| | Black Sabbath Dehumanizer CD Black Sabbath Discography of CDs
 (19 Customer Reviews)
In 1992, a reunion of the Black Sabbath mark II lineup occurred, garnering a sigh of relief from the worldwide fans of the group. In the '80s and early '90s, the metal outfit went through countless personnel changes and perhaps should have been called The Tony Iommi Project. This reunion with Ronnie James Dio was a precursor to the four original members reuniting in December 1997.
DEHUMANIZER is a thunderously heavy album. The band sported a "take no prisoners" attitude in showing they could rock even harder than a decade earlier. "TV Crimes," the album's first single, is a fast and furious number featuring the drumming talents of Vinny Appice. Songs like "Masters of Insanity" and "Sins of the Father" contribute to the album's dark feel. "Time Machine" is the standout track, and a second version from the WAYNE'S WORLD 2 soundtrack is featured. Dio's voice ages like fine wine, and Geezer Butler's inventive bass line dominates the track. DEHUMANIZER is the sweet fruit of this mark II reunion.
Recorded at Rockfield Studios, Wales, England.
Black Sabbath: Ronnie James Dio (vocals); Tony Iommi (guitar); Geezer Butler (bass); Vinny Appice (drums).
Additional personnel: Geoff Nicholls (keyboards).
Entertainment Weekly (8/14/92, p.60) - Rating: B+
Reflex (11/10/92, p.68) - "...the first release worthy of the Black Sabbath name since 1981...Sabbath's finally back to bruising business..." Black Sabbath Dehumanizer Songs | 1. | Computer God | $0.99 | |
| 2. | After All (The Dead) | $0.99 | |
| 3. | T.V. Crimes | $0.99 | |
| 4. | Letters From Earth | $0.99 | |
| 5. | Master of Insanity | $0.99 | |
| 6. | Time Machine | $0.99 | |
| 7. | Sins of the Father | $0.99 | |
| 8. | Too Late | $0.99 | |
| 9. | 1 | $0.99 | |
| 10. | Buried Alive | $0.99 | |
| 11. | Time Machine - (Wayne's World version) | $0.99 | |
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Dehumanizer Music Review Average Rating: (4.8 out of 5 stars)   List All Reviews DeHumanizer
Yes this material is a collection of well written music made by dedicated musicians.
This cd marks the reunion of BS part 3.
Submitted by August (NewJersey) 
Was This Review Helpful? Yes No DIO CAN STILL BURN WITH TONY IOMMI
EVEN THOUGH THEIR ON SEPERATE ROADS DIO & SABBATH CAN STILL MELT TOGETHER MY HIGHEST REGARDS TO ALL THEIR MELTING THOUGHTS LOVE NEAL
Submitted by a reviewer (WHITEWATER WI USA)
Was This Review Helpful? Yes No Sabbath's Best
I have to say this is Sabbath's best album. There is no way that anything they do with Ozzy can top this gem. Too bad they couldn't get it together to do the follow-up. Rumor has it that Tony Martin was supposed to do the vocals for this one. Good thing he didn't although Cross Purposes was also a great follow up to this. In all honesty, Black Sabbath can never top this one. This is the better Sabbath line up.
Submitted by tastecoldsteel (my home, USA)
Was This Review Helpful? Yes No One of the Best Black Sabbath Albums ever!
This album is the only post Ozzy Sabbath album that truly lives up to the name Black Sabbath. Well, Heaven and Hell and Mob Rules do too, but Dehumanizer is the only one that covers some of the same toppics of the Early Ozzy Years. For the whole latter half of the 80's The material By "Sabbath" wasnt really sabbath, This is the frst real Sabbath album since Mob rules.
Submitted by Tex (Texas)
Was This Review Helpful? Yes No Solid Metal!
If you like Holy Diver, Heaven and Hell, and Mob Rules, you will not be dissappointed. This album is solid, classic metal and Sabbath's best delivery in years.
Submitted by mnelson999 (Grand Rapids, MI)
Was This Review Helpful? Yes No List All Reviews | Have you heard this album? |  |
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This album is a sort of summit conference of underground heavy music. Guitarists and vocalists Scott "Wino" Weinrich (the Obsessed, Saint Vitus, Spirit Caravan, the Hidden Hand) and Scott Kelly of Neurosis are grizzled veterans whose hoarse, guttural shouts and instantly recognizable, distorted guitar tones carry the authority of years of hard touring and introspective yet still crushing rock, while bassist Al Cisneros (Sleep, Om) and Melvins drummer Dale Crover shake the earth with their gigantic rhythms. The five tracks were laid down in three days, with some minor overdubs done shortly afterward, and they have the organic feel of jams transformed into cohesive songs through application of the group mind. Wino's usual biker-rock riffage is frequently replaced by a more psychedelic, drifting sound with long sustained notes floating over Cisneros's trance-inducing basslines (Ted Nugent's "Stranglehold" seems like a bigger influence than ...
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But there's no sense of fusion here. Neither a metal band toying with rap nor a rap group fronting as a rock band, R.A.T.M. is four guys who were never told that there's a difference, and who don't care to know. The knowledge-is-good-but-schools-are-bad rap, "Take The Power Back," gives way to a metal instrumental ...
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Converge's eighth studio album is packed with guest performances by kindred spirits from Massachusetts and beyond. "Effigy," one of four songs on the album that comes in under the two-minute mark, features Steve Brodsky and Adam McGrath of Cave In on guitar and that group's drummer, J.R. Conners, behind the kit. Uffe Cederlund of Disfear takes over lead guitar on "Wishing Well," while Steve Von Till of Neurosis sings on "Cruel Bloom" and Genghis Tron' Mookie Singerman does guest vocals on the seven-minute album closer, "Wretched World." But it's the core group that delivers the most astonishing displays of hardcore fury and progressive musical exploration on AXE TO FALL. Opening cut "Dark Horse," propelled by a Disfear-esque riff so insane it'll make you think your CD is playing at the wrong speed, kicks off a breathless sprint that lasts all the way to the doomy, noisy fifth track, "Worms Will Feed." It's astonishing that Converge have time to put this much thought into their music instead of just cranking out one more rote album, but AXE TO FALL is a big step forward for them.
Converge's eighth studio album is packed with guest performances by kindred spirits from Massachusetts and beyond. "Effigy," one of four songs on the album that comes in under the two-minute mark, ...
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Also available in a 3-pack with THE LAST COMMAND and THE HEADLESS CHILDREN.
By 1984, Kiss had been unmasked for a year and Alice Cooper was on hiatus. But L.A. bands like W.A.S.P. (which stood for "We Are Sexual Perverts") were picking up the theatrical, shock-metal slack quite nicely. The band would wear eerie make-up, tight leather, and knee-high boots, while wielding a variety of outlandish props. Musically, W.A.S.P. specialized in mega-decibel heavy metal, as evidenced by the group's gold-certified self-titled debut.
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