vocals); Easy Mo Bee (rap vocals).
Engineers include: Kirk Yano, Bruce Moore, John McGlain.
Entertainment Weekly (8/21/92, p.60) - "...[Miles] solos with impeccable logic and wistful finesse over smoothly intricate hip-hop rhythm tracks..." - Rating: B- Q (9/92, p.70) - 4 Stars - Excellent - "...a collector's piece...it is as hip, sexy, open and complex as the best of his work since he elected to turn to FM airplay music in the 1980's..." Down Beat (8/92, p.37) - 4.5 Stars - Very Good Plus - "...What excites me about DOO-BOP is the way Miles was playing in his last days....Where he has sounded tentative at times on recent recordings, here he starts and ends his ideas crisply....It's a hell of an exit, chief..." Musician (6/92, p.96) - "...This is a hip hop record....For younger ears weaned on modern beats, it's an inviting opening into one of the great cornucopias of American music....Like most everything Miles played, the music of DOO-BOP is cool and warm, beautiful and true..." Hide Description Miles Davis Doo-Bop Songs Purchase Doo-Bop CD To buy, Click on price to add to cart | Miles Davis Amandla CD (1989)
Doo-Bop album
$13.95 With the release of what turned out to be his final "band" album in 1989, Miles Davis had once again arrived at a new sound. And while the music on AMANDLA was certainly immersed in popular conventions, somehow the trumpeter managed to keep his sense of distinction alive and well. AMANDLA doesn't sound like any of the contemporary jazz records of its time.
In recording TUTU and SIESTA, Miles basically abdicated his bandleader functions to the multi-talented Marcus Miller, who in addition to his command of modern bass guitar techniques, handled reeds, woodwinds, guitars, keyboards and all manner of computer programming. By plugging in with the cream of his live collaborators on AMANDLA, Miles retained the big band sound of TUTU, but with a more human face--an enhanced sense of interplay and swing.
Tunes such as "Jo-Jo" and "Jill" engender an ongoing call response between front line and back line, between main and secondary themes, as Kenny Garrett's fat, burnished alto lines coil and strike around Miles' more circumspect muted phrases. The opening "Catembe" heralds the third world rhythmic locus which snakes its way through the entire album, from the big beat shuffle of "Big Time" through the Caribbean flavored backdrops and go-go beats of "Jo-Jo." The ...
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Doo-Bop CD music
$6.39 This audio document of The Corrs' Dublin homecoming concert has pretty much everything fans of Irish pop could wish for, including an appearance from Bono in his earthly incarnation, fresh from an audience with President George W. Bush. It's to the band's credit that the charismatic singer fails to steal the show, despite creditable efforts via an anthemized version of Ryan Adams' beautifully downtempo "When the Stars Go Blue," and a great, leering rendition of Lee Hazlewood and Nancy Sinatra's "Summer Wine."
Somewhat more mysteriously, Rolling Stone Ron Wood also turns up on what sounds dangerously close to a lounge version of Jimi Hendrix's "Little Wing," but this minor faux pas is redeemed by the Irish folk medley "Joy of Life/Trout in the Bath" which arguably ...
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$11.39 Celestial Memories presents the pure sine wave tones of the Quartz Crystal Singing Bowls, with the gentle addition of flutes, chimes, vocals and drumming. Journey to spaces of deep relaxation and peace as the music of these crystal bowls opens up gateways of awareness and wholeness within your Being. The perfect pitch tones of these harmonically tuned instruments help to align your chakras, which balances and rejuvenates your vital life energies. Each song contains a specific healing energy channeled from the celestial realms, for the highest good of the listener. Perfect for relaxation, meditation, spiritual growth and healing. Since it's debut in Spring of 2001, Celestial Memories is now being used in psychiatric, twelve step recovery and bereavement centers along with alternative healing practices for the gravely ill. Assisting with bringing into harmony the Body, Mind, and Spirit it has met with high praise from meditators, yoga and healing practitioners, ...
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